Broken Lights p. 25 Diaries 1951.
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Once again the tide of Carmelite spitrituality is drawing me, like a current, and, yet again, I sense its dangerous challenge to my own appointed way. Utter nakedness, utter rejection, utter renunciation - how tempting is this stream of spirituality, with the tremendous nimbus of its glorious and venerable past!
— Ida Friederike Görres
What It Means
This is a placeholder explanation generated by the low-overhead model. It interprets "Once again the tide of Carmelite spitrituality is drawing me, like a current, and, yet again, I sense its dangerous challenge to my own appointed way. Utter nakedness, utter rejection, utter renunciation - how tempting is this stream of spirituality, with the tremendous nimbus of its glorious and venerable past!" in the context of "Broken Lights p. 25 Diaries 1951." to mean that wisdom is timeless.
Source: Wikiquote: "Ida Friederike Görres" (Quotes: From Broken Lights and The Hidden Face :)
The 'What it means' explanation text was generated by Google Gemini Flash (accessed January 18, 2026). https://gemini.google.com/app
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About Ida Friederike Görres
Ida Friederike Görres (born Elisabeth Friederike, Reichsgräfin Coudenhove-Kalergi; 2 December 1901, in Schloss Ronsperg, Bohemia – 15 May 1971, in Frankfurt am Main) was a Catholic writer. From the Coudenhove-Kalergi family, she was the daughter, one of seven children, of Count Heinrich von Coudenhove-Kalergi and his Japanese wife Mitsuko Aoyama.
About Ida Friederike Görres
Ida Friederike Görres (born Elisabeth Friederike, Reichsgräfin Coudenhove-Kalergi; 2 December 1901, in Schloss Ronsperg, Bohemia – 15 May 1971, in Frankfurt am Main) was a Catholic writer. From the Coudenhove-Kalergi family, she was the daughter, one of seven children, of Count Heinrich von Coudenhove-Kalergi and his Japanese wife Mitsuko Aoyama.
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