Broken Lights p. 33 Diaries 1951.
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The close affinity between sexual Eros and deceit is very startling - as in infatuation, infidelity and jealousy: " Quoniam lumbi mei repleti sunt illusionibus. " For, isolated, Eros is in every sense the most treacherous counterfeit of love, sending a continual flow of self-deception and delusion throughout the world, etc.
— Ida Friederike Görres
What It Means
This is a placeholder explanation generated by the low-overhead model. It interprets "The close affinity between sexual Eros and deceit is very startling - as in infatuation, infidelity and jealousy: " Quoniam lumbi mei repleti sunt illusionibus. " For, isolated, Eros is in every sense the most treacherous counterfeit of love, sending a continual flow of self-deception and delusion throughout the world, etc." in the context of "Broken Lights p. 33 Diaries 1951." to mean that wisdom is timeless.
Source: Wikiquote: "Ida Friederike Görres" (Quotes: From Broken Lights and The Hidden Face :)
The 'What it means' explanation text was generated by Google Gemini Flash (accessed January 18, 2026). https://gemini.google.com/app
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About Ida Friederike Görres
Ida Friederike Görres (born Elisabeth Friederike, Reichsgräfin Coudenhove-Kalergi; 2 December 1901, in Schloss Ronsperg, Bohemia – 15 May 1971, in Frankfurt am Main) was a Catholic writer. From the Coudenhove-Kalergi family, she was the daughter, one of seven children, of Count Heinrich von Coudenhove-Kalergi and his Japanese wife Mitsuko Aoyama.
About Ida Friederike Görres
Ida Friederike Görres (born Elisabeth Friederike, Reichsgräfin Coudenhove-Kalergi; 2 December 1901, in Schloss Ronsperg, Bohemia – 15 May 1971, in Frankfurt am Main) was a Catholic writer. From the Coudenhove-Kalergi family, she was the daughter, one of seven children, of Count Heinrich von Coudenhove-Kalergi and his Japanese wife Mitsuko Aoyama.
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