Vol. 1: 'My beautiful One, My Unique!', pp. 130-140
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Why should we do as those who do not have other joys than to believe, as night falls, in their double beds.. .that it is to be great and sanctified by love to jostle the companions of their bed. Our passion must be like our love – illusory and artistic, having no other end than the desire to be beautiful. To remain beautiful in unsated [unstated?] passion...

— Marianne von Werefkin

What It Means

This is a placeholder explanation generated by the low-overhead model. It interprets "Why should we do as those who do not have other joys than to believe, as night falls, in their double beds.. .that it is to be great and sanctified by love to jostle the companions of their bed. Our passion must be like our love – illusory and artistic, having no other end than the desire to be beautiful. To remain beautiful in unsated [unstated?] passion..." in the context of "Vol. 1: 'My beautiful One, My Unique!', pp. 130-140" to mean that wisdom is timeless.

Quote Image
Source: Wikiquote: "Marianne von Werefkin" (Quotes: sorted chronologically, by date of the quotes of Marianne von Werefkin, 1895 - 1905, Lettres à un Inconnu, 1901 – 1905; Museo Communale, Ascona: Quotes of Werefkin from: Lettres à un Inconnu, 1901 – 1905, originally written in French by Marianne von Werefkin - taken from Vol 1. 'My beautiful One, My Unique!', Museo Communale, Ascona; as quoted in Voicing our visions, - Writings by women artists, ed. by Mara R. Witzling, Universe New York, 1991) The 'What it means' explanation text was generated by Google Gemini Flash (accessed January 18, 2026). https://gemini.google.com/app
Marianne von Werefkin

About Marianne von Werefkin

Marianne von Werefkin (10 September 1860, Tula, Russia – 6 February 1938, Ascona, Switzerland) was a Russian-German-Swiss Expressionist painter and important contributor in the Munich artist-group Der Blaue Reiter. At the outbreak of the First World War, Werefkin and Jawlensky immigrated to Switzerland; in 1921 they separated. Werefkin stayed in Ascona, on Lago Maggiore where she painted her colorful imaginative landscapes in an expressionist style, till her death.