Charlton Heston Quotes (1924-2008)

“Now, I doubt any of you would prefer a rolled up newspaper as a weapon against a dictator or a criminal intruder. Yet in essence, that is what you have asked our loved ones to do, through an ill-contrived and totally naive campaign against the Second Amendment.”

“You do not define the First Amendment. It defines you. And it is bigger than you. That's how freedom works. It also demands you do your homework.”

“Let me make a short, opening, blanket comment. There are no good guns. There are no bad guns. Any gun in the hands of a bad man is a bad thing. Any gun in the hands of a decent person is no threat to anybody — except bad people...”

“I find my blood pressure rising when Clinton's cultural shock troops participate in homosexual-rights fund-raisers but boycott gun-rights fund-raisers... and then claim it's time to place homosexual men in tents with Boy Scouts, and suggest that sperm donor babies born into lesbian relationships are somehow better served and more loved.”

“If I were truly the last man on Earth, I would talk to myself. I've been out in the woods, hunting and things. There's no one else to talk to, so you talk to yourself. Why not? In Neville's case, there is no one else to talk to. That's part of the beginning of the film. When he finds that there is actually someone else alive, that changes the direction of his behavior.”

“We've lost a remarkable actress and a significant star. I ... found her to be an extraordinary performer and a fine woman.”

“It could be that today's conservative movement remains in thrall to the same narrative that has defined its attitude toward film and the arts for decades. Inspired by feelings of exclusion after Hollywood and the popular culture turned leftward in the '60s and '70s, this narrative has defined the film industry as an irredeemably liberal institution toward which conservatives can only act in opposition—never engagement. Ironically, this narrative ignores the actual history of Hollywood, in which conservatives had a strong presence from the industry's founding in the early 20th century up through the '40s, '50s and into the mid-'60s]. The conservative Hollywood community at that time included such leading directors as Howard Hawks, Frank Capra, and Cecil B. DeMille, and major stars like John Wayne, Clark Gable, and Charlton Heston. These talents often worked side by side with notable Hollywood liberals like directors Billy Wilder, William Wyler, and John Huston, and stars like Humphrey Bogart, Lauren Bacall, and Spencer Tracy. The richness of classic Hollywood cinema is widely regarded as a testament to the ability of these two communities to work together, regardless of political differences. As the younger, more left-leaning "New Hollywood" generation swept into the industry in the late '60s and '70s, this older group of Hollywood conservatives faded away, never to be replaced. Except for a brief period in the '80s when the Reagan Presidency led to a conservative reengagement with film—with popular stars like Clint Eastwood, Sylvester Stallone, and Arnold Schwarzenegger making macho, patriotic action films—conservatives appeared to abandon popular culture altogether. In the wake of this retreat, conservative failure to engage with Hollywood now appears to have been recast by today's East Coast conservative establishment into a generalized opposition toward film and popular culture itself. In the early '90s, conservative film critic Michael Medved codified this oppositional feeling toward Hollywood in his best-selling book Hollywood vs. America.”