Dante Alighieri Quotes (1265-1321)

“This one, methought, as master of the sport, Rode forth to chase the gaunt wolf and his whelps Unto the mountain, which forbids the sight Of Lucca to the Pisan.”

“Questo misero modo Tengon l'anime triste di coloro Che visser senza infamia e senza lodo. This sorrow weighs upon the melancholy souls of those who lived without infamy or praise.”

“Incorrigible humanity, therefore, led astray by the giant Nimrod, presumed in its heart to outdo in skill not only nature but the source of its own nature, who is God; and began to build a tower in Sennaar, which afterwards was called Babel (that is, 'confusion'). By this means human beings hoped to climb up to heaven, intending in their foolishness not to equal but to excel their creator.”

“Incorrigible humanity, therefore, led astray by the giant Nimrod, presumed in its heart to outdo in skill not only nature but the source of its own nature, who is God; and began to build a tower in Sennaar, which afterwards was called Babel (that is, 'confusion'). By this means human beings hoped to climb up to heaven, intending in their foolishness not to equal but to excel their creator.”

“Incorrigible humanity, therefore, led astray by the giant Nimrod, presumed in its heart to outdo in skill not only nature but the source of its own nature, who is God; and began to build a tower in Sennaar, which afterwards was called Babel (that is, 'confusion'). By this means human beings hoped to climb up to heaven, intending in their foolishness not to equal but to excel their creator.”

“Incorrigible humanity, therefore, led astray by the giant Nimrod, presumed in its heart to outdo in skill not only nature but the source of its own nature, who is God; and began to build a tower in Sennaar, which afterwards was called Babel (that is, 'confusion'). By this means human beings hoped to climb up to heaven, intending in their foolishness not to equal but to excel their creator.”

“Thou sayest, 'Well discern I what I hear;     But it is hidden from me why God willed     For our redemption only this one mode.' Buried remaineth, brother, this decree     Unto the eyes of every one whose nature     Is in the flame of love not yet adult. Verily, inasmuch as at this mark     One gazes long and little is discerned,     Wherefore this mode was worthiest will I say. Goodness Divine, which from itself doth spurn     All envy, burning in itself so sparkles     That the eternal beauties it unfolds. Whate'er from this immediately distils     Has afterwards no end, for ne'er removed     Is its impression when it sets its seal. Whate'er from this immediately rains down     Is wholly free, because it is not subject     Unto the influences of novel things.”

“There is in hell a place stone-built throughout, Called Malebolge, of an iron hue, Like to the wall that circles it about.”

“As, pricked out with less and greater lights, between the poles of the universe, the Milky Way so gleameth white as to set very sages questioning.”

“St. Thomas Aquinas narrates the life of St. Francis d'Assisi. O MORTAL cares insensate, what small worth, In sooth, doth all those syllogisms fill, Which make you stoop your pinions to the earth!”

“Their crime, who not with us proceed, was that, For which, as he did triumph, Caesar heard The snout of ‘queen’, to taunt him. Hence their cry Of ‘Sodom,’ as they parted, to rebuke Themselves, and aid the burning by their shame.”

“Behind them was the wood Full of black female mastiffs, gaunt and fleet, As greyhounds that have newly slipp’d the leash. On him, who squatted down, they stuck their fangs, And having rent him piecemeal bore away The tortur’d limbs.”

“As seems the Carisenda, to behold   Beneath the leaning side, when goes a cloud   Above it so that opposite it hangs;Such did Antaeus seem to me, who stood   Watching to see him stoop, and then it was   I could have wished to go some other way.”

“O how far remov'd, Predestination! is thy foot from such As see not the First Cause entire: and ye, O mortal men! be wary how ye judge: For we, who see the Maker, know not yet The number of the chosen; and esteem Such scantiness of knowledge our delight: For all our good is, in that primal good, Concentrate; and God's will and ours are one.”

“Christians, be ye more serious in your movements; Be ye not like a feather at each wind, And think not every water washes you. Ye have the Old and the New Testament, And the Pastor of the Church who guideth you Let this suffice you unto your salvation. If evil appetite cry aught else to you, Be ye as men, and not as silly sheep, So that the Jew among you may not mock you.”

“As many as were the types of work involved in the enterprise, so many were the languages by which the human race was fragmented; and the more skill required for the type of work, the more rudimentary and barbaric the language they now spoke. But the holy tongue remained to those who had neither joined in the project nor praised it, but instead, thoroughly disdaining it, had made fun of the builders' stupidity.”

“Tu vuo' saper chi è in questa lumera | che qui appresso me così scintilla | come raggio di sole in acqua mera. || Or sappi che là entro si tranquilla | Raab; e a nostr'ordine congiunta, | di lei nel sommo grado si sigilla.”

“And you, beloved children, whose lot it is to promote learning under the magisterium of the Church, continue as you are doing to love and tend the noble poet whom We do not hesitate to call the most eloquent singer of the Christian idea.”

“Dante's relationship with women is very complex, because the range of real women in Dante's life and in Dante Alighieri's imagined life is very different. There is an idealization of women that occurs when he is nine years old. He lost his real mother when he was five years old, so he is the son of a father and a stepmother. The neighbors of the Portinari family had six daughters and one of these is Beatrice, a nine-year-old girl, his age. Dante meets her gaze and from that moment he becomes almost a prisoner of that gaze, which is why nine is Beatrice's magic number, because he meets her at nine years old. The Poet follows her to Florence for another nine years, without ever receiving encouragement from her, until at eighteen, before entering the church where the girl goes every evening in Santa Margherita dei Cerchi which is the Portinari church, suddenly she decides to stop, look at him, smile at him, and says "I greet you" which is the only phrase Dante will hear from Beatrice. Dante remains completely satisfied by this smile and considers it the sealing of a relationship that has had no other type of concretization, nothing else, just this look and this greeting. He tells this story in this wonderful diary which is the Vita Nova, a set of poems and prose writings that he wrote in the aftermath of Beatrice's death.”

“Christianity has an admirable example of the natural union between faith and freedom in Dante Alighieri. Precisely his undoubted adherence to Catholic truth allows and illuminates his perfect autonomy of judgement, free from any fear or human conditioning. Dante is not afraid to criticize the work of the popes and their operational choices, to the point of placing several of them in the depths of hell. But in him "the reverence of the supreme keys" never diminishes and never diminishes in the slightest (Inf. XIX, 101). When it comes to expressing reservations or criticisms that he considers due, there are no discounts neither for lay people, nor for ecclesiastics, nor for monarchs, nor for ordinary citizens... all of whom are required, without exception, to abide by the law evangelical.”

“Dante does not come before us as a large catholic mind; rather as a narrow, and even sectarian mind: it is partly the fruit of his age and position, but partly too of his own nature. His greatness has, in all senses, concentred itself into fiery emphasis and depth. He is world-great not because he is world-wide, but because he is world-deep. Through all objects he pierces as it were down into the heart of Being. I know nothing so intense as Dante.”

“Redeth the grete poete of Itaille, That highte Dant, for he can al devyse Fro point to point, nat o word wol he faille.”

“I wanted my illustrations for the Dante to be like the faint markings of moisture in a divine cheese. This explains their variegated aspect of butterflies' wings. Mysticism is cheese; Christ is cheese, better still, mountains of cheese!”

“Gilson criticizes attempts to trace Dante's position back to Thomism or Averroism. For St. Thomas, every hierarchy of dignity is at the same time a hierarchy of jurisdiction, while for Dante—except for God—a hierarchy of dignity is never the foundation of a hierarchy of jurisdiction, and this corresponds to Dante's specific philosophical problem, which is not so much to define the essence of philosophy as to determine functions and jurisdictions. The principle governing this determination is absolutely irreconcilable with Thomism. St. Thomas knows only one ultimate end: eternal bliss, which can only be attained through the Church; moreover, the spirituality of the ultimate end implies that between temporal and spiritual power there is a hierarchical subordination of the means to the end. For Dante, on the other hand, man can obtain, through the exercise of political virtues, a human happiness completely distinct from heavenly bliss, even if the latter represents a higher end. The thesis of the “duo ultima” legitimizes the complete distinction between the political order and the religious order, which is equally universal to that of the Church, but autonomous and pursuing an end of earthly happiness.”

“For us Anishinaabe, Biskaabiiyang is a specific term that means “returning to the woods,” because we’re woodland peoples. For example, I grew up growing my “three sisters”—that is, corn, beans, and squash—along the edge of the forest, using what people now call sylvan culture or permaculture. It’s curious how this counters the perspective of classical authors like Dante in early modern Europe or, later, Edmund Spenser, an important Renaissance poet, who view the woods as this terrifying presence. Why is this decolonizing? Because through boarding schools and many other colonial experiences, that fear of the woods creeps in.”

“Dante as a poet performs miracles in some of the openings of his lyrics or some of his verses in the Commedia. In an age of convention and formalism he went to Virgil to school; in an age when nothing gave reason to hope for the appearance of a masterpiece of form and structure, he produced such a masterpiece. His creative work is immensely superior in merit to his theorizing, but even these show how, in spite of the limitations of contemporary philosophy and rhetoric he was able to slip through the meshes of the network which encircled him, and to bring the vernacular poetry of Italy, when it was still in its infancy, to heights of perfection and finish that have seldom been equalled and never surpassed.”

“I would like to add my voice to those who consider Dante Alighieri an artist of the greatest universal esteem, who through his immortal works still has much to say and offer to those who desire to travel the way to true knowledge, to the authentic discovery of self, of the world, of life's profound and transcendent meaning. ... The Comedy can be read as a great itinerary, rather as a true pilgrimage, both personal and interior, as well as communal, ecclesial, social and historic. ... Dante is...a prophet of hope, a herald of humanity's possible redemption and liberation, of profound change in every man and woman, of all of humanity.”