A. R. Rahman Quotes (1967-)

“Ever since I embraced Sufism, I have learnt to separate myself from my desires and my success. Now, I can distance myself from all the adulation showered on me.”

“Jazz was my passion for a little while. I felt that all other kinds of music were stupid when I was into jazz. But I got over the addiction very soon”

“I think musicians here [India] get ripped off. Music production houses take good care of artists abroad and though the upfront signing amount is much less than what I get here, the royalty takes care of future returns.”

“Bombay, which sold about 120,000 copies, is widely rated as my most successful work, though Roja is definitely the score that brought me where I am today.”

“The first day I was in a daze thinking, ‘What am I doing? What’s my role?’ and then slowly we started writing with each other, and it was great. It took me way back to my high school days when I was playing in a rock band.”

“The ultimate enjoyment for a composer is when his compositions get recognised and appreciated. For me, a small village in Kanyakumari is as important as New York or France.”

“It's an approximate count. If you have a hit film, you'll sell 5 million or 6 million CDs. Of my movies, at least 20 or 25 were really big hits. [Mind you, he adds], in India, we don't get royalties. Otherwise I'd be a very rich man. I wouldn't have to come to America!”

“I never exert pressure on my children: I encourage the children, Katija and Rahima, to pursue their dreams. Rahima is embarrassed by autograph-seekers and doesn't want me to visit her school. In fact, I have never attended a single PTA meeting or gone to pick up the report cards of my children.”

“What one thinks is possible might not always be so. I try to do my best but, finally, everything lies in God's hands. I consider my skills as a musician to be a blessing from God. Even today, before I perform, I am unsure of whether I will be able to move my audience. I leave everything to Him... He pulls the strings in my life.”

“My mother's belief in spiritual healers grew stronger after our family went through a rough patch following my father's death. Sufi saint Karimullah Shah Kadri changed our lives and all of us converted to Sufism. But it wasn't an instantaneous decision — it took us 10 years to convert. The change in religion was like washing away the past.”

“In my case, dust has become gold: Today, I work with people I grew up admiring. But, internally, I am the same person I always was. Ever since I embraced Sufism, I have learnt to separate myself from my desires and my success. Now, I can distance myself from all the adulation showered on me.”

“It needs a lot of courage to pick up someone from another country and support him. When I first heard from Andrew Lloyd Webber in 1999, he praised my work. But I must say that choosing me over others to compose for Bombay Dreams was a brave decision.”

“The reason I love 'Slumdog' is because the music is all world cultures, all celebrating. In India, I know people feel other film scores [of mine] are closer to their hearts. But when you are doing a film, it's very important to make the film look like one full piece of artwork. I think scoring 'Slumdog' with every kind of music possible, from Chinese to hip-hop to M.I.A. . . . was really fresh ground for me.”

“Yes, 6 songs... Thiruda Thiruda: Great. I felt honoured since it was the last song Ustad Nusrat Fateh Ali Khan did before his death. We miss him a lot, it was an emotional bond in the 50th year to bring a synergy between India and Pakistan.”

“I had been doing the same kind of stuff for 15-16 years and was desperately seeking a change. But there was no opportunity to reinterpret Indian music. With Roja, we wanted to strike a new note. Mani's amazing visuals, Mutthu's romantic lyrics, relatively unknown singers... we wanted to impart to Roja an international flavour — and we succeeded.”

“The trend in the north is more Punjabi folk and simple music. But, in the past, people like Naushad experimented with Hindustani classical music which I think has been completely forgotten. People don't experiment anymore and think that Hindustani classical music won't work. For me, coming from the south, it was just a little step to learn Punjabi music. The nuances are louder in Punjabi music. Songs like Mukkala muqqabla or Humma humma had more of the Tamil folk music in it.”