Hermann Hesse Quotes (1877-1962)

“Words do not express thoughts very well. They always become a little different immediately after they are expressed, a little distorted, a little foolish. And yet it also pleases me and seems right that what is of value and wisdom to one man seems nonsense to another.”

“India is not only a country and something geographical, but the home and the youth of the soul, the everywhere and nowhere, the oneness of all times.”

“I believe that I am not responsible for the meaningfulness or meaninglessness of life, but that I am responsible for what I do with the life I've got.”

“The bird fights its way out of the egg. The egg is the world. Who would be born must first destroy a world. The bird flies to God. The God's name is Abraxas.”

“And why had the German people failed to see through Hitler before 1933? Oughtn’t so early an event as the Munich Putsch have shown them what he was? Why, instead of upholding and nurturing the German Republic, the one gratifying consequence of the First World War, had they been almost unanimous in sabotaging it, voting for Hindenburg and later for Hitler, under whom, to be sure, it became very dangerous to behave like a decent human being?”

“Few writers have chronicled with such dispassionate lucidity and fearless honesty the progress of the soul through the states of life.”

“Considered as a whole, Hesse's achievement can hardly be matched in modern literature; it is the continually rising trajectory of an idea, the fundamentally religious idea of how to 'live more abundantly'. Hesse has little imagination in the sense that Shakespeare or Tolstoy can be said to have imagination, but his ideas have a vitality that more than makes up for it. Before all, he is a novelist who used the novel to explore the problem: What should we do with our lives? The man who is interested to know how he should live instead of merely taking life as it comes, is automatically an Outsider.”

“In Germany many readers, blandly ignoring the implicit criticism in the novel, tended to see in Hesse's cultural province nothing but a welcome Utopian escape from the harsh postwar realities. More discerning European critics have usually been so preoccupied with the fashionably grave implications that they have neither laughed at its humor nor smiled at its ironies. In part these one-sided readings are understandable, for the humor is often hidden in private jokes of the sort to which Hesse became increasingly partial in his later years. The games begin on the title-page, for the motto attributed to "Albertus Secundus" is actually fictitious. Hesse wrote the motto himself and had it translated into Latin by two former schoolmates, who are cited in Latin abbreviation as the editors: Franz Schall ("noise" or Clangor ) and Feinhals ("slender neck" or Collo fino ). The book is full of this "onomastic comedy" that appealed to Thomas Mann, also a master of the art.”

“The idea of expanding powers of mind unfolded in literature, too. "New" human beings of deeper sensibility appeared often in the fiction of Hermann Hesse. In his enormously popular novel Demian (1925), Hesse depicted a fraternity of men and women who had discovered paranormal abilities and an invisible bond with one another. "We were not separated from the majority of men by a boundary," the narrator said, "but simply by another mode of vision." They were a prototype of a different way of life.”

“In his 1918 diary, Hermann Hesse recalled a dream in which he heard two distinct voices. The first told him to seek out forces to overcome suffering, to calm himself. It sounded like parents, school, Kant, the church fathers. But the second voice—which sounded farther off, like "primal cause"—said that suffering only hurts because you fear it, complain about it, flee it. You know quite well, deep within you, that there is only a single magic, a single power, a single salvation... and that is called loving. Well, then, love your suffering. Do not resist it, do not flee from it. Give yourself to it. It is only your aversion that hurts, nothing else.”

“It seemed the literary capital of writers who had opposed wars, any wars, was on the rise. Hermann Hesse, the German pacifist who moved to Switzerland to evade military service in World War I, was enjoying a popularity among youth greater than he had known during most of his life. Although he died in 1962, his novels, with an almost Marcusian sense of the alienating quality of modern society and a fascination with Asian mysticism, were perfectly suited to the youth of the late sixties. He might have been amazed to discover that in October 1967 a hard-driving electric rock band would name itself after his novel Steppenwolf. According to the twenty-four-year-old Canadian lead singer, guitar and harmonica player, John Kay, the group, best known in 1968 for “Born to Be Wild,” had a philosophy similar to that of the hero of the Hesse novel. “He rejects middle-class standards,” Kay explained, “and yet he wants to find happiness within or alongside them. So do we.””

“I have the feeling that, basically, Hesse is not a warm writer. He keeps himself at a stoical distance from the hot, painful bloodstream of life. He seems to me to be indifferent, even when he writes about love and justice. His last great work, Magister Ludi, or the Glass Bead Game, is, in essence, a work about love, about the search for an ideal community, about self-sacrifice. But I don't feel any warmth in it, although this is possibly a result of Hesse's literary style, which is Gothic and crystal-clear, icily lucid. Style, they say, is the person...It is interesting what Hesse writes about rebellious natures. He, himself, often ran away from school, ran away from home, and at sixteen completely abandoned his formal education. (He was self-taught, first by reading through his grandfather's library, and later he worked in a bookstore.) Progress, he said, is basically made by those who rebel against the accepted order. But the accepted order protects itself against the push for change - and takes revenge on the rebels.”