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Clark Ashton Smith Quotes (1893-1961)
Emperor, Writer, Poet
About Clark Ashton Smith
Clark Ashton Smith (January 13, 1893 – August 14, 1961) was an American writer and artist. He achieved early local recognition, largely through the enthusiasm of George Sterling, for traditional verse in the vein of Swinburne. As a poet, Smith is grouped with the West Coast Romantics alongside Joaquin Miller, Sterling, and Nora May French and remembered as "The Last of the Great Romantics" and "The Bard of Auburn".
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“Lunatics with a speculative bent can sometimes stumble overly close to certain guarded cosmic secrets.”
“But here, in this place of eternal bareness and solitude, it seemed that life could never have been. The stark, eroded stones were things that might have been reared by the toil of the dead, to house the monstrous ghouls and demons of primal desolation.”
“Bow down: I am the emperor of dreams;
I crown me with the million-colored sun
Of secret worlds incredible, and take
Their trailing skies for vestment when I soar,
Throned on the mounting zenith, and illume
The spaceward-flown horizons infinite.”
I crown me with the million-colored sun
Of secret worlds incredible, and take
Their trailing skies for vestment when I soar,
Throned on the mounting zenith, and illume
The spaceward-flown horizons infinite.”
“For thin is the veil betwixt man and the godless deep. The skies are haunted by that which it were madness to know; and strange abominations pass evermore between earth and moon and athwart the galaxies. Unnameable things have come to us in alien horror and will come again. And the evil of the stars is not as the evil of earth.”
“Not as the plants and flowers of Earth, growing peacefully beneath a simple sun, were the blossoms of the planet Lophai. Coiling and uncoiling in double dawns; tossing tumultuously under vast suns of jade green and balas-ruby orange; swaying and weltering in rich twilights, in aurora-curtained nights, they resembled fields of rooted serpents that dance eternally to an other-worldly music.”
Clark Ashton Smith Quotes by Topic
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Clark Ashton Smith on Psychoanalysis
“Psychoanalysis and dianetics are, on the face of it, both absurd. People are what they are because of causes that go infinitely farther back than infancy of the mother's womb.”
Clark Ashton Smith on Octopus
“... octopi Like blazing moons with countless arms of fire, Climb from the seas of ever-surging flame That roll and roar through planets unconsumed, Beating on coasts of unknown metals; ...”
Clark Ashton Smith on Basilisk
“Too late, the clang of adamantine gongs, Dinned by their drowsy guardians, whose feet Have felt the wasp-like sting of little knives, Embrued with slobber of the basilisk, Or juice of wounded upas.”
What Clark Ashton Smith Said About Others
Discover personal opinions Clark Ashton Smith shared regarding contemporaries.
Clark Ashton Smith on Robert E. Howard 2 quotes
“Howard is a rather surprising person, and I think he is more complex, and is also possessed of more literary ability, than I had thought from many of his stories. The Conan tales, in my opinion, are quite in a class by themselves.”
Clark Ashton Smith on H. P. Lovecraft
“I am profoundly saddened by the news of H. P. Lovecraft's death after a month of painful illness. The loss seems an intolerable one, and I am sure that it will be felt deeply and permanently by the whole weird fiction public. Most of all will it be felt by the myriad friends who knew Lovecraft through face-to-face meeting or correspondence: for in his case the highest literary genius was allied to the most brilliant and most endearing personal qualities.”
Clark Ashton Smith on William Hope Hodgson
“Among those fiction writers who have elected to deal with the shadowlands and borderlands of human existence, William Hope Hodgson surely merits a place with the very few that inform their treatment of such themes with a sense of authenticity. His writing itself, as Mr. Lovecraft justly says, is far from equal in stylistic merit: but it would be impossible to withhold the rank of master from an author who has achieved so authoritatively, in volume after volume, a quality that one might term the realism of the unreal. In some ways, Hodgson's work is no doubt most readily comparable to that of Algernon Blackwood. But I am not sure that even Blackwood has managed to intimate a feeling of such profound and pervasive familiarity with the occult as one finds in The house on the Borderland. Hideous phantoms and unknown monsters from the nightward gulf are adumbrated in all their terror, with no dispelling of their native mystery; and surely such things could be described only by a seer who has dwelt overlong on the perilous verges and has peered too deeply into the regions veiled by invisibility from normal sight.”
About Clark Ashton Smith
Clark Ashton Smith (January 13, 1893 – August 14, 1961) was an American writer and artist. He achieved early local recognition, largely through the enthusiasm of George Sterling, for traditional verse in the vein of Swinburne. As a poet, Smith is grouped with the West Coast Romantics alongside Joaquin Miller, Sterling, and Nora May French and remembered as "The Last of the Great Romantics" and "The Bard of Auburn".