Very rarely I'd come across a story about a shop-girl or a washerwoman. But they weren't real stories. They were twisted pictures of the way the higher-ups see us people. They weren't as we are. They were as unreal as the knowledge of the rich about the poor. Often I'd read those smooth-flowing stories about nothing at all, and I'd ask myself, Why is it that so many of the educated, with nothing to say, know how to say that nothing with such an easy flow of words, while I, with something so aching to be said, can say nothing?
I was like a prison world full of choked-in voices, all beating in my brain to be heard. The minute I'd listen to one voice a million other voices would rush in crying for a hearing, till I'd get too excited and mixed up to know what or where." - Meaning and context.">
beginning of "An Immigrant Among the Editors"
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Ever since I began to read the American magazines one burning question has consumed me: Why is it that only the thoughts of educated people are written up? Why shouldn't sometimes a servant girl or a janitress or a coal-heaver give his thoughts to the world? We who are forced to do the drudgery of the world, and who are considered ignorant because we have no time for school, could say a lot of new and different things, if only we had a chance to get a hearing.
Very rarely I'd come across a story about a shop-girl or a washerwoman. But they weren't real stories. They were twisted pictures of the way the higher-ups see us people. They weren't as we are. They were as unreal as the knowledge of the rich about the poor. Often I'd read those smooth-flowing stories about nothing at all, and I'd ask myself, Why is it that so many of the educated, with nothing to say, know how to say that nothing with such an easy flow of words, while I, with something so aching to be said, can say nothing?
I was like a prison world full of choked-in voices, all beating in my brain to be heard. The minute I'd listen to one voice a million other voices would rush in crying for a hearing, till I'd get too excited and mixed up to know what or where.

— Anzia Yezierska

What It Means

This is a placeholder explanation generated by the low-overhead model. It interprets "Ever since I began to read the American magazines one burning question has consumed me: Why is it that only the thoughts of educated people are written up? Why shouldn't sometimes a servant girl or a janitress or a coal-heaver give his thoughts to the world? We who are forced to do the drudgery of the world, and who are considered ignorant because we have no time for school, could say a lot of new and different things, if only we had a chance to get a hearing.
Very rarely I'd come across a story about a shop-girl or a washerwoman. But they weren't real stories. They were twisted pictures of the way the higher-ups see us people. They weren't as we are. They were as unreal as the knowledge of the rich about the poor. Often I'd read those smooth-flowing stories about nothing at all, and I'd ask myself, Why is it that so many of the educated, with nothing to say, know how to say that nothing with such an easy flow of words, while I, with something so aching to be said, can say nothing?
I was like a prison world full of choked-in voices, all beating in my brain to be heard. The minute I'd listen to one voice a million other voices would rush in crying for a hearing, till I'd get too excited and mixed up to know what or where." in the context of "beginning of "An Immigrant Among the Editors"" to mean that wisdom is timeless.

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Source: Wikiquote: "Anzia Yezierska" (Quotes, Children of Loneliness (1923): collection of short stories) The 'What it means' explanation text was generated by Google Gemini Flash (accessed January 18, 2026). https://gemini.google.com/app
Anzia Yezierska

About Anzia Yezierska

Anzia Yezierska (c. 1880 – 1970) was a novelist born in Pinsk, Congress Poland, Russian Empire who migrated to New York City.