Gloria E. Anzaldúa, Borderlands (1999)
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What you could say is that in the sixties and the early seventies the Chicanos were at the controls. They were the ones who were visible, the Chicano leaders. Then in the eighties and nineties, the women have become visible. I see a lot of Chicanas when I travel. They come up to me, and while we are talking I ask them about their role models. They mention names like Cherríe Moraga, Gloria Anzaldúa and other Chicana authors. It is, and will continue to be, women that they are reading, that they respect. Not the guys. So it-the Chicano Movement-has shifted into the Movimiento Macha.

— Gloria E. Anzaldúa on Cherríe Moraga

What It Means

This is a placeholder explanation generated by the low-overhead model. It interprets "What you could say is that in the sixties and the early seventies the Chicanos were at the controls. They were the ones who were visible, the Chicano leaders. Then in the eighties and nineties, the women have become visible. I see a lot of Chicanas when I travel. They come up to me, and while we are talking I ask them about their role models. They mention names like Cherríe Moraga, Gloria Anzaldúa and other Chicana authors. It is, and will continue to be, women that they are reading, that they respect. Not the guys. So it-the Chicano Movement-has shifted into the Movimiento Macha." in the context of "Gloria E. Anzaldúa, Borderlands (1999)" to mean that wisdom is timeless.

Quote Image
Source: Wikiquote: "Cherríe Moraga" (Quotes about Cherríe Moraga) The 'What it means' explanation text was generated by Google Gemini Flash (accessed January 18, 2026). https://gemini.google.com/app
Gloria E. Anzaldúa

About Gloria E. Anzaldúa

Gloria Evangelina Anzaldúa (September 26, 1942 – May 15, 2004) was a Chicana lesbian feminist scholar of Chicana cultural theory, feminist theory, and queer theory. She loosely based her best-known book, Borderlands/La Frontera: The New Mestiza, on her life growing up on the Mexico–Texas border and incorporated her lifelong experiences of social and cultural marginalization into her work.