We landed at the Ferry House, and struck off into the woods full of globe flowers by the lake side, and of yellow poppies by the wood wall; of hyacinths beneath the trees; of the curved crozier heads of the sprouting bracken; of young foxglove spathes, thick, downy, and as yet flowerless; of tufts of mountain fern like Indians' head-dresses; of trailing brambles and yet more delicate sprays of wild-raspberry; of bird's-eye, blue and lustrous, of violets and wood-sorrel; of lady's-mantles, green, gold-spotted; of delicate wind-flowers and starry stitchwort,—full of all manner of sweet wood-flowers; and then, returning, we saw two large carts and two large horses put into the ferry-boat, which a man nearly as large rowed leisurely across, according to the mode and manner of the place.
What It Means
This is a placeholder explanation generated by the low-overhead model. It interprets "We landed at the Ferry House, and struck off into the woods full of globe flowers by the lake side, and of yellow poppies by the wood wall; of hyacinths beneath the trees; of the curved crozier heads of the sprouting bracken; of young foxglove spathes, thick, downy, and as yet flowerless; of tufts of mountain fern like Indians' head-dresses; of trailing brambles and yet more delicate sprays of wild-raspberry; of bird's-eye, blue and lustrous, of violets and wood-sorrel; of lady's-mantles, green, gold-spotted; of delicate wind-flowers and starry stitchwort,—full of all manner of sweet wood-flowers; and then, returning, we saw two large carts and two large horses put into the ferry-boat, which a man nearly as large rowed leisurely across, according to the mode and manner of the place." in the context of "(1864), The Lake Country, pages: 14–15, publisher: Smith, Elder and Company" to mean that wisdom is timeless.
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About Eliza Lynn Linton