Quote of Escher, from his essay on Tessellation 1957; as cited by Tony Thomas, in 'The Strange Worlds of M C Escher'
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In mathematical quarters, the regular division of the plane has been considered theoretically.. .Does this mean that it is an exclusively mathematical question? In my opinion, it does not. [Mathematicians] have opened the gate leading to an extensive domain, but they have not entered this domain themselves. By their very nature they are more interested in the way in which the gate is opened than in the garden lying behind it.
— M. C. Escher
What It Means
This is a placeholder explanation generated by the low-overhead model. It interprets "In mathematical quarters, the regular division of the plane has been considered theoretically.. .Does this mean that it is an exclusively mathematical question? In my opinion, it does not. [Mathematicians] have opened the gate leading to an extensive domain, but they have not entered this domain themselves. By their very nature they are more interested in the way in which the gate is opened than in the garden lying behind it." in the context of "Quote of Escher, from his essay on Tessellation 1957; as cited by Tony Thomas, in 'The Strange Worlds of M C Escher'" to mean that wisdom is timeless.
Source: Wikiquote: "M. C. Escher" (Quotes of M. C. Escher: sorted chronologically, by date of the quotes of M. C. Escher, 1950's)
The 'What it means' explanation text was generated by Google Gemini Flash (accessed January 18, 2026). https://gemini.google.com/app
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About M. C. Escher
Maurits Cornelis Escher (17 June 1898 – 27 March 1972) was a Dutch graphic artist who made mathematically inspired woodcuts, lithographs, and mezzotints. His work features mathematical objects and operations including impossible objects, explorations of infinity, reflection, symmetry, perspective, truncated and stellated polyhedra, hyperbolic geometry, and tessellations.
About M. C. Escher
Maurits Cornelis Escher (17 June 1898 – 27 March 1972) was a Dutch graphic artist who made mathematically inspired woodcuts, lithographs, and mezzotints. His work features mathematical objects and operations including impossible objects, explorations of infinity, reflection, symmetry, perspective, truncated and stellated polyhedra, hyperbolic geometry, and tessellations.
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