Aymar Jean Christian of Northwestern University historically contextualizes and updates the notion of intersectional storytelling in his recent book Race and Media: Critical Approaches. “Most creators are ‘intersectional,’ meaning they identify with multiple communities marginalized by their race, class, gender, sexuality, ethnicity, religion, disability, or citizenship status,” he writes. He argues that the framework of intersectionality was developed throughout the 20th century by women writers of color like Sojourner Truth, Audre Lorde, and Kimberlé Crenshaw. Those early intersectional writers sought to describe “the interlocking nature of oppression and the specificity of being both Black and woman (and often queer).”

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This is a placeholder explanation generated by the low-overhead model. It interprets "Aymar Jean Christian of Northwestern University historically contextualizes and updates the notion of intersectional storytelling in his recent book Race and Media: Critical Approaches. “Most creators are ‘intersectional,’ meaning they identify with multiple communities marginalized by their race, class, gender, sexuality, ethnicity, religion, disability, or citizenship status,” he writes. He argues that the framework of intersectionality was developed throughout the 20th century by women writers of color like Sojourner Truth, Audre Lorde, and Kimberlé Crenshaw. Those early intersectional writers sought to describe “the interlocking nature of oppression and the specificity of being both Black and woman (and often queer).”" in the context of "Grace Dillon "Why intersectionality in fiction matters" in Grist (2021)" to mean that wisdom is timeless.