Quote by Charles Baudelaire, in his 'Salon de 1859'; as quoted by Colin B. Bailey, in The Annenberg Collection: Masterpieces of Impressionism and Post-impressionism, publish. Metropolitan Museum of Art, New York, 2009, p. 4 - note 15
“

[Corot] has the devil to seldom within him. However inadequate and even unjust this expression may be, I chose it as approximately giving the reason which prevents this serious artist from dazzling and astonishing us. He does astonish – I freely admit – but slowly; he does enchant – little by little; but you have to know how to penetrate into the science of his art.. ..an infallible strictness of harmony.

— Charles Baudelaire

What It Means

This is a placeholder explanation generated by the low-overhead model. It interprets "[Corot] has the devil to seldom within him. However inadequate and even unjust this expression may be, I chose it as approximately giving the reason which prevents this serious artist from dazzling and astonishing us. He does astonish – I freely admit – but slowly; he does enchant – little by little; but you have to know how to penetrate into the science of his art.. ..an infallible strictness of harmony." in the context of "Quote by Charles Baudelaire, in his 'Salon de 1859'; as quoted by Colin B. Bailey, in The Annenberg Collection: Masterpieces of Impressionism and Post-impressionism, publish. Metropolitan Museum of Art, New York, 2009, p. 4 - note 15" to mean that wisdom is timeless.

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Source: Wikiquote: "Jean-Baptiste-Camille Corot" (Quotes about Camille Corot, 19th century) The 'What it means' explanation text was generated by Google Gemini Flash (accessed January 18, 2026). https://gemini.google.com/app
Jean-Baptiste-Camille Corot

About Jean-Baptiste-Camille Corot

Jean-Baptiste-Camille Corot (16 July 1796 – 22 February 1875) was a French landscape and portrait painter as well as a printmaker in etching and famous art teacher in Paris. Corot was a leading figure in the Barbizon school of France in the mid-nineteenth century. He is a pivotal figure in landscape painting and his vast output simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism