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Imre Kertész Quotes (1929-2016)
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About Imre Kertész
Imre Kertész (9 November 1929 - 31 March 2016) is a Hungarian Jewish author, Holocaust concentration camp survivor, and winner of the Nobel Prize in Literature in 2002.
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“Failure alone remains as the one single accomplishable experience;”
“If you’re a revolutionary, you shouldn’t have started a family.”
“My body is foreign to me that body that sustains me and will, ultimately, kill me.”
“... mert ami valóban irracionális, az nem a rossz, ellenkezőleg: a jó.”
“The world is not our imagination but our nightmare, full of inconceivable surprises.”
“There’s just one revolution that I can take seriously, and that’s a police revolution.”
“Boredom. He takes it with him everywhere, like an angry shaggy terrier that he sets on others from time to time.”
“For Kingbitter the Hamlet question did not run “To be or not to be?” but “Am I or am I not?”.”
“I am sick of atrocities, though these are now the natural order of our world. And I would still like to act!”
“Nothing upsets me as much as a shop window jammed full of objects; such windows literally depress, sadden, even demoralize me.”
“Writers sometimes cast themselves into the most profound depths of despair in order to master it and move on.”
“If one takes the path of success, then one ends up either successful or unsuccessful, there is no third alternative.”
“Nonexistence. The society of the nonexistent. In the street yesterday a nonexistent person trod on my foot with his nonexistent foot.”
“Good can be done in a life in which Evil is the life principle, but only at the cost of the doer’s sacrificing his life.”
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Ben Ehrenreich on Imre Kertész
“Kertész has his eyes on the 20th century's varied efforts toward the liquidation of anything recognizable as human personality. "We are living in an age of disaster; each of us is a carrier of the disease," B. decrees in one of many flashbacks. "Disaster man has no fate, no qualities, no character." … Fatelessness is an eerie and painful novel, shocking not for its by-now familiar subject matter, but for the tone of earnest goodwill with which the young narrator attempts to understand his situation. (In one passage he discovers fleas feasting on his open wounds and, despite his horror, considers the insects' hunger and concludes that, "taking everything into account, I could see it their way.") In 1990's excellent Kaddish for an Unborn Child — which, sadly, completes the slim triad of Kertész's works available in English — he explains (via B.) that "one's religious duty, totally independent of the crippling religions of crippling churches, is . . . understanding the world." And with brutal intellectual rigor, Kertész does his best, refusing to let the Holocaust be sacralized as some mythical exception that stands outside of history, or as an untouchable sinkhole of meaning. The Nazi genocide is not an inexplicable catastrophe for Kertész, it's a given, the channel through which the world must be understood. …''' Liquidation is a profoundly melancholy book, wrestling not just with the legacy of the Holocaust, but with the decades of authoritarianism and disappointment that followed. … Liquidation is at its core a book about writing, about trying to tell stories that resist being told.”
About Imre Kertész
Imre Kertész (9 November 1929 - 31 March 2016) is a Hungarian Jewish author, Holocaust concentration camp survivor, and winner of the Nobel Prize in Literature in 2002.