Ch. 4: The Sense of Form (pp. 24-25)
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Tennyson follows his feelings in creating each line. He follows the music in his head. If you had asked him, at the end of the day, to describe the prosody of the poem to you, he would no doubt have had to think for a moment before he could answer you, not because he was ignorant of the terms, but because he had been writing a poem, not a metrical exercise. At every point, he was exerting his free will. And the outcome of that exertion was the form.

— James Fenton

What It Means

This is a placeholder explanation generated by the low-overhead model. It interprets "Tennyson follows his feelings in creating each line. He follows the music in his head. If you had asked him, at the end of the day, to describe the prosody of the poem to you, he would no doubt have had to think for a moment before he could answer you, not because he was ignorant of the terms, but because he had been writing a poem, not a metrical exercise. At every point, he was exerting his free will. And the outcome of that exertion was the form." in the context of "Ch. 4: The Sense of Form (pp. 24-25)" to mean that wisdom is timeless.

Source: Wikiquote: "James Fenton" (Quotes, An Introduction to English Poetry (2002): Farrar, Straus and Giroux, 2002, ) The 'What it means' explanation text was generated by Google Gemini Flash (accessed January 18, 2026). https://gemini.google.com/app

About James Fenton

James Martin Fenton (born 25 April 1949) is an English poet, journalist and literary critic. Like his mentor, W. H. Auden, he has been Professor of Poetry at Oxford.