Isaac Metzker on Abraham Cahan

“Mr. Cahan, who became well known as a talented author with his novel, The Rise of David Levinsky, and other works, was a strong advocate of realism. He not only printed realistic stories by well-known writers but made an effort to bring the reality of Jewish life in America into his newspaper. Through light articles he inspired and encouraged the readers to write to the Forward about any unusual events in their own lives, and about their own problems. Mr. Cahan firmly believed that "truth is stranger than fiction," and as far back as 1903 planned a special feature for the newspaper in which the readers could express themselves, a section of the paper which would mirror real life...He maintained that the Forward should not devote itself exclusively to trade unionism, to political and social problems. From the outset, he broadened the interests of the paper and enlivened it with varied reading material, including light articles dealing with daily life. The daily newspaper thus drew readers from all strata and classes.”

“Abraham Cahan wrote in his memoirs (1929) the following about the "Bintel Brief": "People often need the opportunity to be able to pour out their heavy-laden hearts. Among our immigrant masses this need was very marked. Hundreds of thousands of people, tom from their homes and their dear ones, were lonely souls who thirsted for expression, who wanted to hear an opinion, who wanted advice in solving their weighty problems. The 'Bintel Brief' created just this opportunity for them. Many of the letters we receive are poorly written and we must correct or rewrite them. Some of the letters are not written directly by the people who seek the advice, but by others who do it for them. It has even become a special occupation for certain people to write letters for those who cannot write. There also appeared small signs with the inscription 'Here letters are written to the "Bintel Brief."' [The price for writing such a letter ranged from twenty-five to fifty cents. I.M.] Often the professional 'Bintel Brief' writer let himself go with his own eloquence, but this, naturally, was deleted. And from time to time men and women came to the editorial office to ask that someone write a letter for them about their problems. Through the 'Bintel Brief' mothers have found the children they had lost many years ago...The name of the feature, 'Bintel Brief,' became so popular that it is often used as a part of American Yiddish. When we speak of an interesting event in family life, you can hear a comment like 'A remarkable story-just for the "Bintel Brief."" Other times you can hear, 'It's like a "Bintel Brief" story!' Many of the themes from the letters have been used by writers of dramas and sketches for their works, because a world of literary import can be found in them. The first few years I used to answer all the letters myself. I did it with the greatest pleasure, because in the letters one sees a rare panorama of human souls and because I also had a literary interest in the work."”