Anton Chekhov Quotes (0-)

“Twice two’s four, and a stone’s a stone. Here to-morrow we have a duel. You and I will say it’s stupid and absurd, that the duel is out of date, that there is no real difference between the aristocratic duel and the drunken brawl in the pot-house, and yet we shall not stop, we shall go there and fight. So there is some force stronger than our reasoning.”

“I don’t understand anything about the ballet; all I know is that during the intervals the ballerinas stink like horses.”

“There should be more sincerity and heart in human relations, more silence and simplicity in our interactions. Be rude when you’re angry, laugh when something is funny, and answer when you’re asked.”

“You are right to demand that an author take conscious stock of what he is doing, but you are confusing two concepts: answering the questions and formulating them correctly. Only the latter is required of the author.”

“Capital punishment kills immediately, whereas lifetime imprisonment does so slowly. Which executioner is more humane? The one who kills you in a few minutes, or the one who wrests your life from you in the course of many years?”

“Man has been endowed with reason, with the power to create, so that he can add to what he's been given. But up to now he hasn't been a creator, only a destroyer. Forests keep disappearing, rivers dry up, wild life's become extinct, the climate's ruined and the land grows poorer and uglier every day.”

“A woman can only become a man’s friend in three stages: first, she’s an agreeable acquaintance, then a mistress, and only after that a friend.”

“I fear Tolstoy's death. His death would leave a large empty space in my life. First, I have loved no man the way I have loved him. I am not a believer, but of all beliefs I consider his the closest to mine and most suitable for me. Second, when literature has a Tolstoy, it is easy and gratifying to be a writer. Even if you are aware that you have never accomplished anything, you don't feel so bad, because Tolstoy accomplishes enough for everyone. His activities provide justification for the hopes and aspirations that are usually placed on literature. Third, Tolstoy stands firm, his authority is enormous, and as long as he is alive bad taste in literature, all vulgarity in its brazen-faced or lachrymose varieties, all bristly and resentful vanity will remain far in the background. His moral authority alone is enough to maintain what we think of as literary trends and schools at a certain minimal level. If not for him, literature would be a flock without a shepherd or an unfathomable jumble.”

“I'm glad you like Chekhov. He is a very great writer, immense. He picks all human arrogances clean to the bone but has an unshakable confidence in the future of humanity.”

“I think the first discovery I made for myself which I didn't necessarily share with my family or my friends, but came upon myself, was Russian literature. I've always felt very much enthralled to writers like Dostoevsky, especially, and Chekhov.”

“(Is there a book that you just absolutely couldn't imagine not owning, whether or not you think you're ever going to go back and reread it?) LE: Yes: the collected stories of Chekhov. That's what I read if I'm disturbed, depressed, or can't get back to sleep. I have Chekhov next to the bed...The humanity, and the clarity, and the sense of acceptance, and I wouldn't really say kindness so much as acceptance in Chekhov's work-I go back to it constantly. The books I take with me on my book tours are always the ones that are sustaining. I take Chekhov, and I often take Middlemarch.”

“For a man who died at 40, Anton Chekhov left an astounding legacy. Though he worked full-time as a physician — which in 19th-century Russia meant driving horse-carriages around the frigid countryside to visit badly suffering people in the middle of the night — Chekhov completed an unthinkable 600 short stories and 13 plays in his lifetime. His work inspires adoration from readers, including writers as different as Virginia Woolf and Raymond Carver.”

“(there must have been other writers whom you regarded as models.) NG: In my adolescence, the Russians were tremendously important to me. More than anyone, Chekhov.”

“As Chekhov said: ‘Others may be a slave, but I must squeeze the slave out of myself drop by drop.’”

“I do love Chekhov dearly. I fail, however, to rationalize my feeling for him: I can easily do so in regard to the greater artist, Tolstoy, with the flash of this or that unforgettable passage […], but when I imagine Chekhov with the same detachment all I can make out is a medley of dreadful prosaisms, ready-made epithets, repetitions, doctors, unconvincing vamps, and so forth; yet it is his works which I would take on a trip to another planet.”

“Read Chekhov, read the stories straight through. Admit that you understand nothing of life, nothing of what you see. Then go out and look at the world.”

“The short stories of Anton Chekhov. Each is an entire entity, a small universe. Classically written, very strong, and it lives in your mind for a long time after you read it, so it gives us a kind of insight, and I like Chekhov’s endings—they are open, and they leave the reader with something like uneasiness, they’re like containers for the readers’ projections. They are perfect.”

“What writers influenced me as a young man? Chekhov! As a dramatist? Chekhov! As a story writer? Chekhov!”