Quotes: 7 total.
Sorted by: Search Results (Descending)
|Words (count)||102||9 - 227|
|Search Results||23||10 - 40|
|Date (year)||1977||1975 - 1982|
• Clowning Quotes About 215 quotes
• Comedy Quotes About 283 quotes
• Comical Quotes About 49 quotes
• Droll Quotes About 17 quotes
• Entertaining Quotes About 145 quotes
• Facetious Quotes About 11 quotes
• Farcical Quotes About 25 quotes
• Funny Quotes About 618 quotes
• Hilarious Quotes About 35 quotes
• Humor Quotes About 510 quotes
• Hysterical Quotes About 77 quotes
• Jest Quotes About 225 quotes
• Jocose Quotes About 1 quotes
• Jocular Quotes About 9 quotes
• Jocund Quotes About 18 quotes
• Joke Quotes About 593 quotes
• Jovial Quotes About 18 quotes
• Kooky Quotes About 3 quotes
• Ludicrous Quotes About 87 quotes
• Merry Quotes About 287 quotes
• Mirth Quotes About 171 quotes
• Rib-tickling Quotes About 1 quotes
• Riotous Quotes About 28 quotes
• Risible Quotes About 5 quotes
• Scintillating Quotes About 6 quotes
• Silly Quotes About 361 quotes
• Uproarious Quotes About 6 quotes
• Wacky Quotes About 5 quotes
• Waggish Quotes About 2 quotes
• Witty Quotes About 114 quotes
• Zany Quotes About 10 quotes
Let's Do It Again - " throwaway slapstick "
Hooper - " In this slapstick celebration of the real people in Hollywood - the stunt men - the director, Hal Needham, lays out the gags for us as if we were backwoodsmen, and when it's time for him to show his stuff by staging the breathtaking stunts that the movie keeps telling us about, he fumbles every damn one of them. The camera is always in the wrong place..."
Saving Silverman is so bad in so many different ways that perhaps you should see it, as an example of the lowest slopes of the bell-shaped curve. This is the kind of movie that gives even its defenders fits of desperation. Consider my friend James Berardinelli, the best of the Web-based critics. No doubt 10 days of oxygen deprivation at the Sundance Film Festival helped inspire his three-star review, in which he reports optimistically, "Saving Silverman" has its share of pratfalls and slapstick moments, but there's almost no flatulence." Here's a critical rule of thumb: You know you're in trouble when you're reduced to praising a movie for its absence of fart jokes, and have to add "almost"… as for Neil Diamond, Saving Silverman is his first appearance in a fiction film since The Jazz Singer, and one can only marvel that he waited 20 years to appear in a second film, and found one even worse than his first one.
Up in Smoke - "which stars Cheech and Chong, is an exploitation slapstick comedy, like The Groove Tube; this piece of stoned-hippie foolishness is also crudely done but is more consistently funny...Up in Smoke gives us the sunny side of the drug culture..Giggly, happy insanity is always the goal..And Cheech and Chong are so gracefully dumb-assed that if you're in a relaxed mood you can't help laughing at them."
High Anxiety - " Mel Brooks grabs us by the lapels and screams into our faces, 'Laugh! It's funny!' The open secret of his comedy is that his material isn't necessarily funny - it's being grabbed by the lapels that makes us laugh. (It's being grabbed by the lapels that makes us stop laughing, too.)...High Anxiety is dedicated to Hitchcock as the master of suspense and it doesn't have a whisper of suspense. It doesn't operate on any level except that of bumbling slapstick farce, where most of the custard pies miss their targets."
"Maybe Nina wouldn't have died if I hadn't moved in with them and drawn Sheener after me, but I can't feel guilty about that. I tried hard to be a good foster daughter to them, and they were happy with me. What happened was that life dropped a big custard pie on us, and that's not my fault; you can never see the custard pies coming. It's not good slapstick if you see the pie coming." "Custard pie?" he asked, perplexed. "You see life as a slapstick comedy? Like the Three Stooges?" "Partly." "Life is just a joke then?" "No. Life is serious and a joke at the same time." "But how can that be?" "If you don't know," she said, "maybe I should be the one asking the questions here."
As the chaos of The Play unfolded, concluding at our end of the field on the opposite side of the end zone, we tried to figure out what had happened. We remained confident. Surely that slapstick finish wouldn't be ruled a touchdown. The officials hustled to gather at midfield, and as they talked, the cheering of the Cal fans died down. The stadium became so quiet you could hear a heart drop. You just didn't know whether the heart would be blue and gold, or cardinal and white.The officials kept talking, and the longer they talked, the sense of foreboding in my stomach swelled like a pan of Jiffy-Pop. If they had this much to discuss, that meant there might be a touchdown. I turned to my friend and said, "This isn't good."What happened next is as vivid in my memory as the birth of my children. The referee, Charles Moffett, signaled touchdown, and you could see the news travel. The Cal fans reacted as if they were performing the wave. Not the normal wave, which races around the field. The cheering began at field level and spread to the top of the stadium, then rebounded and gathered speed as it went back down. The momentum seemed to carry the fans over the wall and onto the field, and in a matter of moments, the stands emptied.