One was my movement, which I’m very conscious of in films, especially coming from martial arts. Think about how many times a character is seen just sitting or walking or standing, it’s a lot of time in film and it says so much about a character. So I’ve always been keen to pay attention to movement and that was one thing he said he noticed. Never have I heard a director talk like that about me. And also he said that the eyes were important because it really has to come through the make-up. So he was interested in those two aspects especially…
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This is a placeholder explanation generated by the low-overhead model. It interprets "One was my movement, which I’m very conscious of in films, especially coming from martial arts. Think about how many times a character is seen just sitting or walking or standing, it’s a lot of time in film and it says so much about a character. So I’ve always been keen to pay attention to movement and that was one thing he said he noticed. Never have I heard a director talk like that about me. And also he said that the eyes were important because it really has to come through the make-up. So he was interested in those two aspects especially…" in the context of "On being chosen for the role of Krull in Planet of the Apes in “Comic-Con 2001: An Interview With Cary-Hiroyuki Tagawa” in Fanboy Planet (2001 Jul 27)" to mean that wisdom is timeless.
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About Cary-Hiroyuki Tagawa