The calm of mid-day, the haze of twilight, the dew and pearls of morning are what we find in the pictures of this good, kindly, happy man.. ..as we look at them the tears spring to our eyes, and we know not whence they come. The solitary shepherd with his flock, the peasant returning from the wood with his bundle of faggots, the dark-some lane or dell, the sweet little cottage-girl at the spring with her pitcher, were the things which he delighted to paint, and which he painted with exquisite refinement, yet not refinement beyond nature.

What It Means

This is a placeholder explanation generated by the low-overhead model. It interprets "The calm of mid-day, the haze of twilight, the dew and pearls of morning are what we find in the pictures of this good, kindly, happy man.. ..as we look at them the tears spring to our eyes, and we know not whence they come. The solitary shepherd with his flock, the peasant returning from the wood with his bundle of faggots, the dark-some lane or dell, the sweet little cottage-girl at the spring with her pitcher, were the things which he delighted to paint, and which he painted with exquisite refinement, yet not refinement beyond nature." in the context of "John Constable, before 1830; as quoted in Thomas Gainsborough, Lord Ronald Sutherland F.S.A. - publishers, George Bell and Sons, London 1903, p. 7
• Gainsborough had a lot of influence on early landscape-painting by John Constable, as Constable told this himself" to mean that wisdom is timeless.