Laila Lalami Quotes (1968-)

King, Novelist

About Laila Lalami

Laila Lalami (born 1968) is a Moroccan-American novelist, essayist, and professor.

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“Lucky Aziz. He curses his own luck.”
Laila Lalami
“Better than the Moroccans themselves.”
“life should not be traded for gold (p87)”
Laila Lalami
“She had to do something for her future—today.”
“A bit salty dear," she said. Faten smiled, grateful for the truth.”
“books hold so many memories of the times and places in which I’ve read them.”
Laila Lalami
“He needed someone to trustworthy to deal with Faten, and he knew Raouf would not let him down.”
“But, he tried to tell himself, maybe this was just a fleeting interest, maybe it would all go away.”
Laila Lalami
“There’s a disconnect between how people imagine their families and how families are in real life.”
“She did not notice the fading afternoon light that lengthened the shadows behind her, framing her body like the arches of a shrine.”
Laila Lalami
“We're so blinded by our love of the West that we're willing to give them our brightest instead of keeping them here where we need them.”
“He warned me that trade would open the door to greed and greed was an inconsiderate guest; it would bring its evil relations with it. (p58)”
Laila Lalami
“in those days, I fed my hopes of freedom in whichever way I could, without realizing that I was only hooking myself to different lures. (p88)”
Laila Lalami
“I know now that these conquerors, like many others before them, and no doubt like others after, gave speeches not to voice the truth, but to create it. (p8)”
“Nothing new has ever happened to a son of Adam, she said. Everything has already been lived and everything has already been told. If only we listened to the stories. (p52)”
“I think of history as a dialogue with the present, so whenever I’m puzzled by the turn of current events — which is all too often these days — I look to the past for context.”
Laila Lalami
“A name is precious; it carries inside it a language, a history, a set of traditions, a particular way of looking at the world. Losing it meant losing my ties to all those things too. (p5)”
Laila Lalami
“When you move into a new place, it does involve a refashioning of the self. We derive our sense of identity at least partly in relation to the landscape around us, in which we’ve grown up..…”
Laila Lalami
“He couldn't understand these foreigners. They could go to a nice hotel, have a clean bed, go to the beach or the pool, and here they were in the worst part of town, looking around for something exotic.”
“They’re supposed to be the people who support you, who love you no matter what, and the reality is they’re the first people who teach you to cast doubt on yourself, they’re the first people who sometimes don’t have your back…”
“Telling a story is like sowing a seed—you always hope to see it become a beautiful tree, with firm roots and branches that soar up in the sky. But it is a peculiar sowing, for you will never know whether your seed sprouts or dies. (p122)”
“All of my books have focused on characters that are displaced and having to start over in some place new, and how the new landscape shapes the person you are and the person you become. (2019)”
“Somehow I had also convinced myself that my redemption could only come from some force outside of me-that if I were useful to others, they would save me. What a terrible thing to believe. I had to stop playing a part in my own misery. I had to save my own life. (p129)”
“I had been pushed further and further into a fate from which no escape or reprieve seemed possible. And so there came a moment when I stopped struggling, when I decided that I would cease making any more plans to return to the old days. I made up my mind to look upon the present as exactly what it was: it was all I had. (p232)”
“(What moves you most in a work of literature?) I’m moved by voices that ring so true that they make me feel kinship with characters who are completely different from me. As I get older, I also find myself moved by depictions of friendship and kindness, which are so much harder to execute convincingly on the page than cruelty or betrayal.”
Laila Lalami

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Laila Lalami on Zora Neale Hurston

““Their Eyes Were Watching God,” which I read for the first time only five years ago, and which made me fall in love with Zora Neale Hurston. I was knocked out by her eye for detail, her rigorous use of formal and vernacular languages and the depth of her narrative perspectives. Since then, I’ve read her stories and essays and found her throughout to be an independent thinker.”
Laila Lalami

About Laila Lalami

Laila Lalami (born 1968) is a Moroccan-American novelist, essayist, and professor.