Manet sees color and light, after which he no longer worries about the rest. When he has made the 'spot of color' on his canvas that a person or an object makes on the surrounding environment, he feels that this is sufficient. Don't ask anything else of him for the moment.. .His present vice is a sort of pantheism in which a [human] head is esteemed no more than a slipper; in which sometimes more importance is given to a bouquet of flowers, than to the physiognomy of a woman.. ..one scarcely pays attention to the head, although it is full grace.. ..it is lost in the modulation of the coloring.
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This is a placeholder explanation generated by the low-overhead model. It interprets "Manet sees color and light, after which he no longer worries about the rest. When he has made the 'spot of color' on his canvas that a person or an object makes on the surrounding environment, he feels that this is sufficient. Don't ask anything else of him for the moment.. .His present vice is a sort of pantheism in which a [human] head is esteemed no more than a slipper; in which sometimes more importance is given to a bouquet of flowers, than to the physiognomy of a woman.. ..one scarcely pays attention to the head, although it is full grace.. ..it is lost in the modulation of the coloring." in the context of "Théophile Thoré-Bürger(1868), in his [critical] review of the Salon in Paris, 1868; as quoted in Impressionism and Post Impressionism 1874 – 1904, 'Realism and Tradition', Linda Nochlin, Englewood Cliffs, New Yersey, 1966, p. 69." to mean that wisdom is timeless.
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About Édouard Manet