Nowadays, when an artist discovers 'the sky,' it's like a bride who has never done any housework raving about her first vacuum cleaner. It's just not news." (Yet she confessed that the experience prompted her to deviate from a more controlled linear style and work freely with lively, confrontational colors directly influenced by the Southwest)

What It Means

This is a placeholder explanation generated by the low-overhead model. It interprets "Nowadays, when an artist discovers 'the sky,' it's like a bride who has never done any housework raving about her first vacuum cleaner. It's just not news." (Yet she confessed that the experience prompted her to deviate from a more controlled linear style and work freely with lively, confrontational colors directly influenced by the Southwest)" in the context of "as quoted on Portrait of the Art world - A Century of art News, Photographs, referring to the photo of Rudolph Burckhardt's Gelatin silver print, 1960 (printed 2002), Published December 1960; Estate of Rudolph Burckhardt; courtesy Tibor de Nagy Gallery, New York City
• Quote, after Elaine de Kooning was returned to New York from her teaching at the University of New Mexico [her studio was full of energetic paintings of bullfights in Juárez, Mexico, and of the expansive western landscape when Burckhardt portrayed her there.]" to mean that wisdom is timeless.