love withdraws from a human relationship? Is it a loss or a gain? Is the real landscape revealed at last, hitherto transfigured, but delusive, too, by the driving mist of fantasy? Is it a perverted vision which finds a glowing cloud more beautiful than the solid truth of a plot of earth? And vice versa, what really happens when the radiance, the glamour, begins to take shape, concentrating on a landscape or on a face?" - Meaning and context.">
''Broken Lights Diaries 1957-59.
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What does really happen when the factor of love withdraws from a human relationship? Is it a loss or a gain? Is the real landscape revealed at last, hitherto transfigured, but delusive, too, by the driving mist of fantasy? Is it a perverted vision which finds a glowing cloud more beautiful than the solid truth of a plot of earth? And vice versa, what really happens when the radiance, the glamour, begins to take shape, concentrating on a landscape or on a face?

— Ida Friederike Görres

What It Means

This is a placeholder explanation generated by the low-overhead model. It interprets "What does really happen when the factor of love withdraws from a human relationship? Is it a loss or a gain? Is the real landscape revealed at last, hitherto transfigured, but delusive, too, by the driving mist of fantasy? Is it a perverted vision which finds a glowing cloud more beautiful than the solid truth of a plot of earth? And vice versa, what really happens when the radiance, the glamour, begins to take shape, concentrating on a landscape or on a face?" in the context of "''Broken Lights Diaries 1957-59." to mean that wisdom is timeless.

Source: Wikiquote: "Ida Friederike Görres" (Quotes: From Broken Lights and The Hidden Face :) The 'What it means' explanation text was generated by Google Gemini Flash (accessed January 18, 2026). https://gemini.google.com/app
Ida Friederike Görres

About Ida Friederike Görres

Ida Friederike Görres (born Elisabeth Friederike, Reichsgräfin Coudenhove-Kalergi; 2 December 1901, in Schloss Ronsperg, Bohemia – 15 May 1971, in Frankfurt am Main) was a Catholic writer. From the Coudenhove-Kalergi family, she was the daughter, one of seven children, of Count Heinrich von Coudenhove-Kalergi and his Japanese wife Mitsuko Aoyama.