• about his new subject: 'clouds' in his long series 'Equivalents' he started in 1922
to show that [the success of my portray-] photographs was not due to subject matter – not to special trees or faces, or interiors, to special privileges – clouds were there for everyone.. .I wanted to photograph clouds to find out what I had learned in forty years about photography. Through clouds to put down my philosophy of life.. .My aim is increasingly to make my photographs look so much like photographs that unless one has eyes and sees, they won't be seen – and still everyone will never forget them having once looked at them.
What It Means
This is a placeholder explanation generated by the low-overhead model. It interprets "to show that [the success of my portray-] photographs was not due to subject matter – not to special trees or faces, or interiors, to special privileges – clouds were there for everyone.. .I wanted to photograph clouds to find out what I had learned in forty years about photography. Through clouds to put down my philosophy of life.. .My aim is increasingly to make my photographs look so much like photographs that unless one has eyes and sees, they won't be seen – and still everyone will never forget them having once looked at them." in the context of "'How I came to Photograph Clouds', Alfred Stieglitz, in 'Amateur Photographer and Photography', (19 September 1923): 255.
• about his new subject: 'clouds' in his long series 'Equivalents' he started in 1922" to mean that wisdom is timeless.
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About Alfred Stieglitz