Your great Italian clock measures the silence with its ticking: 'Another, gone! another, gone! another, gone!' Commonly, I have grown to hate such tickings, hideous to an old man as the grinning memento mori at the feast. But now, (perhaps the shock has deadened my feelings), I could almost cheat reason to believe there was in very truth eternity in these things: substance and everlasting life in what is more transient and unsubstantial than a mayfly, empirical, vainer than air, weak bubbles on the flux.

What It Means

This is a placeholder explanation generated by the low-overhead model. It interprets "Your great Italian clock measures the silence with its ticking: 'Another, gone! another, gone! another, gone!' Commonly, I have grown to hate such tickings, hideous to an old man as the grinning memento mori at the feast. But now, (perhaps the shock has deadened my feelings), I could almost cheat reason to believe there was in very truth eternity in these things: substance and everlasting life in what is more transient and unsubstantial than a mayfly, empirical, vainer than air, weak bubbles on the flux." in the context of "The Overture (the narrator viewing the body of his friend Lessingham lying in state)" to mean that wisdom is timeless.