Throughout Antillean oral culture,” writes Maryse Conde in “La parole des femmes” (Women’s Word; 1979), “the mother is glorified as the bearer of gifts and the dispenser of goods. We can easily say that this is also the case in literature written by both men and women.” This idealization of the mother, which Conde characterizes as an enduring feature of the folklore and literature of the Antilles, has given rise to a romanticized, if not exotic, portrayal of maternity. It is only recently, argues Conde, that feminist literature of the Antilles has responded to the model image of a nurturing, supportive, selfless mother and the reductionist conception of maternity as the definitive function of women. The response, Conde adds, is somewhat nuanced: although literary heroines continue to conceptualize the mother as a prominent figure, they themselves refuse maternity. Conde suggests that the ambivalence that accompanies the heroine’s refusal reflects both the persistent defining power of the images and a conscious or unconscious rejection of them (40-47). I would like to suggest that, in addition, the ambivalence is indicative of residual traces of violence against the slave mother, vestiges of the past that consciously or unconsciously shape present conceptions of social identity. Rooted in the violence colonization of black female sexuality, motherhood in slavery was an extremely complex and conflict-ridden experience, the repercussions of which are still felt today and manifest themselves as the literary heroine’s ambivalence.
What It Means
This is a placeholder explanation generated by the low-overhead model. It interprets "Throughout Antillean oral culture,” writes Maryse Conde in “La parole des femmes” (Women’s Word; 1979), “the mother is glorified as the bearer of gifts and the dispenser of goods. We can easily say that this is also the case in literature written by both men and women.” This idealization of the mother, which Conde characterizes as an enduring feature of the folklore and literature of the Antilles, has given rise to a romanticized, if not exotic, portrayal of maternity. It is only recently, argues Conde, that feminist literature of the Antilles has responded to the model image of a nurturing, supportive, selfless mother and the reductionist conception of maternity as the definitive function of women. The response, Conde adds, is somewhat nuanced: although literary heroines continue to conceptualize the mother as a prominent figure, they themselves refuse maternity. Conde suggests that the ambivalence that accompanies the heroine’s refusal reflects both the persistent defining power of the images and a conscious or unconscious rejection of them (40-47). I would like to suggest that, in addition, the ambivalence is indicative of residual traces of violence against the slave mother, vestiges of the past that consciously or unconsciously shape present conceptions of social identity. Rooted in the violence colonization of black female sexuality, motherhood in slavery was an extremely complex and conflict-ridden experience, the repercussions of which are still felt today and manifest themselves as the literary heroine’s ambivalence." in the context of "Dukats, Mara L. 1993. "A Narrative of Violated Maternity: Moi, Tituba, Sorcière ... Noire De Salem." World Literature Today 67(4):745." to mean that wisdom is timeless.