Chapter 25, "Lord Gro and the Lady Mevrian"
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Surely no children of men were these, footing it on that secret lawn beside that fountain's brink, nor no creatures of mortal kind. Such it may be were the goats and kids and soft-eyed does that on their hind-legs merrily danced among them; but never such those others of manly shape and with pointed hairy ears, shaggy legs, and cloven hooves, nor those maidens white of limb beneath the tread of whose feet the blue gentian and the little golden cinquefoil bent not their blossoms, so airy-light was their dancing. To make them music, little goat-footed children with long pointed ears sat on a hummock of turf-clad rock piping on pan-pipes, their bodies burnt to the hue of red earth by the wind and the sun. But, whether because their music was too fine for mortal ears, or for some other reason, Gro might hear no sound of that piping. The heavy silence of the waste white noon was lord of the scene, while the mountain nymphs and the simple genii of sedge and stream and crag and moorland solitude threaded the mazes of the dance.

— Eric Rücker Eddison

What It Means

This is a placeholder explanation generated by the low-overhead model. It interprets "Surely no children of men were these, footing it on that secret lawn beside that fountain's brink, nor no creatures of mortal kind. Such it may be were the goats and kids and soft-eyed does that on their hind-legs merrily danced among them; but never such those others of manly shape and with pointed hairy ears, shaggy legs, and cloven hooves, nor those maidens white of limb beneath the tread of whose feet the blue gentian and the little golden cinquefoil bent not their blossoms, so airy-light was their dancing. To make them music, little goat-footed children with long pointed ears sat on a hummock of turf-clad rock piping on pan-pipes, their bodies burnt to the hue of red earth by the wind and the sun. But, whether because their music was too fine for mortal ears, or for some other reason, Gro might hear no sound of that piping. The heavy silence of the waste white noon was lord of the scene, while the mountain nymphs and the simple genii of sedge and stream and crag and moorland solitude threaded the mazes of the dance." in the context of "Chapter 25, "Lord Gro and the Lady Mevrian"" to mean that wisdom is timeless.

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Source: Wikiquote: "Eric Rücker Eddison" (Quotes, The Worm Ouroboros (1922)) The 'What it means' explanation text was generated by Google Gemini Flash (accessed January 18, 2026). https://gemini.google.com/app
Eric Rücker Eddison

About Eric Rücker Eddison

Eric Rücker Eddison (24 November 1882 – 18 August 1945), who wrote under the name E. R. Eddison, was an English fantasy writer most famous for his novels The Worm Ouroboros, Mistress of Mistresses and A Fish Dinner in Memison.