Georgia O'Keeffe, in a letter to William Howard Schubart, (nephew of her death husband, Alfred Stieglitz), Abiquiu, New Mexico, August 4, 1950; as quoted in Voicing our visions, -Writings by women artists; ed. Mara R. Witzling, Universe New York, 1991, pp. 228-29
“

It seems odd to think of you at 'Lake George' tonight – I can smell the outdoors – and hear it – and see the stars – So often before I went to bed at night I would walk out toward the barn and look at the sky in the open space. There was no light little house – there were no people – there was only the night – I will never go back again – maybe to stand just for a moment where I put the little bit that was left of Alfred [Stieglitz], her husband] after he was cremated – but I think not even for that. I put him where he would hear the lake. – That is finished.

— Georgia O'Keeffe on Alfred Stieglitz

What It Means

This is a placeholder explanation generated by the low-overhead model. It interprets "It seems odd to think of you at 'Lake George' tonight – I can smell the outdoors – and hear it – and see the stars – So often before I went to bed at night I would walk out toward the barn and look at the sky in the open space. There was no light little house – there were no people – there was only the night – I will never go back again – maybe to stand just for a moment where I put the little bit that was left of Alfred [Stieglitz], her husband] after he was cremated – but I think not even for that. I put him where he would hear the lake. – That is finished." in the context of "Georgia O'Keeffe, in a letter to William Howard Schubart, (nephew of her death husband, Alfred Stieglitz), Abiquiu, New Mexico, August 4, 1950; as quoted in Voicing our visions, -Writings by women artists; ed. Mara R. Witzling, Universe New York, 1991, pp. 228-29" to mean that wisdom is timeless.

Quote Image
Source: Wikiquote: "Alfred Stieglitz" (Quotes about Alfred Stieglitz, 'Equivalents', for the museum of modern Art collection' 1943: 'Equivalents' for the museum of modern Art collection'; as quoted (May 1943) in 'Alfred Stieglitz' Notes for a Biography', Nancy Newhall, in From Adams to Stieglitz, ed. Emanual Voyiaziaskis, Aperture Foundation, 1999, pp. 108-09 1. Apples and Gable of the Farm, in RainMy mother was dying. She was sitting on the porch that day. O'Keeffe [famous painter and his younger wife then] was around. I'd been watching this thing for years, wondering, 'Could I do it?' I did and it said something I was feeling. 3. And Dorothy's hands - what is it that they are? It's related to the other two. She didn't have any idea what I saw, just sitting there. That's the one Charlie Chaplin sat half an hour in front of, and said, 'Stieglitz, what you have gotten in that.' I didn't ask him what he saw. 4. And that - that's death riding high in the sky. All these things have death in them.. ('Ever since the middle Twenties', I said') ..Exactly, ever since I realized O'Keeffe couldn't stay with me. 7. RainbowAnd that's something I never thought I'd get. Never been done before. Oh, they've made pictures of rainbows, yes - but not that) The 'What it means' explanation text was generated by Google Gemini Flash (accessed January 18, 2026). https://gemini.google.com/app
Georgia O

About Georgia O'Keeffe

Georgia Totto O'Keeffe (15 November 1887 – 6 March 1986) was an American modernist painter. She was known for her paintings of enlarged flowers, New York skyscrapers, and New Mexico landscapes. O'Keeffe has been called the "Mother of American modernism".