'Excerpts from the Teaching of Hans Hofmann', p. 68
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Monumentality is an affair of relativity. The truly monumental can only come about by means of the most exact and refined relation between parts. Since each thing carries both a meaning of its own and an associated meaning in relation to something else — its essential value is relative. We speak of the mood we experience when looking at a landscape. This mood results from the relation of certain things rather than from their separate actualities. This is because objects do not in themselves possess the total effect they give when interrelated.

— Hans Hofmann

What It Means

This is a placeholder explanation generated by the low-overhead model. It interprets "Monumentality is an affair of relativity. The truly monumental can only come about by means of the most exact and refined relation between parts. Since each thing carries both a meaning of its own and an associated meaning in relation to something else — its essential value is relative. We speak of the mood we experience when looking at a landscape. This mood results from the relation of certain things rather than from their separate actualities. This is because objects do not in themselves possess the total effect they give when interrelated." in the context of "'Excerpts from the Teaching of Hans Hofmann', p. 68" to mean that wisdom is timeless.

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Source: Wikiquote: "Hans Hofmann" (Quotes, 1940s, Search for the Real and Other Essays (1948): Quotes from: Search for the Real and Other Essays (1948) by Hans Hofmann, ed. Sara T. Weeks and Bartlett H. Hayes, Jr. Addison Gallery of American Art; (using M.I.T. Press edition (1967); (Partial online PDF)) The 'What it means' explanation text was generated by Google Gemini Flash (accessed January 18, 2026). https://gemini.google.com/app
Hans Hofmann

About Hans Hofmann

Hans Hofmann (21 March 1880 – 17 February 1966) was one of the older abstract expressionist painters working in New York. Hofmann originally came from Germany where he experienced the new art and so he connected European with modern American abstract art. He had strong influence as an art-teacher and writer on the younger American abstract artists after 1940.