William Faulkner Quotes (1897-1962)

“Clocks slay time. Time is dead as long as it is being clicked off by little wheels; only when the clock stops does time come to life.”

“We never thought, sitting in my office on those afternoons, discussing Voltaire and Ingersoll, that we would ever be brought to this, did we? You, the atheist whom the mere sight of a church spire on the sky could enrage; and I who have never been able to divorce myself from reason enough even to accept your pleasant and labor-saving theory of nihilism.”

“It is not proof that I sought. I, of all men, know that proof is but a fallacy invented by man to justify to himself and his fellows his own crass lust and folly.”

“Where white men rent farms and live like niggers and niggers crop on shares and live like animals, where cotton is planted and grows man-tall in the very cracks of the sidewalks...”

“I most sincerely wish to go on record as being unalterably opposed to Francisco Franco and fascism, to all violations of the legal government and outrages against the people of Republican Spain.”

“A hack writer who would not have been considered a fourth rate in Europe, who tricked out a few of the old proven "sure-fire" literary skeletons with sufficient local color to intrigue the superficial and the lazy.”

“No one is without Christianity, if we agree on what we mean by the word. It is every individual's individual code of behavior by means of which he makes himself a better human being than his nature wants to be, if he followed his nature only.”

“Be scared. You can’t help that. But don’t be afraid. Ain’t nothing in the woods going to hurt you unless you corner it, or it smells that you are afraid. A bear or a deer, too, has got to be scared of a coward the same as a brave man has got to be.”

“Be scared. You can’t help that. But don’t be afraid. Ain’t nothing in the woods going to hurt you unless you corner it, or it smells that you are afraid. A bear or a deer, too, has got to be scared of a coward the same as a brave man has got to be.”

“I most sincerely wish to go on record as being unalterably opposed to Franco and fascism, to all violations of the legal government and outrages against the people of Republican Spain.”

“[Hemingway] has no courage, has never crawled out on a limb. He has never been known to use a word that might cause the reader to check with a dictionary to see if it is properly used.”

“"Fiddlesticks," Mother said. "Anything he will learn about sixteen-year-old girls from you will probably be a good deal more innocent than what he will learn some day from sixteen-year-old girls."”

“[A] hack writer who would not have been considered fourth rate in Europe, who tricked out a few of the old proven 'sure fire' literary skeletons with sufficient local color to intrigue the superficial and the lazy.”

“Faulkner in Dry September — or Light in August, or even in The Sound and the Fury — can really get at (as you put it, "to the bone") the truth of what the black-white relationship is in the South, and how what a dark force it is in the Southern personality. At the same time, Faulkner, as a man, as a citizen of Mississippi, is committed to what in Mississippi seems to be their past. It is one thing for Faulkner to deal with the Negro in his imagination, where he can control him; and quite another thing to deal with him in life, where he can't control him. In life, obviously the Negro, the uncontrollable Negro, simply is determined to overthrow everything in which Faulkner imagines himself to believe. It is one thing to demand justice in literature, and another thing to face the price that one has got to pay for it in life.”

“What's the difference between regional being the Southwest and regional being the South if the story is brilliant enough to be universal? Does it matter that Faulkner's universe was little? When he finished Absalom, Absalom, it wasn't about Mississippi; it was about the cosmos. So if a book like that is written by a Puerto Rican or a Native American, why should it continue to be taught as ethnic literature?”

“Apparently the entire population of Jefferson, Mississippi consists of rhetoricians who would blanch at the sight of a simple declarative sentence ... Seriously, I do not know what to say of this book except that it seems to point to the final blowup of what was once a remarkable, if minor, talent.”

“Have you ever heard of anyone who drank while he worked? You're thinking of Faulkner. He does sometimes — and I can tell right in the middle of a page when he's had his first one.”

“I am the child of a bilingual family that delights in tongue acrobatics of mixed syntax and vocabulary. We write as we speak, in run-on sentences (if Faulkner could do it and be called great, why can't we?)”

“Faulkner wrote what I suppose could be called regional literature and had it published all over the world. It is good-and universal-because it is specifically about a particular world. That's what I wish to do.”

“I see the world very much in a Faulkner kind of way. People keep reappearing for me; all those women I knew in their thirties with small children when that first book came out in '59-I still know them now. There's still a lot of them around. And so I don't see life in what used to be called an alienated way. I see people going away and coming back. And I think a lot of people live that way; I don't think I'm so alone in that.”

“The greatness of a writer has nothing to do with subject matter itself, only with how much the subject matter touches the author. It is the density of style which counts. Through Hemingway's style you feel matter, iron, wood. I admire Hemingway but I prefer what I know of Faulkner. Light in August is a marvelous book.”