Sophie's Choice (film) Quotes
1982 films, Romantic drama films, Films set in Brooklyn, Films based on novels, Works about women, 20th-century works, Films directed by Alan J. Pakula
Top Quotes
“Kevin Kline as Nathan Landau”
“Stephen D. Newman as Larry Landau”
“Meryl Streep as Zofia "Sophie" Zawistowska”
“Josh Mostel as Morris Fink”
“Peter MacNicol as Stingo”
“Rita Karin as Yetta Zimmerman”
“Rotten Tomatoes: Sophie's Choice”
“Wikipedia: Sophie's Choice (film)”
“Box Office Mojo: Sophie's Choice”
“Internet Movie Database (IMDb): Sophie's Choice”
“We almost don't notice, at first, as Stingo's odyssey into adulthood is replaced, in the film, by Sophie's journey back into the painful memories of her past. The movie becomes an act of discovery, as the naive young American, his mind filled with notions of love, death, and honor, becomes the friend of a woman who has seen so much hate, death, and dishonor that the only way she can continue is by blotting out the past, and drinking and loving her way into temporary oblivion. … '''''Sophie's Choice'' is a fine, absorbing, wonderfully acted, heartbreaking movie. It is about three people who are faced with a series of choices, some frivolous, some tragic. As they flounder in the bewilderment of being human in an age of madness, they become our friends, and we love them.'''”
“Sometimes when you've read the novel, it gets in the way of the images on the screen. You keep remembering how you imagined things. That didn't happen with me during Sophie's Choice, because the movie is so perfectly cast and well-imagined that it just takes over and happens to you. It's quite an experience. … The movie, like the book, is told with two narrators. One is Stingo, who remembers these people from that summer in Brooklyn, and who also remembers himself at that much earlier age. The other narrator, contained within Stingo's story, is Sophie herself, who remembers what happened to her during World War II, and shares her memories with Stingo in a long confessional. Both the book and the movie have long central flashbacks, and neither the book nor the movie is damaged by those diversions, because Sophie's story is so indispensable to Stingo's own growth, from an adolescent dreamer to an artist who can begin to understand human suffering.”