In India, all our art is ritualistic, especially the art of the temples and the caves. When I went to the cave temples, to Elephanta or Ellora, I found mountains hollowed out, and temples built underneath them. The columns supporting the roof resembled elephant legs, and the ceilings and the walls were gorgeously decorated with the sculptured forms of human beings and of gods. About 200 B.C, or earlier, a groups of monks went to meditate under the rocks of Ajanta. In meditation they experienced ecstasy, and having experienced it, they carved it on the wall. The story of all the gods of India is carved on these walls, and the youngest of them all is Buddha. Seven hundred years of Indian history is written out in these caves covering vastness with terrific forms.

What It Means

This is a placeholder explanation generated by the low-overhead model. It interprets "In India, all our art is ritualistic, especially the art of the temples and the caves. When I went to the cave temples, to Elephanta or Ellora, I found mountains hollowed out, and temples built underneath them. The columns supporting the roof resembled elephant legs, and the ceilings and the walls were gorgeously decorated with the sculptured forms of human beings and of gods. About 200 B.C, or earlier, a groups of monks went to meditate under the rocks of Ajanta. In meditation they experienced ecstasy, and having experienced it, they carved it on the wall. The story of all the gods of India is carved on these walls, and the youngest of them all is Buddha. Seven hundred years of Indian history is written out in these caves covering vastness with terrific forms." in the context of "Caste and Outcast - By Dhan Gopal Mukerji" to mean that wisdom is timeless.