Tape number two, side A
“

I've always been told that I was a painter's painter.. .What does that mean?.. .That painters like my painting and the big wide world overlooks it, I suppose?.. .Well, I know.. .To me, it would have meant that - this is pre this new rage in buying and selling paintings - that, I think, that the formal values, like light, space, color, all those things that a painting is made up of, as well as the Jacob going up the ladder or Venus on the half shell or something [chuckles] would be what interested the painter. And perhaps the public would want the picture of the Christ child, so to speak. You know what I mean.

— Joan Mitchell

What It Means

This is a placeholder explanation generated by the low-overhead model. It interprets "I've always been told that I was a painter's painter.. .What does that mean?.. .That painters like my painting and the big wide world overlooks it, I suppose?.. .Well, I know.. .To me, it would have meant that - this is pre this new rage in buying and selling paintings - that, I think, that the formal values, like light, space, color, all those things that a painting is made up of, as well as the Jacob going up the ladder or Venus on the half shell or something [chuckles] would be what interested the painter. And perhaps the public would want the picture of the Christ child, so to speak. You know what I mean." in the context of "Tape number two, side A" to mean that wisdom is timeless.

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Source: Wikiquote: "Joan Mitchell" (Quotes, 1980s, Oral history interview with Joan Mitchell, 1986: Oral history interview with Joan Mitchell, 16 Apr 1986, in the Archives of American Art, Smithsonian Institution, interviewer: Linda Nochlin) The 'What it means' explanation text was generated by Google Gemini Flash (accessed January 18, 2026). https://gemini.google.com/app
Joan Mitchell

About Joan Mitchell

Joan Mitchell (February 12, 1925 – October 30, 1992) was an American "second generation" Abstract expressionism painter and printmaker. She was an essential member of the American abstract expressionist movement, even though much of her career took place in France and from 1959 her definite place.