If by Realism we mean Truth, which alone gives value to any study of human nature, we have in Anatole France a very dainty realist: — if by Romanticism we understand that unconscious tendency of the artist to elevate truth itself beyond the range of the familiar, and into the emotional realm of aspiration, then Anatole France is at times a romantic. And, nevertheless, as a literary figure he stands alone; neither by his distinctly Parisian refinement of method, nor yet by any definite characteristic of style, can he be successfully attached to any special group of writers.
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This is a placeholder explanation generated by the low-overhead model. It interprets "If by Realism we mean Truth, which alone gives value to any study of human nature, we have in Anatole France a very dainty realist: — if by Romanticism we understand that unconscious tendency of the artist to elevate truth itself beyond the range of the familiar, and into the emotional realm of aspiration, then Anatole France is at times a romantic. And, nevertheless, as a literary figure he stands alone; neither by his distinctly Parisian refinement of method, nor yet by any definite characteristic of style, can he be successfully attached to any special group of writers." in the context of "Lafcadio Hearn, in his introduction to his translation of The Crime of Sylvestre Bonnard (1918)" to mean that wisdom is timeless.
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About Anatole France