George, while behind Miles we played really straight. And Miles said afterward, "Why don't you play like that behind me?" That's when Tony and I began playing our little musical game behind Miles. After only four days, it turned around and he was leading us. And Miles began playing different after that. It was the most uncannily rapid adaptation I could ever imagine." - Meaning and context.">
"Herbie Hancock: A Man for All Seasons, Be They Heavy or Lighthearted, Hip Jazz or Hip-Hop, Natural or Digital" by Bill Flanagan, Musician (January 1985) p. 58
“

I remember we were at some club in Detroit, and playing all kinds of crazy things behind George, while behind Miles we played really straight. And Miles said afterward, "Why don't you play like that behind me?" That's when Tony and I began playing our little musical game behind Miles. After only four days, it turned around and he was leading us. And Miles began playing different after that. It was the most uncannily rapid adaptation I could ever imagine.

— Herbie Hancock

What It Means

This is a placeholder explanation generated by the low-overhead model. It interprets "I remember we were at some club in Detroit, and playing all kinds of crazy things behind George, while behind Miles we played really straight. And Miles said afterward, "Why don't you play like that behind me?" That's when Tony and I began playing our little musical game behind Miles. After only four days, it turned around and he was leading us. And Miles began playing different after that. It was the most uncannily rapid adaptation I could ever imagine." in the context of ""Herbie Hancock: A Man for All Seasons, Be They Heavy or Lighthearted, Hip Jazz or Hip-Hop, Natural or Digital" by Bill Flanagan, Musician (January 1985) p. 58" to mean that wisdom is timeless.

Source: Wikiquote: "Herbie Hancock" (Quotes) The 'What it means' explanation text was generated by Google Gemini Flash (accessed January 18, 2026). https://gemini.google.com/app
Herbie Hancock

About Herbie Hancock

Herbert Jeffrey Hancock (born April 12, 1940, in Chicago), is an American jazz pianist, keyboardist, bandleader, composer, and occasional actor, known for his work with the Miles Davis Quintet and—from 1970s to the present—for his experiments with jazz fusion, funk, and electro styles.