Roxanne Dunbar-Ortiz on James Fenimore Cooper

“The Indian-fighting frontiersmen and the "valiant" settlers in their circled covered wagons are the iconic images of that identity. The continued popularity of, and respect for, the genocidal sociopath Andrew Jackson is another indicator. Actual men such as Robert Rogers, Daniel Boone, John Sevier, and David Crockett, as well as fictitious ones created by James Fenimore Cooper and other best-selling writers, call to mind D. H. Lawrence's "myth of the essential white American"-that the "essential American soul" is a killer.”

“Most of the books published during the five-year period leading up to, during, and after the invasion of Mexico were war-mongering tracts. Euro-American settlers were nearly all literate, and this was the period of the foundational "American literature," with writers James Fenimore Cooper, Walt Whitman, Edgar Allan Poe, John Greenleaf Whittier, Henry Wadsworth Longfellow, James Russell Lowell, Ralph Waldo Emerson, Henry David Thoreau, Nathaniel Hawthorne, and Herman Melville all active-each of whom remains read, revered, and studied in the twenty-first century, as national and nationalist writers, not as colonialists.”

“The French and Indian War would later be seen as the trigger for independence of the settler population, in which the distinctly "American" nation was born. This mythology was expressed in the 1826 novel The Last of the Mohicans: A Narrative of 1757, in which the author-land speculator James Fenimore Cooper-created a usable settler-colonial history. Blockbuster Hollywood adaptations of the book in 1932 and 1992 reinforced the mythology. But the 1940 film, based on the best-selling novel Northwest Passage, which is considered a classic and remains popular due to repeated television showings, goes even further in portraying the bloodthirsty mercenaries, Rogers's Rangers, as heroes for their annihilation of a village of Abenakis.”