Sadness Quotes

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About Sadness Quotes

Keyword: Sadness

Quotes: 221 total. 3 Misattributed. 17 About.

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Twilight and evening bell, And after that the dark! And may there be no sadness of farewell, When I embark.
Twilight and evening bell, And after that the dark! And may there be no sadness of farewell When I embark.
Death
• Alfred Tennyson, Crossing the Bar.
• Source: Wikiquote: "Death" (Quotes: Alphabetized by author or source , Hoyt's New Cyclopedia Of Practical Quotations: Quotes reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 163-81.)
Consider one of the standard "laments" or "stories of wonder" in conventional tales of natural history: the mayfly that lives but a single day (a sadness even recorded in the technical name for this biological group - Ephemoptera). Yes, the adult fly may enjoy only a moment in the sun, but we should honor the entire life cycle and recognize that the larvae, or juvenile stages, live and develop for months. Larvae are not mere preparations for a brief adulthood. We might better read the entire life cycle as a division of labor, with larvae as feeding and growing stages, and the adult as a short-lived reproductive machine. In this sense, we could well view the adult fly's day as the larva's clever and transient device for making a new generation of truly fundamental feeders.
"My plea to you is this: despite your sadness, do not forget how happy you have made me; do not forget that I loved a man who loved me in return, and this was the greatest gift I could ever hope to receive."
That text is consecrated for me by the memory of one of the greatest sorrows I have known — the death of my dear father. In those solemn days, when we used to steal, one by one, into the darkened room, to take yet another look at the dear calm face, and to pray for strength, the one feature in the room that I remember was a framed text, illuminated by one of my sisters, "Then are they glad, because they are at rest ; and so he bringeth them into the haven where they would be!" That text will always have, for me, a sadness and a sweetness of its own. Thank you again for sending it me. Please don't mention this when we meet. I can't talk about it.
Sorrow is better than laughter: for by the sadness of the countenance the heart is made better.
Ecclesiastes 7:3
• King James Version of the Bible originally published in 1611. Full KJV Authorized Book Name: Ecclesiastes, or, The Preacher; Common Book Name: Ecclesiastes; Chapter: 7; Verse: 3.
• The data for the years individual books were written is according to Dating the Bible on Wikipedia.
Listen! you hear the grating roar Of pebbles which the waves draw back, and fling, At their return, up the high strand, Begin, and cease, and then again begin, With tremulous cadence slow, and bring The eternal note of sadness in.
Don't Make Assumptions. Find the courage to ask questions and to express what you really want. Communicate with others as clearly as you can to avoid misunderstandings, sadness and drama. With just this one agreement, you can completely transform your life.
A feeling of sadness and longing, That is not akin to pain, And resembles sorrow only As the mist resembles the rain.
Make me thy lyre, even as the forest is: What if my leaves are falling like its own! The tumult of thy mighty harmonies Will take from both a deep, autumnal tone, Sweet though in sadness. Be thou, Spirit fierce, My spirit! Be thou me, impetuous one!
Have I told you lately that I love you? Have I told you there's no one above you? Fill my heart with gladness, Take away my sadness, Ease my troubles, that's what you do.
The pictures of airplanes flying into buildings, fires burning, huge structures collapsing, have filled us with disbelief, terrible sadness and a quiet, unyielding anger. These acts of mass murder were intended to frighten our nation into chaos and retreat. But they have failed. Our country is strong. A great people has been moved to defend a great nation.
Pain and suffering are always inevitable for a large intelligence and a deep heart. The really great men must, I think, have great sadness on Earth.
Among some papers on my table I see the poem again which we once found out of doors, the bit of paper escaped from the mysterious hands which wrote on it, and come to the stone seat. It ended by whispering, "Only I know the tears that brimming rise, your beauty blended with your smile to espy." In the days of yore it had made us smile with delight. To-night there are real tears in my eyes. What is it? I dimly see that there is something more than what we have seen, than what we have said, than what we have felt to-day. One day, perhaps, she and I will exchange better and richer sayings; and so, in that day, all the sadness will be of some service.
She seemed to say "Look at me. I have done my share. I am beautiful. It is something quite out of the ordinary, this beauty of mine. I am made for delight. But what do I get out of it? Where is my reward?" That was the change in her from ten years ago; that, indeed, was her reward, this haunting, this magical sadness which spoke straight to the heart and struck silence; it was the completion of her beauty."
Foolish pride Is all that I have left, so let me hide The tears and the sadness you gave me When you said goodbye Walk on by
Call a truce, then to our labors — let us feast with friends and neighbors And be merry as the custom of our caste; For if "faint and forced the laughter," and if sadness follow after, We are richer by one mocking Christmas past
Change is certain. Peace is followed by disturbances; departure of evil men by their return. Such recurrences should not constitute occasions for sadness but realities for awareness, so that one may be happy in the interim.
This is a remote location, far from any possible landing sites. It is therefore with deep sadness and regret that I must inform you that, according to this new data, flight MH370 ended in the southern Indian Ocean
(To the Celestial Spirit King and Loke) "It's not a sin! Caring for your friends feelings is not a sin! If you disappear, then Aries, myself, and everyone here will be filled with sadness! You won't be repenting your sin that way!"
"Old" and "new" are the perennial poles of all feeling and sense of orientation in the world. We cannot do without the old, because in what is old is invested all our past, our wisdom, our memories, our sadness, our sense of realism. We cannot do without faith in the new, because in what is new is invested all our energy, our capacity for optimism, our blind biological yearning, our ability to forget — the healing ability that makes reconciliation possible.
I had no idea that mothering my own child would be so healing to my own sadness from my childhood.
* * * The sundry contemplation of my travels, in which my often rumination wraps me in a most humorous sadness.
She dwells with Beauty — Beauty that must die; And Joy, whose hand is ever at his lips Bidding adieu; and aching Pleasure nigh, Turning to poison while the bee-mouth sips. Ay, in the very temple of Delight Veil’d Melancholy has her sovran shrine, Though seen of none save him whose strenuous tongue Can burst Joy’s grape against his palate fine; His soul shall taste the sadness of her might, And be among her cloudy trophies hung.
God sent his Singers upon earth With songs of sadness and of mirth, That they might touch the hearts of men, And bring them back to heaven again.
An ounce of cheerfulness is worth a pound of sadness to serve God with.
Cheerfulness
• Thomas Fuller, p. 49.
• Source: Wikiquote: "Cheerfulness" (Sourced, Dictionary of Burning Words of Brilliant Writers (1895): Quotes reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895).)
Beauty and sadness always go together. Nature thought beauty too rich to go forth Upon the earth without a meet alloy.
Beauty
• George MacDonald, Within and Without, Part IV, scene 3.
• Source: Wikiquote: "Beauty" (Quotes, Hoyt's New Cyclopedia Of Practical Quotations: Quotes reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 57-63.)
It is clear that in mulling over harsh judgments, sinister predictions, and bad memories, we fashion our own sadness; in a certain sense, we savor it.
Deep in the shady sadness of a vale Far sunken from the healthy breath of morn, Far from the fiery noon, and eve’s one star, Sat gray-hair’d Saturn, quiet as a stone, Still as the silence round about his lair; Forest on forest hung about his head Like cloud on cloud.
Music is a moral law. It gives a soul to the universe, wings to the mind, flight to the imagination, a charm to sadness, gaiety and life to everything. It is the essence of order, and leads to all that is good, just, and beautiful, of which it is the invisible, but nevertheless dazzling, passionate, and eternal form.
Misattributed to Plato
• This quotation is not known to exist in Plato's writings. It apparently first appeared as a quotation attributed to Plato in The Pleasures of Life, Part II by Sir John Lubbock (Macmillan and Company, London and New York), published in 1889.
• Source: Wikiquote: "Plato" (Misattributed)
Travelling is a fool's paradise. Our first journeys discover to us the indifference of places. At home I dream that at Naples, at Rome, I can be intoxicated with beauty, and lose my sadness. I pack my trunk, embrace my friends, embark on the sea, and at last wake up in Naples, and there beside me is the stern fact, the sad self, unrelenting, identical, that I fled from. I seek the Vatican, and the palaces. I affect to be intoxicated with sights and suggestions, but I am not intoxicated. My giant goes with me wherever I go.
One must not let oneself be overwhelmed by sadness.
There is enough sadness in life without having fellows like Gussie Fink-Nottle going about in sea boots.
Awake, thou wintry earth— Fling off thy sadness! Fair vernal flowers, laugh forth Your ancient gladness! Christ is risen.
Easter
• Thomas Blackburn, An Easter Hymn.
• Source: Wikiquote: "Easter" (Quotes, Hoyt's New Cyclopedia Of Practical Quotations: Quotes reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 209-10.)
Family likeness has often a deep sadness in it. Nature, that great tragic dramatist, knits us together by bone and muscle, and divides us by the subtler web of our brains; blends yearning and repulsion; and ties us by our heart-strings to the beings that jar us at every movement.
Smile though your heart is aching Smile even though its breaking When there are clouds in the sky, you'll get by If you smile with your fear and sorrow Smile and maybe tomorrow You'll find that life is still worthwhile If you just Light up your face with gladness Hide every trace of sadness Although a tear may be ever so near That's the time you must keep on trying Smile, what's the use of crying? You'll find that life is still worthwhile.
Lord, make me an instrument of Thy peace. Where there is hatred, let me sow love; Where there is injury, pardon; Where there is doubt, faith; Where there is despair, hope; Where there is darkness, light; Where there is sadness, joy. O Divine Master, Grant that I may not so much seek To be consoled as to console, To be understood as to understand, To be loved, as to love; For it is in giving that we receive; It is in pardoning that we are pardoned; It is in dying to self that we are born to Eternal Life. Amen.
Misattributed to Francis of Assisi
• Widely known as The Prayer of St. Francis, it is not found in Esser's authoritative collection of Francis's writings.
• Esser, OFM, ed., Fr. Kajetan (1978), Opuscula Sancti Patris Francisci Assisiensis place: Rome, publisher: Grottaferrata. Additionally there is no record of this prayer before the twentieth century.
• Armstrong, OFM, Fr. Regis J. (1982), Francis and Clare: The Complete Works page: 10, place: New York, publisher: Paulist Press, ISBN: 0-8091-2446-7. Dr. Christian Renoux of the University of Orleans in France traces the origin of the prayer to an anonymous 1912 contributor to La Clochette, a publication of the Holy Mass League in Paris. It was not until 1927 that it was attributed to St. Francis.
• Renoux, Christian The Origin of the Peace Prayer of St. Francis, retrieved: 2013-06-28.
• Renoux, Christian (2001), La prière pour la paix attribuée à saint François: une énigme à résoudre place: Paris, publisher: Editions franciscaines, ISBN: 2-85020-096-4.
• Source: Wikiquote: "Francis of Assisi" (Misattributed)
nothing but an icy loneliness that fills the head with emptiness and the heart with sadness.
I truly believe that when you're funny, you're blessed. Your whole life is kind of golden. I was happy, although it was not perfect happiness. There was illness and sadness and death.
Life is but a memory, Happened long ago. Theatre full of sadness For a long forgotten show. Seems so easy Just to let it go on by Till you stop and wonder Why you never wondered why.
Oh the gladness of their gladness when they're glad, And the sadness of their sadness when they're sad; But the gladness of their gladness, and the sadness of their sadness, Are as nothing to their badness when they're bad.
Women
• Anonymous.
• Source: Wikiquote: "Women" (Quotes, Hoyt's New Cyclopedia Of Practical Quotations: Quotes reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 886-97.)
I came at morn—'twas spring, I smiled, The fields with green were clad; I walked abroad at noon,—and lo! 'Twas summer,—I was glad; I sate me down; 'twas autumn eve, And I with sadness wept; I laid me down at night, and then 'Twas winter,—and I slept.
About Epitaphs
• Mary Pyper, Epitaph, A Life. Same on a tombstone in Massachusetts. See Newhaven Magazine (Dec., 1863); reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 233.
• Source: Wikiquote: "Epitaphs" (Quotes about epitaphs, Hoyt's New Cyclopedia Of Practical Quotations: Quotes reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 229-35.)
I think the world is like a great mirror, and reflects our lives just as we ourselves look upon it. Those who turn sad faces toward the world find only sadness reflected. But a smile is reflected in the same way, and cheers and brightens our hearts.
Mirror
• L. Frank Baum, in Aunt Jane’s Nieces and Uncle John (1911) published under the pseudonym Edith van Dyne
• Source: Wikiquote: "Mirror" (B)
There are moments when i wish i could roll back the clock and take all the sadness away, but i have a feeling that if i did, the joy would be gone as well. So i take the memories as they come, accepting them all, letting them guide me whenever i can.”
As for the passions and studies of the mind: avoid envy; anxious fears; anger fretting inwards; subtle and knotty inquisitions; joys and exhilarations in excess; sadness not communicated. Entertain hopes; mirth rather than joy; variety of delights, rather than surfeit of them; wonder and admiration, and therefore novelties; studies that fill the mind with splendid and illustrious objects, as histories, fables, and contemplations of nature.
If you think being dysfuncted and damaged, strapped to your baggage, dirty, ruined and hurt like critical, cynical, scathing, if you're lost or have come up missing, scarred and scared (or pretending you aren't), when you think that's all you've got, it's not. The sadness you wear around like a trophy is intriguing at most, but it's miserable, and about as original as a frat boy with a visor cap. So step up.
The highway's jammed with broken heroes On a last chance power drive. Everybody's out on the run tonight But there's no place left to hide. Together, Wendy, we can live with the sadness. I'll love you with all the madness in my soul. Someday girl, I don't know when we're gonna get to that place Where we really want to go and we'll walk in the sun. But till then tramps like us, baby we were born to run.
For two hundred years knights have fought and died for a land not our own. But on that day at Badon Hill, all who fought put our lives in service of a greater cause: Freedom. And as for the knights who gave their lives, their deaths were cause for neither mourning nor sadness. For they live forever, their names and deeds handed down from father to son, mother to daughter, in the legends of King Arthur and his knights.
The greatness comes not when things go always good for you, but the greatness comes when you are really tested, when you take some knocks, some disappointments, when sadness comes; because only if you've been in the deepest valley can you ever know how magnificent it is to be on the highest mountain. Always give your best. Never get discouraged. Never be petty. Always remember: Others may hate you. But those who hate you don't win, unless you hate them. And then, you destroy yourself.
"And at last we've got to the end of this ideal racecourse! Now that you accept A and B and C and D, of course you accept Z." "Do I?" said the Tortoise innocently. "Let's make that quite clear. I accept A and B and C and D. Suppose I still refused to accept Z?" "Then Logic would take you by the throat, and force you to do it!" Achilles triumphantly replied. "Logic would tell you, 'You can't help yourself. Now that you've accepted A and B and C and D, you must accept Z!' So you've no choice, you see." "Whatever Logic is good enough to tell me is worth writing down," said the Tortoise. "So enter it in your notebook, please. We will call it (E) If A and B and C and D are true, Z must be true. Until I've granted that, of course I needn't grant Z. So it's quite a necessary step, you see?" "I see," said Achilles; and there was a touch of sadness in his tone.
Sadness makes you God's prisoner.
And I sing and sing of awful things The pleasure that my sadness brings.
The death of three civilians and a dog causes uproar and sadness. The death of 20,000 soldiers causes dissatisfaction.
I could see their woe and sadness, and I pledged to ease their pain; their suffering would not be in vain.
There is sadness and confusion in our hearts / And the world prepares to fight / as it tears itself apart, it isn't fair
All too soon will Childhood gay Realise Life's sober sadness. Let's be merry while we may, Innocent and happy Fay! Elves were made for gladness!
Oh! once the harp of Innisfail Was strung full high to notes of gladness; But yet it often told a tale Of more prevailing sadness.
Let there be no sadness, no sorrow, Let there be no road too narrow, There'll be a new day, and it's today, For all of us.
Now we are forced to recognize our inhumanity Our reason coexists with our insanity And though we choose between reality and madness It's either sadness or euphoria.
I knew: the gods turned once, in their madness, Men into things, not killing humane senses. You've been turned in to my reminiscences To make eternal the unearthly sadness.
Anna Akhmatova
• Source: Wikiquote: "Anna Akhmatova" (Quotes: There have been numerous translations of Akhmatova's poems into English, with some variation in the titles of poems or their sections. The date of publication of her later works is often many years or decades after their composition. , As a White Stone... (1916): Translated by Yevgeny Bonver (August 2000) Full text online)
A boy's hunched body loved out of a stalk The first song of his happiness, and the song woke His heart to the darkness and into the sadness of joy.
Today we bury his remains in the earth as a seed of immortality. Our hearts are full of sadness, yet at the same time (full) of joyful hope and profound gratitude.
This short book, where joy and sadness are twins, like the ears of Platero, was written for … I have no idea for whom! … For whomever lyric poets write …
Why is this century worse than those others? Maybe, because, in sadness and alarm, It only touched the blackest of the ulcers, But couldn't heal it in its span of time.
Anna Akhmatova
• "Why is this century worse than those others?" (1919), translated by Yevgeny Bonver (2000)
• Source: Wikiquote: "Anna Akhmatova" (Quotes: There have been numerous translations of Akhmatova's poems into English, with some variation in the titles of poems or their sections. The date of publication of her later works is often many years or decades after their composition. )
Benvolio: What sadness lengthens Romeo's hours? Romeo: Not having that, which, having, makes them short. Benvolio: In love? Romeo: Out- Benvolio: Of love? Romeo: Out of her favour, where I am in love.
What can be considered human emotions? Surely not only lyricism, sadness, tragedy? Doesn't laughter also have a claim to that lofty title? I want to fight for the legitimate right of laughter in "serious" music.
I have, as when the sun doth light a storm, Buried this sigh in wrinkle of a smile: But sorrow, that is couch'd in seeming gladness, Is like that mirth fate turns to sudden sadness.
Sorrow
• William Shakespeare, Troilus and Cressida (c. 1602), Act I, scene 1, line 37.
• Source: Wikiquote: "Sorrow" (Sourced, William Shakespeare)
As I remember, Adam, it was upon this fashion, — bequeathed me by will but poor a thousand crowns, and, as thou say'st, charged my brother, on his blessing, to breed me well: and there begins my sadness.
Call a truce, then, to our labours let us feast with friends and neighbours, And be merry as the custom of our caste; For if “faint and forced the laughter,” and if sadness follow after, We are richer by one mocking Christmas past.
And we recall, with a gleaming stab of sadness, Vaguely and incoherently, some dream Of a world we came from, a world of sun-blue hills . . . A black wood whispers around us, green eyes gleam; Someone cries in the forest, and someone kills.
Sadness when there should be Joy, hatred when there should be love show compassion because we can be more because we both have scars and pain that no one will ever understand but us so be with me not against me and bring us where we were happy and free.
The pleasure and sadness of youth is that the speed of its passing is never thought about; and so you say that you will do this or that in a year, in five years, only to wake up one morning to realize that what you thought was infinitely prolonged has ended.
I come to you today with great sadness, acknowledging the loss of the greatest entertainer in the history of mankind. For me he was more than that, he was my idol, he was a role model, he was someone to cry to when my childhood was unbearable, he was a brother, he was a dear friend.
Words can't begin to describe my sadness for the loss of Michael Jackson. I was honored and humbled to have the opportunity to perform with him several times and he had a profound influence on my career. Michael forever changed the world of music and entertainment and I will always remember him for his kind and sweet spirit.
One must preach life, not death; spread hope, not fear and cultivate joy, man's most valuable treasure. That is the secret of the greatest of the wise, and it wil be the light of tomorrow. Passions are sad. Hatred is sad. Joy destroys passions and hatred. Let us begin by telling ourselves that sadness is never noble, beautiful or useful.
All nations have iconic historical figures on whom they draw for inspiration and strength at times of national crisis. We have the icon and we have the crisis but South Africa tragically appears to be still too disparate, divided, and confused to know how to best draw from Mandela’s example to mould a new nation. That is the sadness of Mandela’s closing years.
About Nelson Mandela
• Columnist William Saunderson-Meyer in the Jaundiced Eye column in The Witness: "Reality check on Mandela years" (26 July 2008)
• Source: Wikiquote: "Nelson Mandela" (Quotes about Mandela: Sorted alphabetically by author or source)
I'm possessed by love — but isn't everybody? Most of my songs are love ballads and things to do with sadness and torture and pain. In terms of love, you're not in control and I hate that feeling. I seem to write a lot of sad songs because I'm a very tragic person. But there's always an element of humour at the end.
Great joys, why do they bring us sadness? Because there remains from these excesses only a feeling of irrevocable loss and desertion which reaches a high degree of negative intensity. At such moments, instead of a gain, one keenly feels loss. sadness accompanies all those events in which life expends itself. its intensity is equal to its loss. Thus death causes the greatest sadness.
I prostrate in front of the memory of Mircea, my unforgettable friend. I am, in my moments of sadness, obliged to those who have permitted me to say that we have loved him, admired him, respected him and that once more he, Mircea, does never cease to be missed spiritually and emotionally, by all of us. But his work, so rich, so immense, still exists.
My marriage brought great happiness into my life, but lately there's been nothing but sadness. I understand that love and tragedy go hand in hand, for there can't be one without the other, but nonetheless I find myself wondering whether the tradeoff is fair. A man should die as he had lived, I think; in his final moments, he should be surrounded and comforted by those he's always loved.
"Oh, life is fun! Try sayin' that ten times fast ten thousand times a minute every day for the rest of your life and it'll screw with your head so bad that all problems will disappear like MAGIC! Okay okay okay, I've gotten past the sadness and as of now I'm evolving to a HIGHER STAAAATE! Right!? Tell me you all think so! Life...is a magnificent beast, and it excites me."
And as Paul said these things to himself, a wave of sadness washed over them as though they’d been written in sand. He was understanding now that no man could live without roots—roots in a patch of desert, a red clay field, a mountain slope, a rocky coast, a city street. In black loan, in mud or sand or rock or asphalt or carpet, every man had his roots down deep—in home.
'perhaps all our loves are merely hints and symbols; vagabond-language scrawled on gate-posts and paving-stones along the weary road that others have tramped before us; perhaps you and I are types and this sadness which sometimes falls between us springs from disappointment in our search, each straining through and beyond the other, snatching a glimpse now and then of the shadow whcih turns the corner always a pace or two ahead of us.'
Ordinarily, when he thought back upon those days, let alone upon his student years and the Bamboo Grove, it had always been as if he were gazing from a cool, dull room out into broad, brightly sunlit landscapes, into the irrevocable past, the paradise of memory. Such recollections had always been, even when they were free of sadness, a vision of things remote and different, separated from the prosaic present by a mysterious festiveness.
I'd like to combine melancholy and sunshine.. ..There's a sadness in Provence which no one has expressed; Poussin would have shown it in terms of some tomb, underneath the poplars of the Alyscamps.. .. I'd like to put reason in the grass and tears in the sky, like Poussin.. ..You really need to see and feel your subject very clearly, and then If I express myself with distinction and power, there's my Poussin, there's my classicism..
Paul Cézanne
• p. 211 in: 'What he told me – III. The Studio'
• Source: Wikiquote: "Paul Cézanne" (Quotes, Joachim Gasquet’s Cézanne, - a Memoir with Conversations, (1897 - 1906): Joachim Gasquet’s Cézanne, - a Memoir with Conversations, (1897 - 1906); Thames and Hudson, London 1991)
“You remember winning, don’t you? A battle won, somewhere?” “No,” said the old man, deep under. “I don’t remember anyone winning anywhere any time. War’s never a winning thing, Charlie. You just lose all the time, and the one who loses last asks for terms. All I remember is a lot of losing and sadness and nothing good but the end of it. The end of it, Charles, that was a winning all to itself, having nothing to do with guns.
He was the antithesis of the philosopher of mystery and intimation, and he was not tempted to technicality. He lived assertively and was vain and cocksure — at some cost to his philosophical reputation, since other philosophers were as human in their judgements on him. He was also honest, humane, and more or less on the Left in politics. He liked society, was a man of many women, came to be self-judging, and after some sadness died bravely, on 27 June 1989.
I see the same sadness in the eyes of conformists as I do in the eyes of those convulsing radically in opposition. I talk to people that aren't like me, individually, thoughtfully. And I listen. If I walk away from a conversation thinking differently than before I entered into it, I have succeeded in doing something that doesn't compute. If I haven't interacted and challenged what I know, resulting in a change of perception, I am still running my own set of stupid old programs.
Those places where sadness and misery abound are favoured settings for stories of ghosts and apparitions. Calcutta has countless such stories hidden in its darkness, stories that nobody wants to admit they believe but which nevertheless survive in the memory of generations as the only chronicle of the past. It is as if the people who inhabit the streets, inspired by some mysterious wisdom, relalise that the true history of Calcutta has always been written in the invisible tales of its spirits and unspoken curses.”
My heart is a stone: heavy with sadness for my people; cold with the knowledge that no treaty will keep whites out of our lands; hard with the determination to resist as long as I live and breathe. Now we are weak and many of our people are afraid. But hear me: a single twig breaks, but the bundle of twigs is strong. Someday I will embrace our brother tribes and draw them into a bundle and together we will win our country back from the whites.
Tecumseh
• As quoted in Touch the Earth : A Self-portrait of Indian Existence (1973) by T. C. McLuhanl this contains a remark "a single twig breaks, but the bundle of twigs is strong." similar to statements attributed to Aesop, and contained in Jewish scriptures.
• Source: Wikiquote: "Tecumseh" (Quotes)
To detach yourself elegantly from the world; to give contour and grace to sadness; a solitude in style; a walk that gives cadence to memories; stepping towards the intangible; with the breath in the trembling margins of things; the past reborn in the overflow of fragrances; the smell, through which we conquer time; the contour of the invisible things; the forms of the immaterial; to deepen yourself in the intangible; to touch the world airborne by smell; aerial dialogue and gliding dissolution; to bathe in your own reflecting fragmentation…
I sat down and leaned on my elbows. I thought of myself. Where was I now after all this? What was I going to do in life? I did not know. I would look about and would surely find something. So, sitting there, I quietly indulged in hopes. I must have no more sadness, no more anguish and fever. If the rest of my life was to pass in calm, in peace, I must go far, far away from all those awful serious things, the sight of which was terrible to bear.
Certainty is the mark of the common-sense life: gracious uncertainty is the mark of the spiritual life. To be certain of God means that we are uncertain in all our ways, we do not know what a day may bring forth. This is generally said with a sigh of sadness, it should be rather an expression of breathless expectation. We are uncertain of the next step, but we are certain of God. Immediately we abandon to God, and do the duty that lies nearest, He packs our life with surprises all the time.
Well, the world is a haunted house, and Helnwein at times is our tour guide through it. In his work he is willing to take on the sadness, the irony, the ugliness and the beauty. But not all of Gottfried's work is on a canvas. A lot of it is the way he's approached life. And it doesn't take someone knowing him to know that. You take one look at the paintings and you say "this guy has been around." You can't sit in a closet — and create this. This level of work is earned. As an artist my strongest reaction to Helnwein's work is that it challenges me to be better at what I do. There are very few people that achieve utter excellence in what they do. And I think that Gottfried Helnwein is certainly one of those people.
Not long before the child had passed a small stone which had torn the passage, but the trouble was over and forgotten. "Mamma," said the eager child, "where do little children come from?" "My child," replied his mother without hesitation, "women pass them with pains that sometimes cost their life." Let fools laugh and silly people be shocked; but let the wise inquire if it is possible to find a wiser answer and one which would better serve its purpose. In the first place the thought of a need of nature with which the child is well acquainted turns his thoughts from the idea of a mysterious process. The accompanying ideas of pain and death cover it with a veil of sadness which deadens the imagination and suppresses curiosity; everything leads the mind to the results, not the causes, of child-birth. This is the information to which this answer leads. If the repugnance inspired by this answer should permit the child to inquire further, his thoughts are turned to the infirmities of human nature, disgusting things, images of pain. What chance is there for any stimulation of desire in such a conversation? And yet you see there is no departure from truth, no need to deceive the scholar in order to teach him.
I leave with sadness, but with pride: Dravid on retirement
I convinced myself that sadness and compromise were the ways of the world...
Atheism leads not to badness, but only to an incurable sadness and loneliness.
Without amusement there is no joy; with amusement there is no sadness. 139
o, I need the darkness the sweetness the sadness the weakness I need this
Comedy doesn't really have any meaning without sadness … The most meaningful comedy comes from some really serious pathos.
I spent my childhood alone, overweight and ugly, angry at everything, and knowing nothing of a life beyond this sadness.
We don't know happiness without unhappiness, gaiety without sadness, and happiness can only be felt if you don't set any conditions.
For me there’s no good or bad, as long as I’m feeling everything to the greatest degree, whether it’s sadness or happiness.
When he died my mother [the singer Gislinde Kühlbeck], told me on the telephone and I felt nothing, neither a sense of sadness nor hate.
Human beings have an almost unlimited capacity for self-delusion. We can justify any amount of sadness if it fits our own particular standard of reality.
America is ripe for lies and lethargy. The pure mountain air is going and gone. It is a huge burden and a sadness for us all.
On this sinful, fallen earth, life will remain difficult, fraught with suffering and sadness. But we are looking forward to heaven—and heaven is always better in every realm than the earth.
I think after 9/11, when we were in our moment of greatest sadness as a nation... this small group of neo-conservatives used our pain in order to set their agenda on their course.
It is a melancholy of mine own, compounded of many simples, extracted from many objects, and, indeed, the sundry contemplation of my travels, which, by often rumination, wraps me in a most humorous sadness.
I spent my life learning to feel less. Every day I felt less. Is that growing old? Or is it something worse? You can not protect yourself from sadness without protecting yourself from happiness.
I want to take all the sadness. Of the world from your shoulders. I want to take all the sadness. Of the world from your shoulders. I want to take all the sadness. ~ "Braille".
Part of me is drawn to the nature of sadness because I think life is sad, and sadness is not something that should be avoided or denied. It's a fact of life, like contradictions are.
Wherever one finds oneself inclined to bitterness, it is a sign of emotional failure: a larger heart, and a greater self-restraint, would put a calm autumnal sadness in the place of the instinctive outcry of pain.
Bertrand Russell
The Collected Papers of Bertrand Russell: Contemplation and Action, 1902-1914, ed. Richard A. Rempel, Andrew Brink and Margaret Moran (Routledge, 1993, ISBN 0-415-10462-9): Textual Notes, p. 555; also in Laurence J. Peter Quotations for our time (1978), p. 188.
• Source: Wikiquote: "Bertrand Russell" (Quotes, Attributed from posthumous publications)
Pan's Labyrinth works on so many levels that it seems to change shape even as you watch it. It is, at times, a joyless picture, and its pall of sadness can begin to weigh you down.
Child of earth and earthly sorrows — child of God and immortal hopes — arise from thy sadness, gird up the loins of thy mind, and with unfaltering energy press toward thy rest and reward on high.
Earnestness
• Elias Lyman Magoon, p. 205.
• Source: Wikiquote: "Earnestness" (Quotes, Dictionary of Burning Words of Brilliant Writers (1895): Quotes reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895).)
There were times in my life when I couldn't feel much, not sadness or pity or passion, and somehow I blamed this place for what I had become, and I blamed it for taking away the person I had once been.
Eyes are shedding tears, and the heart feels pain and sadness for our people in Lebanon due to the bombing, terror and clear aggression that the Zionist enemy conducts and that is shielded by a number of countries, including the United States.
We ask God to forgive us for our evil thoughts and evil temper, but rarely, if ever, ask Him to forgive us for our sadness. Joy is regarded as a happy accident of the Christian life, an ornament and a luxury, rather than a duty.
Joy
Robert William Dale, p. 357.
• Source: Wikiquote: "Joy" (Quotes: Alphabetized by author or source, Dictionary of Burning Words of Brilliant Writers (1895): Quotes reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895).)
I always said that the decision to retire would be his alone but now that decision has been taken I feel a sense of sadness. We have lived through some unforgettable times together, some good and some bad, achieving results that will be hard to equal.
I want more than anything for my children to be happy, and I love them because they are sad, and the erratic project of kneading that sadness into joy is the engine of my life as a father, as a son, as a friend—and as a writer.
After I had given up to go, the thoughts of the journey were often attended with unusual sadness, at which times my heart was frequently turned to the Lord with inward breathings for his heavenly support, that I might not fail to follow him wheresoever he might lead me.
John Woolman
• p. 107
• Source: Wikiquote: "John Woolman" (Sourced, The Journal of John Woolman (1774): (Page numbers form John Woolman (1947) A Journal of the Life, Gospel Labours and Christian Experiences of John Woolman Edw. Marsh))
SADNESSES OF THE COVENANT: Sadness of God's love; Sadness of God's back [sic]; Favorite-child sadness; Sadness of b[ein]g sad in front of one's God; Sadness of the opposite of belief [sic]; What if? Sadness; Sadness of God alone in heaven; Sadness of a God who would need people to pray to Him...
Nothing is so insufferable to man as to be completely at rest, without passions, without business, without diversion, without study. He then feels his nothingness, his forlornness, his insufficiency, his dependence, his weakness, his emptiness. There will immediately arise from the depth of his heart weariness, gloom, sadness, fretfulness, vexation, despair. 131
Pride swells the brain. Vanity carries with it smoke, minds. Hatred tightens the heart. Love warms the lungs. Admiration stops the heart. We breathe through desire. We want to pump up all that delights, and dilates. Sadness is inaction. The love that comes from the blood, the love that comes from the soul.
In the primitive Church Holy Saturday was known as Great, or Grand Saturday, Holy Saturday, the Angelic … It is no longer, like Maundy Thursday, a day of joy, but one of joy and sadness intermingled; it is the close of the season of Lent and penance, and the beginning of paschal time.
True, thy fault is great, But we are many that will plead for thee; We and our sisters, dwellers in the streams That murmur blithely to the joyous mood, And dolefully to sadness. Not a nook In darkest woods but some of us are there, To watch the flowers, that else would die unseen.
What second love could she [Olympias] make out of her ruined first love? The second love that most women make out of their first love for husbands grows from a mutual and tacit sadness in both husband and wife that he is only in rare moments the man both would like him to be.
A deep, deep sadness. You know there's a theologian named Michael Novack who's quoted as saying that 'a community is better off losing its opera house, or its museum, or its CHURCH' — here's a theologian speaking — 'than its ball team'. Brooklyn has never been the same since the Dodgers were taken away.
I knew that if I didn't find a way to deal with my anger and hate, they would overwhelm me and I would be swallowed up in the fear, sadness, and frustration. I knew that to hate and strike out was to be a part of the same violence I was trying to stop. And so I prayed.
The holiday humour that ought to have prevailed in the tent that evening — our first on the plateau — did not make its appearance; there was depression and sadness in the air - we had grown so fond of our dogs. — from The South Pole, by Roald Amundsen  Upon slaughtering some dogs to feed other dogs and themselves
[on KFC's Famous Bowls] I just want kind of a light brown hillock of glop. If you could put my lunch in a blender, and liquefy it, and then put it into a caulking gun and inject it right into my femoral artery, even better! But until you invent a lunch gun, I would like a failure pile in a sadness bowl!
 Finland - President Tarja Halonen expressed condolences in a letter to the Queen. In it she said "It is with profound sadness that we in Finland have received the news of the fatal bomb explosions in London, in which precious human lives were lost and many seriously injured." Foreign Minister Erkki Tuomioja also expressed condolences, stating: "I vehemently condemn these shocking and cruel acts."
Life passes by in an instant. In the twinkling of an eye, we grow old. Our physical strength wanes and we began to suffer various aches and pains. We practice Nichiren Daishonin's Buddhism so that instead of sinking into feelings of sadness, loneliness and regret, we can greet old age with inner richness and maturity, as round and complete as the ripe, golden fruit of autumn.
Sadness came into the world with Satan — that world our Saviour never prayed for, the world you say I do not know. Oh, it is not so difficult to recognize: it is the world that prefers cold to warmth! What can God find to say to those who, of their own free will, of their own weight incline towards sadness and turn instinctively towards the night?
When at some point in our lives, we meet a real tragedy – which could happen to any one of us – we can react in two ways. Obviously we can lose hope, let ourselves slip into discouragement, into alcohol, drugs, and unending sadness. Or else, we can wake ourselves up, discover in ourselves an energy that has hidden there, and act with more clarity, more force.
If only the wind could reach inside me, wipe clean my heartache, my guilt, my confusion. If only the waves could wash away this heartache, this jealousy and rage, this guilt and sadness. If only the rocks could lend me their stability, their strength, so I might choose wisely. If only the sun could burn away my past, so I would not have to live with any regrets.
As for the value of color I am close to the philosophy of Fauvists: Matisse, Raoul Dufy, and Vlaminck. In other words, color for me is the most important constituent of painting. The composition and form extract themselves from the depth of color. My colors are the spirit of my paintings. For example, when the space is sad it is my pallet of colors that convey this sadness first.
All springs begin in this way, from those enormous and astounding horoscopes, each beyond the scale of a single season of the year. And in each one—be it nevermore said, let me say it here—there is everything: endless processions and demonstrations, revolutions and barricades. And through them all at a certain moment, the hot wind of remembrance blows, that boundlessness of sadness and intoxication seeking in vain its counterpart in reality.
I watched them from the window, thy children at their play, And I thought of all my own dear friends, who were far, oh, far away, And childish loves, and childish cares, and a child’s own buoyant gladness Came gushing back again to me with a soft and solemn sadness; And feelings frozen up full long, and thoughts of long ago, Seemed to be thawing at my heart with a warm and sudden flow.
I'm sad... Not sad... because I'm dying. Right now I'm sad... becuase my child died. People... can't lose their emotions. My emotions... were just lost somewhere... where I couldn't find them. Just like a letter from someone that was addressed to me... finally arrived decades after it was mailed. Is this true sadness? Or is it happiness? ...In the last episode of the Magnificent Steiner, he must have... gone back to being a human.
Fictional last words in comic books, graphic novels, and manga
• Who: Wolfgang Grimmer
• Source: Monster (Manga)
• Notes: Upon seeing and unarmed civilian murdered, Grimmer gives into his rage and kills four ex-Stasi before succumbing to gunshot wounds. His last words refer to a television show called the Magnificent Steiner(similar to the Incredible Hulk) that he watched as a child.
• Source: Wikiquote: "Fictional last words in comic books, graphic novels, and manga" (A-Z, The Amazing Spider-Man)
Deep in the shady sadness of a vale Far sunken from tie healthy breath of morn. Far from the fiery noon, and eve's one star, Sat gray-hair'd Saturn, quiet as a stone, Still as the silence round about his lair; Forest on forest hung about his head ..star, Sat gray-hair’d Saturn, quiet as a stone, Still as the silence round about his lair; Forest on forest hung above his head Like cloud on cloud.
O Spring, of hope and love and youth and gladness Wind-wingèd emblem! brightest, best and fairest! Whence comest thou, when, with dark Winter's sadness The tears that fade in sunny smiles thou sharest? Sister of joy! thou art the child who wearest Thy mother's dying smile, tender and sweet; Thy mother Autumn, for whose grave thou bearest Fresh flowers, and beams like flowers, with gentle feet, Disturbing not the leaves which are her winding sheet.
Spring
• Percy Bysshe Shelley, The Revolt of Islam (1817), Canto Ninth, XXII.
• Source: Wikiquote: "Spring" (Quotes: Alphabetized by author )
Lord, make me a channel of your peace. Where there is hatred, let me bring love. Where there is offense, forgiveness. Where there is discord, reconciliation. Where there is doubt, faith. Where there is despair, hope. Where there is sadness, joy. Where there is darkness, your light. we give, we are made rich. If we forget ourselves, we find peace. If we forgive, we receive forgiveness. we die, we receive eternal resurrection. Give us peace, Lord.
Prayer
• Attributed to Francis of Assisi, in Auspicius van Corstanje, Francis: Bible of the Poor (1977), p. 203. "This prayer cannot be found in any of the early texts written by Francis. In its present form, it is probably not even a hundred years old. All the same, it clearly reflects the spirit of Francis. He could have written it, and that is why it is generally attributed to him" (p. 203). A slightly different version ("Lord, make me an instrument of thy peace") can be found in Masterpieces of Religious Verse, ed. James Dalton Morrison, p. 130 (1948).
• Source: Wikiquote: "Prayer" (Quotes: Alphabetized by author , Respectfully Quoted: A Dictionary of Quotations (1989))
What struck him was not sadness or remorse or pity but the wonder of it. How can it be? How can it happen that one day you are young, you marry, and then another day you come to yourself and your life has passed like a dream? They looked at teach other curiously and wondered how they could have missed each other, lived in the same house all those years and passed in the hall like ghosts.
"An execution is always tragic news, reason for sadness, even in the case of a person who is guilty of grave crimes." - Holy See spokesperson Federico Lombardi.(2006-12-30), Comments on Death Penalty for Saddam, work: Associated Press, retrieved: 2006-12-30 "[The execution punishes] a crime with another crime...The death penalty is not a natural death. And no one can give death, not even the state." - Cardinal Renato Martino, president of the Pontifical Council for Justice and Peace.
Sir Henry Wotton was a most dear lover and a frequent practiser of the Art of Angling; of which he would say, "'T was an employment for his idle time, which was then not idly spent, a rest to his mind, a cheerer of his spirits, a diverter of sadness, a calmer of unquiet thoughts, a moderator of passions, a procurer of contentedness;" and "that it begat habits of peace and patience in those that professed and practised it."
I reject that criticism because this is indeed another kind of holocaust, by another name. At last count, more than 40 million unborn children have been deliberately, intentionally destroyed. What word adequately defines the scope of such slaughter? [After 9/11] the American people responded with shock, sadness and a deep and righteous anger — and rightly so. Yet let us not forget that every passing day in our country, more than three thousand innocent Americans are killed [through abortion].
Like a Long Magnolia Blossom Bending to the Wind. Under heavy silence. Of a house in mourning. Only the cry of cicadas. Ma'am, ma'am, ma'am. Seem to long for you who is now gone. Under the August sun. The Indian Lilacs turn crimson. As if trying to heal the wounds of the mind. My wife has departed alone. Only I am left. Like a lone magnolia blossom bending to the wind. Where can I appeal. The sadness of a broken heart.
Every fan in Brazil is crying right now. Brazil thought they would regroup after Neymar's injury and pull together to win the World Cup. Instead, they went down 0-5 against Germany before thirty minutes had elapsed in their semifinal match. It was stunning, horrifying and heartbreaking. The ESPN and Univision cameras caught despairing fans and their sadness is palpable. And even this Germany fan simply has no explanation for what has transpired. We are so, so sorry, Brazil. We feel the same way.
On the one side, the Mexican side, Mexican peasants are tantalized by the American possibility of change. On the other side, the American side, the tyranny of American optimism has driven Americans to neurosis and depression, when the dream is elusive or less meaningful than the myth promised. This constitutes the great irony of the Mexican-American border: American sadness has transformed the drug lords of Mexico into billionaires, even as the peasants of Mexico scramble through the darkness to find the American dream.
Epifanio de los Santos was a genius, with all the great spontaneity and fire, and all the almost analyzable complexity of such a spirit. … His scholarship was profound. … Yet he was no mere pedant. He was never solemn. He was too wise to take life too seriously. He was always jovial and good company. He was something of a sensualist and liked good food and drink. But he had moments of sadness, and there were times when he drank not for pleasure, but for surcease.
He had gone to several universities . . . and had found only curves and credits. He had become drunk on the idea of God and found only theology. He had risen several times on the subtle and powerful wings of lust, expectant of magnificence, achieving only discharge. A few times he had extended friendship with palpitating hope, only to find that no one quite knew what he had in mind. His solitude now was the result of his metabolism, that constant breathing in of joy and exhalation of sadness.
One night in Boston I went out to dinner with my editor and his wife—this was my first editor, the beloved editor, and I was in awe of him; I still am in awe of him. The editor kissed me on the cheek as we parted and called me his “darling boy,” as if thereby investing me with the Order of Letters Genteel. It was among the happiest nights of my life; I was filled with sadness as I watched the two of them, the editor and his wife, walk away.
As for a few others, the vital task was a wedding of abstraction and surrealism. Out of these opposites something new could emerge, and Gorky’s work is a part of the evidence that this is true. What he felt, I suppose, was a sense of polarity, not of dichotomy; that opposites could exist simultaneously within a body, within a painting or within an entire art... These are the opposites poles in his work. Logic and irrationality; violence and gentleness; happiness and sadness, surrealism and abstraction. Out of these elements I think Gorky evolved his style.
"He [Kalam] was not only a great scientist, educationist and statesman, but also above all a real gentleman. Over the years, I had the opportunity to meet and interact with him on many occasions, and always admired his down-to-earth simplicity and humility. I used to enjoy our discussions on a wide range of subjects of common interest, but mainly concerned with science, spirituality and education."Choesang, Yeshe (28 July 2015), HH the Dalai Lama expresses sadness over Abdul Kalam's demise, publisher: Tibet Post International, retrieved: 28 July 2015   - Dalai Lama on Kalam's death, 28 July 2015
He remembered Alejandra and the sadness he'd first seen in the slope of her shoulders which he'd presumed to understand and of which he knew nothing and he felt a loneliness he'd not known since he was a child and he felt wholly alien to the world although he loved it still. He thought the world's heart beat at some terrible cost and that the world's pain and its beauty moved in a relationship of diverging equity and that in this headlong deficit the blood of multitudes might ultimately be exacted for the vision of a single flower.
A solemn sadness reigns. A great peace is around us. In its light our cares of the working day grow small and trivial, and bread and cheese—ay, and even kisses—do not seem the only things worth striving for. Thoughts we cannot speak but only listen to flood in upon us, and standing in the stillness under earth's darkening dome, we feel that we are greater than our petty lives. Hung round with those dusky curtains, the world is no longer a mere dingy workshop, but a stately temple wherein man may worship, and where at times in the dimness his groping hands touch God's.
I think the world is like a great mirror, and reflects our lives just as we ourselves look upon it. Those who turn sad faces toward the world find only sadness reflected. But a smile is reflected in the same way, and cheers and brightens our hearts. You think there is no pleasure to be had in life. That is because you are heartsick and — and tired, as you say. With one sad story ended you are afraid to begin another — a sequel — feeling it would be equally sad. But why should it be? Isn't the joy or sorrow equally divided in life?
Henceforth I will look upon all things with love and I will be born again. I will love the sun for it warms my bones; yet I will love the rain for it cleanses my spirit. I will love the light for it shows me the way; yet I will love the darkness for it shows me the stars. I will welcome happiness because it enlarges my heart; yet I will endure sadness because it opens my soul. I will acknowledge rewards because they are my due; yet I will welcome obstacles because they are my challenge. I will greet this day with love in my heart.
He never made the obligatory journey south to study in Rome; his subject matter was the foggy and precipitous vista, sublimely expansive and filled with premonitory brooding. The writer Ludwig Tieck believed Friedrich was the Nordic genius incarnate, whose mission was "to express and suggest most sensitively the solemn sadness and religious stimulus which seem recently to be reviving our German world in a strange way." … Friedrich's work, the Dresden painter Ludwig Richter remarked in 1825, does not deal with "the spirit and importance of nature … Friedrich chains us to an abstract idea, using the forms of nature in a purely allegorical manner, as signs and hieroglyphs."
I learnt of the passing away of Sri Satya Saibaba with deep and profound sadness. Sri Satya Saibaba was a spiritual leader who inspired millions to lead a moral and meaningful life even as they followed the religion of their choice. His teachings were rooted in the universal ideals of truth, right conduct, peace, love and non-violence... He believed that it is the duty of every person to ensure that all people have access to the basic requirements for sustenance of life. Sri Satya Saibaba was an inspiration to people of all faiths. The passing away of Sri Satya Saibaba is an irreparable loss to all and the nation deeply mourns his passing away...
The beauty of flames lies in their strange play, beyond all proportion and harmony. Their diaphanous flare symbolizes at once grace and tragedy, innocence and despair, sadness and voluptuousness. The burning transcendence has something of the lightness of great purifications. I wish the fiery transcendence would carry me up and throw me into a sea of flames, where, consumed by their delicate and insidious tongues, I would die an ecstatic death. The beauty of flames creates the illusion of a pure, sublime death similar to the light of dawn. Immaterial, death in flames is like a burning of light, graceful wings. Do only butterflies die in flames? What about those devoured by the flames within them?
Love is always new. Regardless of whether we love once, twice, or a dozen times in our life, we always face a brand-new situation. Love can consign us to hell or to paradise, but it always takes us somewhere. We simply have to accept it, because it is what nourishes our existence. If we reject it, we die of hunger, because we lack the courage to reach out a hand and pluck the fruit from the branches of the tree of life. We have to take love where we find it, even if it means hours, days, weeks of disappointment and sadness. The moment we begin to seek love, love begins to seek us. And to save us.
“When the world commences its drastic ordeal, when the storms of life crush youth’s exuberant expectancy, when existence, which seemed so affectionate and gentle, changes into a pitiless proprietor who demands everything back, everything that it gave in such a way that it can take it back-then the believer most likely looks at himself and his life with sadness and pain, but he still says, “There is an expectancy that the whole world cannot take from me; it is the expectancy of faith, and this is victory. I am not deceived, since I did not believe that the world would keep the promise it seemed to be making to me, my expectancy was not in the world but in God.”
Two Upbuilding Discourses, 1843
Two Upbuilding Discourses (16 May 1843) in The Expectancy of Faith From Eighteen Upbuilding Discourses''. p. 23-24
• Source: Wikiquote: "Two Upbuilding Discourses, 1843" (Quotes: As translated in Eighteen Upbuilding Discourses, Soren Kierkegaard 1843-1844 (1990) by Howard V. Hong, The Expectancy of Faith)
Some can sing opera, Luciano Pavarotti was an opera. No one could inhabit those acrobatic melodies and words like him. He lived the songs, his opera was a great mash of joy and sadness; surreal and earthy at the same time; a great volcano of a man who sang fire but spilled over with a love of life in all its complexity, a great and generous friend. … I spoke to him last week... the voice that was louder than any rock band was a whisper. Still he communicated his love. Full of love. That's what people don't understand about Luciano Pavarotti. Even when the voice was dimmed in power, his interpretive skills left him a giant among a few tall men.
When at that time I was in a state of terrible weariness, I saw a great eagle, flying towards me from the altar. And he said to me: "If you wish to become one, then prepare yourself." And I fell to my knees and my heart longed terribly to worship that One Thing in accordance with its true dignity, which is impossible--I know that, God knows that, to my great sadness and burden. And the eagle turned, saying, "Righteous and most powerful Lord, show now the powerful force of your Unity for the consummation with the Oneness of yourself." And he turned back and said to me, "He who has come, comes again, and wherever he never came, there he will not come."
(to Chane) "Sorry about this young lady, but not being able to verbalize might be a lucky break for you in a way. People can waste an awful lot of energy. By putting sadness into words. Or maybe joy into words. And then of course, there's putting anger into words. And the words can double when it comes to fear or pain. In that sense, being so afraid that you can't find any words may save your life. Being unable to speak in extreme stress in a body that is obligated to control energy consumption is an act of, OH, I don't know, maybe, self defense? Oh boy, I went said a thing of actual intelligence there. Time to show me some love, boys!
I have no doubt that the Romans planned the time-table of their days far better than we do. They rose before the sun at all seasons. Except in wartime we never see the dawn. Sometimes we see sunset. The message of sunset is sadness; the message of dawn is hope. The rest and the spell of sleep in the middle of the day refresh the human frame far more than a long night. We were not made by Nature to work, or even play, from eight o’clock in the morning till midnight. We throw a strain upon our system which is unfair and improvident. For every purpose of business or pleasure, mental or physical, we ought to break our days and our marches into two.
Mickey's Letter: I wanted to tell you right away... about memories that sleep within you, and... about the pieces that will tie you to your future. Sora, Riku, Kairi... The truth behind the Keyblade has found its way through so many people, and now I know that it rests in your hearts. Sora... You are who you are because of those people, but they're hurting and you're the only one who can end their sadness. They need you. It's possible that all your journeys so far have been preparing you for this great new task that's waiting for you. I should have known there were no coincidences--only links in a much larger chain of events. And now the door to your next journey...is ready to be open.
A good name is better than precious ointment; and the day of death than the day of one's birth. It is better to go to the house of mourning, than to go to the house of feasting: for that is the end of all men; and the living will lay it to his heart. Sorrow is better than laughter: for by the sadness of the countenance the heart is made better. The heart of the wise is in the house of mourning; but the heart of fools is in the house of mirth. It is better to hear the rebuke of the wise, than for a man to hear the song of fools. For as the crackling of thorns under a pot, so is the laughter of the fool: this also is vanity.
My acceptance of the universe is not optimism, it is more like patriotism. It is a matter of primary loyalty. The world is not a lodging-house at Brighton, which we are to leave because it is miserable. It is the fortress of our family, with the flag flying on the turret, and the more miserable it is the less we should leave it. The point is not that this world is too sad to love or too glad not to love; the point is that when you do love a thing, its gladness is a reason for loving it, and its sadness a reason for loving it more. All optimistic thoughts about England and all pessimistic thoughts about her are alike reasons for the English patriot. Similarly, optimism and pessimism are alike arguments for the cosmic patriot.
He dreamt that night that he rode through the woods on a low ridge. Below him he could see deer in a meadow where the sun fell on the grass. The grass was still wet and the deer stood in it to their elbows. He could feel the spine of the mule rolling under him and he gripped the mule's barrel with his legs. Each leaf that brushed his face deepened his sadness and dread. Each leaf he passed, he'd never pass again. They rode over his face like veils, already some yellow, their veins slender like bones where the sun shone through them. He had resolved himself to ride on for he could not turn back and the world that day was as lovely as any day ever was and he was riding to his death. (p.162)
I believe that what separates us all from one another is simply society itself, or, if you like, politics. This is what raises barriers between men, this is what creates misunderstanding. If I may be allowed to express myself paradoxically, I should say that the truest society, the authentic human community, is extra-social — a wider, deeper society, that which is revealed by our common anxieties, our desires, our secret nostalgias. The whole history of the world has been governed by nostalgias and anxieties, which political action does no more than reflect and interpret, very imperfectly. No society has been able to abolish human sadness, no political system can deliver us from the pain of living, from our fear of death, our thirst for the absolute. It is the human condition that directs the social condition, not vice versa.
Eagerly, musician, Sweep your string, So we may sing, Elated, optative, Our several voices Interblending, Playfully contending, Not interfering But co-inhering, For all within The cincture of the sound Is holy ground, Where all are Brothers, None faceless Others. Let mortals beware Of words, for With words we lie, Can say peace When we mean war, Foul thought speak fair And promise falsely, But song is true: Let music for peace Be the paradigm, For peace means to change At the right time, As the World-Clock, Goes Tick and Tock. So may the story Of our human city Presently move Like music, when Begotten notes New notes beget, Making the flowing Of time a growing, Till what it could be, At last it is, Where even sadness Is a form of gladness, Where Fate is Freedom, Grace and Surprise.
United Nations
• W. H. Auden, "Hymn to the United Nations", music by Pablo Casals; reported in The New York Times (October 25, 1971), p. 40.
• Source: Wikiquote: "United Nations" (Quotes)
During the war the congregation was largely broken up […] and it was never really reconstituted after the war. […] Before the war my parents (I, too) had known almost every shop and shopkeeper in Cricklewood […] and I would see them all in their places in shul. But all this was shattered with the impact of the war, and then with the rapid postwar social changes in our corner of London. I myself, traumatized at Braefield, had lost touch with, lost interest in, the religion of my childhood. I regret that I was to lose it as early and as abruptly as I did, and this feeling of sadness or nostalgia was strangely admixed with a raging atheism, a sort of fury with God for not existing, not taking care, not preventing the war, but allowing it, and all its horrors, to occur.
Ever since I adopted the rule of "That which can be destroyed by the truth should be," I've also come to realize "That which the truth nourishes should thrive." When something good happens, I am happy, and there is no confusion in my mind about whether it is rational for me to be happy. When something terrible happens, I do not flee my sadness by searching for fake consolations and false silver linings. I visualize the past and future of humankind, the tens of billions of deaths over our history, the misery and fear, the search for answers, the trembling hands reaching upward out of so much blood, what we could become someday when we make the stars our cities, all that darkness and all that light — I know that I can never truly understand it, and I haven't the words to say.
I had grown pure as the dawn and the dew, You had grown strong as the sun or the sea. But none shall triumph a whole life through: For death is one, and the fates are three. At the door of life, by the gate of breath, There are worse things waiting for men than death; Death could not sever my soul and you, As these have severed your soul from me. You have chosen and clung to the chance they sent you, Life sweet as perfume and pure as prayer. But will it not one day in heaven repent you? Will they solace you wholly, the days that were? Will you lift up your eyes between sadness and bliss, Meet mine, and see where the great love is, And tremble and turn and be changed? Content you; The gate is strait; I shall not be there.
One such evolutionary system, or ridge, encompasses panhuman emotional faculties, or affective "programs." These include the basic, or primary, emotions that Darwin first identified: surprise, fear, anger, joy, sadness, disgust, and perhaps contempt. Certain reactions characteristic of the neurophysiology of surprise and fear are already evident in reptiles, and the other primary emotions are at least apparent in monkeys and apes. Then there are the secondary, mostly "social" emotions, such as anxiety, grief, guilt, pride, vengeance, and love. These may be unique to humans-hence, at the lower level in our evolutionary mountain landscape and somewhat more liable to cultural manipulation and variation than the primary, "Darwinian" emotions. Thus, only humans seek revenge or redemption across lifetimes and generations, whatever the cost, although the nature of the deeds that trigger insult or remorse may vary considerably across societies, and the means to counter them may range even wider.
Whosoever is free from the contamination of luxury and licence, may go forth to the fields and to the woods, inhaling joyous renovation from the breath of Spring, or catching from the odours and sounds of Autumn some diviner mood of sweetest sadness, which improves the softened heart. Whosoever is no deceiver or destroyer of his fellow men — no liar, no flatterer, no murderer may walk among his species, deriving, from the communion with all which they contain of beautiful or of majestic, some intercourse with the Universal God. Whosoever has maintained with his own heart the strictest correspondence of confidence, who dares to examine and to estimate every imagination which suggests itself to his mind — whosoever is that which he designs to become, and only aspires to that which the divinity of his own nature shall consider and approve — he has already seen God.
'Young men, have confidence in those powerful and safe methods, of which we do not yet know all the secrets. And, whatever your career may be, do not let yourselves become tainted by a deprecating and barren scepticism, do not let yourselves be discouraged by the sadness of certain hours which pass over nations. Live in the serene peace of laboratories and libraries. Say to yourselves first : ' What have I done for my instruction ? ' and , as you gradually advance, 'What have I done for my country?' until the time comes when you may have the immense happiness of thinking that you have contributed in some way to the progress and to the good of humanity. But, whether our efforts are or not favoured by life, let us be able to say, when we come near the great goal, ' I have done what I could.'
My friends---No one, not in my situation, can appreciate my feeling of sadness at this parting. To this place, and the kindness of these people, I owe every thing. Here I have lived a quarter of a century, and have passed from a young to an old man. Here my children have been born, and one is buried. I now leave, not knowing when, or whether ever, I may return, with a task before me greater than that which rested upon Washington. Without the assistance of that Divine Being, who ever attended him, I cannot succeed. With that assistance I cannot fail. Trusting in Him, who can go with me, and remain with you and be every where for good, let us confidently hope that all will yet be well. To His care commending you, as I hope in your prayers you will commend me, I bid you an affectionate farewell.
He stayed in no one place very long, but he usually managed to absorb something of the atmosphere of each town, village or rubber estate he visited, and he always made quick contact with the local residents. These residents were invariably Europeans - planters, colonial officials, businessmen, or just men living in exile to escape from trouble or sadness at home - and there is little evidence that Maugham gained, or wished to gain, any direct knowledge of the lives and customs of the native peoples of the East. This must be disappointing to present-day Malay and Indian and Chinese and Eurasian readers of his stories, but we have to remember that (apart from the fact that Maugham had no time to learn Malay or Chinese or Tamil) the Western attitude to the Far East was very different in Maugham's time from what it is today. [Introduction to Maugham's Malaysian Stories (1969)]
Because I worked at the White House on 9/11, I carry the memories and the pain of that day in a wound that is particularly deep — one that is very personal. Some of you were not in government on 9/11, and some are from parts of the country where people do not think much today about terrorism. I appreciate that some may not share the same sense of sadness and anger. But I must ask you to take on the perspective that President Bush and I had on September 11th and the days following — the brutal unprovoked murders of mothers and fathers — sons and daughters…the phone calls of desperate good byes…symbols of American wealth and power in flames and ruins. Five years have passed. I concede it may be difficult for some to stay committed to this mission — maintaining the necessary intensity and commitment — without that perspective.
It is a beautiful truth that all men contain something of the artist in them. And perhaps it is the case that the greatest artists live and die, the world and themselves alike ignorant what they possess. Who would not mourn that an ample palace, of surpassingly graceful architecture, fill’d with luxuries, and embellish’d with fine pictures and sculpture, should stand cold and still and vacant, and never be known or enjoy’d by its owner? Would such a fact as this cause your sadness? Then be sad. For there is a palace, to which the courts of the most sumptuous kings are but a frivolous patch, and, though it is always waiting for them, not one of its owners ever enters there with any genuine sense of its grandeur and glory. I think of few heroic actions, which cannot be traced to the artistical impulse. He who does great deeds, does them from his innate sensitiveness to moral beauty.
A great waiter died, and all of the other waiters were saddened. At the restaurant, sadness was expressed. Black napkins were draped over black arms. Black tableclothes were distributed. Several nearby streets were painted black—those leading to the establishment in which Guignol had placed his plates with legendary tact. Guignol’s medals (for like a great beer he had been decorated many times, at international exhibitions in Paris, Brussels, Rio de Janeiro) were turned over to his mistress, La Lupe. The body was poached in white wine, stock, olive oil, vinegar, aromatic vegetables, herbs, garlic, and slices of lemon for twenty-four hours and displayed en Aspic on a bed of lettuce leaves. Hundreds of famous triflers appeared to pay their last respects. Guignol’s colleagues recalled with pleasure the master’s most notable eccentricity. Having coolly persuaded some innocent to select a thirty-dollar bottle of wine, he never failed to lean forward conspiratorially and whisper in his victim’s ear, “Cuts the grease.”
We gather here in memory of 20 beautiful children and six remarkable adults. They lost their lives in a school that could have been any school in a quiet town full of good and decent people that could be any town in America. Here in Newtown, I come to offer the love and prayers of a nation. I am very mindful that mere words cannot match the depths of your sorrow, nor can they heal your wounded hearts. I can only hope it helps for you to know that you’re not alone in your grief, that our world, too, has been torn apart, that all across this land of ours, we have wept with you. We’ve pulled our children tight. And you must know that whatever measure of comfort we can provide, we will provide. Whatever portion of sadness that we can share with you to ease this heavy load, we will gladly bear it. Newtown, you are not alone.
How great hath been the number of those who have falsely laid claim to a cause within Islám, and ye followed in their footsteps without having witnessed a single proof. What evidence can ye then produce in the presence of your Lord, if ye do but meditate a while? Take ye good heed in your night lest ye be a cause of sadness to any soul, whether ye be able to discover proofs in him or not, that haply on the Day of Resurrection ye may not grieve Him within Whose grasp lieth every proof. And when ye do not discern God’s testimony in a person, he will verily fail in manifesting the power of Truth; and God is sufficient to deal with him. Indeed on no account should ye sadden any person; surely God will put him to the proof and bring him to account. It behooveth you to cling to the testimony of your own Faith and to observe the ordinances laid down in the Bayán.
At a little before 4 o'clock General Lee shook hands with General Grant... and with Colonel Marshall left the room.... Lee gazed sadly in the direction of the valley beyond where his army lay — now an army of prisoners....All [Union officers present] appreciated the sadness that overwhelmed him, and he had the personal sympathy of everyone who beheld him at this supreme moment of trial....General Grant... saluted him by raising his hat. He was followed in this act of courtesy by all our officers present; Lee raised his hat respectfully and rode off to break the sad news to the brave fellows whom he had so long commanded....The news of the surrender had reached the Union lines, and the firing of salutes began at several points, but the general sent orders at once to have them stopped, and used these words...: 'The war is over, the Rebels are our countrymen again, and the best sign of rejoicing after the victory will be to abstain from all demonstrations in the field.'
American Civil War
• Gen. Horace Porter, account of the Confederate Surrender at Appomattox Court House (9 April 1865).
• Source: Wikiquote: "American Civil War" (Lee surrenders to Grant at Appomattox Court House (9 April 1865))
He who, believing, continues to aspire to the eternal never becomes satiated in such a way that he does not continue blessedly to hunger; he who hopefully looks to the future can never be petrified at some moment by the past, because he always turns his back to it; he who loves God and human beings still continually has enough to do, even when need is the greatest and despair is most imminent. Before he lies down to die, he asks once again: Do I love God just as much as before, and do I love the common concerns of human beings? If he dares to answer in the affirmative, then he does not die or he dies saved; if he dare not, then he certainly has enough to do. Then in love and for the sake of his love he must deliberate whether it is not possible to see, to glimpse, to presage the joy and comfort that still must hide in the sadness, since this must still truly serve him for good.
Two Upbuilding Discourses, 1844
• p. 198-199
• Source: Wikiquote: "Two Upbuilding Discourses, 1844" (Quotes: As translated in Eighteen Upbuilding Discourses, Soren Kierkegaard 1843-1844 (1990) by Howard V. Hong, To Preserve One's Soul in Patience)
We know only fragmentarily this extraordinary thing called life; we have never looked at sorrow, except through the screen of escapes; we have never seen the beauty, the immensity of death, and we know it only through fear and sadness. There can be understanding of life, and of the significance and beauty of death, only when the mind on the instant perceives “what is”.You know, sirs, although we differentiate them, love, death, and sorrow are all the same; because, surely, love, death, and sorrow are the unknowable. The moment you know love, you have ceased to love. Love is beyond time; it has no beginning and no end, whereas knowledge has; and when you say, “I know what love is”, you don’t. You know only a sensation, a stimulus. You know the reaction to love, but that reaction is not love. In the same way, you don’t know what death is. You know only the reactions to death, and you will discover the full depth and significance of death only when the reactions have ceased.
Without rhetorical exaggeration, a simply truthful combination of the miseries that have overwhelmed the noblest of nations and polities, and the finest exemplars of private virtue, forms a picture of most fearful aspect, and excites emotions of the profoundest and most hopeless sadness, counterbalanced by no consolatory result. We endure in beholding it a mental torture, allowing no defence or escape but the consideration that what has happened could not be otherwise ; that it is a fatality which no intervention could alter. And at last we draw back from the intolerable disgust with which these sorrowful reflections threaten us, into the more agreeable environment of our individual life the Present formed by our private aims and interests. In short we retreat into the selfishness that stands on the quiet shore, and thence enjoys in safety the distant spectacle of "wrecks confusedly hurled." But even regarding History as the slaughter-bench at which the happiness of peoples, the wisdom of States, and the virtue of individuals have been victimised the question involuntarily arises to what principle, to what final aim these.enormous sacrifices have been offered.
Ought I not to have been more careful to win the good opinion of others, more determined to conquer their hostility or indifference? It would have been a joy to me to be smiled upon, loved, encouraged, welcomed, and to obtain what I was so ready to give, kindness and goodwill. But to hunt down consideration and reputation — to force the esteem of others — seemed to me an effort unworthy of myself, almost a degradation. A struggle with unfavorable opinion has seemed to me beneath me, for all the while my heart has been full of sadness and disappointment, and I have known and felt that I have been systematically and deliberately isolated. Untimely despair and the deepest discouragement have been my constant portion. Incapable of taking any interest in my talents for their own sake, I let everything slip as soon as the hope of being loved for them and by them had forsaken me. A hermit against my will, I have not even found peace in solitude, because my inmost conscience has not been any better satisfied than my heart.
Whilst my country remains in sorrow and subjection, it would be indelicate of me to participate in the festivities you propose. When she lifts her head and nerves her arm for a bolder struggle — when she goes forth like Miriam, with song and trimble, to celebrate her victory — I too shall lift up my head, and join in the hymn of freedom. Till then, the retirement I seek will best accord with the love I bear her, and the sadness which her present fate inspires. Nor do I forget the companions of my exile. The freedom that has been restored to me is embittered by the recollection of their captivity. My heart is with them at this hour, and shares the solitude in which they dwell. Whilst they are in prison a shadow rests upon my spirit, and the thoughts that otherwise might be free throb heavily within me. It is painful for me to speak. I should feel happy in being permitted to be silent for these reasons you will not feel displeased with me for declining the honours you solicit me to accept.
Thomas Francis Meagher
• Source: Wikiquote: "Thomas Francis Meagher" (Quotes, Declining to accept any public entertainment in his honour, after his escape (1852): Speech, Astor house, New York (10 June, 1852). From Capt. W. F. Lyons, Brigadier-General Thomas Francis Meagher: His Political and Military Career (Burns Oates & Washbourne Ltd, London, 1869), p. 15)
This is my last broadcast as the anchorman of The CBS Evening News; for me, it's a moment for which I long have planned, but which, nevertheless, comes with some sadness. For almost 2 decades, after all, we've been meeting like this in the evenings, and I'll miss that. But those who have made anything of this departure, I'm afraid have made too much. This is but a transition, a passing of the baton. A great broadcaster and gentleman, Doug Edwards, preceded me in this job, and another, Dan Rather, will follow. And anyway, the person who sits here is but the most conspicuous member of a superb team of journalists — writers, reporters, editors, producers—and none of that will change. Furthermore, I'm not even going away! I'll be back from time to time with special news reports and documentaries, and, beginning in June, every week, with our science program, Universe. Old anchormen, you see, don't fade away; they just keep coming back for more. And that's the way it is: Friday, March 6, 1981. I'll be away on assignment, and Dan Rather will be sitting in here for the next few years. Good night.
I felt more keenly than before the need of a philosophy that would do justice to the infinite vitality of nature. In the inexhaustible activity of the atom, in the endless resourcefulness of plants, in the teeming fertility of animals, in the hunger and movement of infants, in the laughter and play of children, in the love and devotion of youth, in the restless ambition of fathers and the lifelong sacrifice of mothers, in the undiscourageable researches of scientists and the sufferings of genius, in the crucifixion of prophets and the martyrdom of saints — in all things I saw the passion of life for growth and greatness, the drama of everlasting creation. I came to think of myself, not as a dance and chaos of molecules, but as a brief and minute portion of that majestic process... I became almost reconciled to mortality, knowing that my spirit would survive me enshrined in a fairer mold... and that my little worth would somehow be preserved in the heritage of men. In a measure the Great Sadness was lifted from me, and, where I had seen omnipresent death, I saw now everywhere the pageant and triumph of life.
Laura and I have come to Blacksburg today with hearts full of sorrow. This is a day of mourning for the Virginia Tech community -- and it is a day of sadness for our entire nation. We've come to express our sympathy. In this time of anguish, I hope you know that people all over this country are thinking about you, and asking God to provide comfort for all who have been affected.Yesterday began like any other day. Students woke up, and they grabbed their backpacks and they headed for class. And soon the day took a dark turn, with students and faculty barricading themselves in classrooms and dormitories -- confused, terrified, and deeply worried. By the end of the morning, it was the worst day of violence on a college campus in American history -- and for many of you here today, it was the worst day of your lives.It's impossible to make sense of such violence and suffering. Those whose lives were taken did nothing to deserve their fate. They were simply in the wrong place at the wrong time. Now they're gone -- and they leave behind grieving families, and grieving classmates, and a grieving nation.
Everything is possible, and yet nothing is. All is permitted, and yet again, nothing. No matter which way we go, it is no better than any other. It is all the same whether you achieve something or not, have faith or not, just as it’s all the same whether you cry or remain silent. There is an explanation for everything, and yet there is none. Everything is both real and unreal, normal and absurd, splendid and insipid. There is nothing worth more than anything else, nor any idea better than any other. Why grow sad from one’s sadness and delight in one’s joy? What does it matter whether our tears come from pleasure or pain? Love your unhappiness and hate your happiness, mix everything up, scramble it all! Be a snowflake dancing in the air, a flower floating downstream! Have courage when you don’t need to, and be a coward when you must be brave! Who knows? You may still be a winner! And if you lose, does it really matter? Is there anything to win in this world? All gain is loss, all loss is gain. Why always expect a definite stance, clear ideas, meaningful words? I feel as if I should spout fire in response to all the questions which were ever put, or not put, to me.
It is beautiful and healthy if a person has been unfortunate in his first love, has learned to know the pain of it but nevertheless remains faithful to his love, has kept his faith in this first love; it is beautiful if in the course of the years he at times very vividly recalls it, and even though his soul has been sufficiently healthy to bid farewell, as it were, to that kind of life in order to dedicate himself to something higher; it is beautiful if he then sadly remember it as something that was admittedly not perfect but yet was so very beautiful. And then sadness is far more beautiful and healthy and noble than the prosaic common sense that has long since finished with all such childishness, this devilish prudence of choir director Basil that fancies itself to be healthy but which is the most penetratingly wasting illness; for what does it profit a man if he gained the whole world but lost his soul? For me the phrase “the first love” has no sadness at all, or at least only a little admixture of sweet sadness; for me it is a password, and although I have been a married man for several years, I have the honor fight to under the victorious banner of the first love.
First love
• Søren Kierkegaard (1843) Either/Or Part Two: Esthetic Validity of Marriage. p. 37
• Source: Wikiquote: "First love" (Sourced)
Energy, confidence, indomitable will, steel rhythm, powerful tone (some times even hard to bear in a small room), a peculiar “epic quality” that scrupulously avoided any suggestion of over-refinement or intimacy (there is none in his music either), yet withal a remarkable ability to convey true lyricism, poetry, sadness, reflection, an extraordinary human warmth, and feeling for nature... were... the principal traits of his pianism. His technique was truly phenomenal, impeccable.... He played quite differently at home than on the concert stage; it was as though he stepped on to the stage clothed not only physically but emotionally in formal dress.... Notwithstanding his outspoken contempt for what is known as “temperamental” performances, he had enough temperament to prevent his playing from sounding dry or emasculated. True, at times he played with such reserve that his performance amounted to a mere exposition; here is my material, he seemed to be saying, understand it and feel it as you please.... The ease (the result of confidence!) with which he tackled some of the most breathtaking passages was truly amazing; he did indeed seem to be “playing” in the literal, almost “sporty” sense of the word (no wonder his enemies called him the “football pianist”). The remarkable clarity and preciseness of the entire musical texture was based on supreme mastery of all the necessary technical media....
It's hard to get good answers to why Young Voters are so uninterested in politics. This is probably because it's next to impossible to get someone to think hard about why he's not interested in something. The boredom itself preempts inquiry; the fact of the feeling's enough. Surely one reason, though, is politics is not cool. Or say rather that cool, interesting, alive people do not seem to be the ones who are drawn to the Political Process. Think back to the sort of kids in high school or college who were into running for student office: dweeby, overgroomed, obsequious to authority, ambitious in a sad way. Eager to play the Game. The kind of kids other kids would want to beat up if it didn't seem so pointless and dull. And now consider some of 2000's adult versions of these very same kids . . . Men who aren't enough like human beings even to dislike—what one feels when they loom into view is just an overwhelming lack of interest, the sort of deep disengagement that is so often a defense against pain. Against sadness. In fact the likeliest reason why so many of us care so little about politics is that modern politicians make us sad, hurt us in ways that are hard even to name, much less to talk about. It's way easier to roll your eyes and not give a shit. You probably don't want to hear about all this, even.
Williams gave tremendous performances in a handful of movies, but it was Williams bottled and, in most cases, domesticated. It didn’t have that free-form, unfettered genius. That said, his nattering sailor in Robert Altman’s messy Popeye was musically dazzling. Even more musical was his performance in Paul Mazursky’s Moscow on the Hudson, in which the sadness of not being able to perform was right there in his eyes. … The combination of mania and melancholy tapped something beautiful in him. In The Fisher King, Williams was also at the height of his powers. He knew how to play a man dangerously in touch with unseen forces, a holy fool, and for once he played opposite actors who were, each in their own way, worthy of him: Jeff Bridges, Mercedes Ruehl, and, most memorably, Amanda Plummer, who should have partnered with him again. We do need to talk about those “domesticated” parts, because they were the ones that won him a huge mainstream audience and, in the case of his avuncular, bearded psychiatrist in Good Will Hunting, an Oscar. This was Williams the crinkle-eyed humanist. … The saddest thing is that Williams never found a collaborator who could give him the combination of structure and freedom in which he could thrive … But you know what? You could put together a highlight reel of Williams’s work …  and see that the measure of the man was vast. Even when his talent was cruelly constricted, his soul was limitless.
Of all the Nations in the world at present we English are the stupidest in speech, the wisest in action. As good as a 'dumb' Nation, I say, who cannot speak, and have never yet spoken,— spite of the Shakspeares and Miltons who skew us what possibilities there are!—O Mr. Bull, I look in that surly face of thine with a mixture of pity and laughter, yet also with wonder and veneration. Thou complainest not, my illustrious friend; and yet I believe the heart of thee is full of sorrow, of unspoken sadness, seriousness,—profound melancholy (as some have said) the basis of thy being. Unconsciously, for thou speakest of nothing, this great Universe is great to thee. Not by levity of floating, but by stubborn force of swimming, shalt thou make thy way. The Fates sing of thee that thou shalt many times be thought an ass and a dull ox, and shalt with a god-like indifference believe it. My friend,—and it is all untrue, nothing ever falser in point of fact! Thou art of those great ones whose greatness the small passer-by does not discern. Thy very stupidity is wiser than their wisdom. A grand vis inertiae is in thee; how many grand qualities unknown to small men! Nature alone knows thee, acknowledges the bulk and strength of thee: thy Epic, unsung in words, is written in huge characters on the face of this Planet,—sea-moles, cotton-trades, railways, fleets and cities, Indian Empires, Americas, New- Hollands; legible throughout the Solar System!
Only a few weeks ago, in the year in which I write, Carl T. Rowan died. Hearing the news, I felt the sadness one feels when a writer dies, a writer one claims as one's own — as potent a sense of implication as for the loss of a body one has known. Over the years, I had seen Rowan on TV. He was not, of course he was not, the young man who had been with me by the heater — the photograph on the book jacket, the voice that spoke through my eyes. The muscles of my body must form the words and the chemicals of my comprehension must form the words, the windows, the doors, the Saturdays, the turning pages of another life, a life simultaneous with mine. It is a kind of possession, reading. Willing the Other to abide in your present. His voice, mixed with sunlight, mixed with Saturday, mixed with my going to bed and then getting up, with the pattern and texture of the blanket, with the envelope from a telephone bill I used as a bookmark. With going to Mass. With going to the toilet. With my mother in the kitchen, with whatever happened that day and the next; with clouds forming over the Central Valley, with the flannel shirt I wore, with what I liked for dinner, with what was playing at the Alhambra Theater. I remember Carl T. Rowan, in other words, as myself, as I was. Perhaps that is what one mourns.
Even if at times I can still experience outwardly some little sadness and joy, nonetheless there is in my soul a chamber in which no joy, sadness, or enjoyment from any virtue, or delight over anything that can be named, enters. This is where the All Good, which is not any particular good, resides, and it is so much the All Good that there is no other good. Although I blaspheme by speaking about it -- and I speak about it so badly because I cannot find words to express it -- I nonetheless affirm that in this manifestation of God I discover the complete truth. In it, I understand and possess the complete truth that is in heaven and in hell, in the entire world, in every place, in all things, in every enjoyment in heaven and in every creature. And I see all this is so truly and certainly that no one could convince me otherwise. Even if the whole world were to tell me otherwise, I would laugh it to scorn. Furthermore, I saw the One who is and how he is the being of all creatures. I also saw how he made me capable of understanding those realities I have just spoken about better than when I saw them in that darkness which used to delight me so. Moreover, in that state I see myself as alone with God, totally cleansed, totally sanctified, totally true, totally upright, totally certain, totally celestial in him. And when I am in that state, I do not remember anything else…
It seems to me that almost all our sadnesses are moments of tension, which we feel as paralysis because we no longer hear our astonished emotions living. Because we are alone with the unfamiliar presence that has entered us; because everything we trust and are used to is for a moment taken away from us; because we stand in the midst of a transition where we cannot remain standing. That is why the sadness passes: the new presence inside us, the presence that has been added, has entered our heart, has gone into its innermost chamber and is no longer even there, - is already in our bloodstream. And we don't know what it was. We could easily be made to believe that nothing happened, and yet we have changed, as a house that a guest has entered changes. We can't say who has come, perhaps we will never know, but many signs indicate that the future enters us in this way in order to be transformed in us, long before it happens. And that is why it is so important to be solitary and attentive when one is sad: because the seemingly uneventful and motionless moment when our future steps into us is so much closer to life than that other loud and accidental point of time when it happens to us as if from outside. The quieter we are, the more patient and open we are in our sadnesses, the more deeply and serenely the new presence can enter us, and the more we can make it our own, the more it becomes our fate.
Howling is the noise of hell, singing the voice of heaven; sadness the damp of hell, rejoicing the serenity of heaven. And he that hath not this joy here, lacks one of the best pieces of his evidence for the joys of heaven; and hath neglected or refused that earnest, by which God uses to bind his bargain, that true joy in this world shall flow into the joy of heaven, as a river flows into the sea; this joy shall not be put out in death, and a new joy kindled in me in heaven; but as my soul, as soon as it is out of my body, is in heaven, and does not stay for the possession of heaven, nor for the fruition of the sight of God, till it be ascended through air, and lire, and moon, and sun, and planets and firmament, to that place which we conceive to be heaven, but without the thousandth part of a minute's stop, as soon as it issues, is in a glorious light, which is heaven, (for all the way to heaven is heaven; and as those angels, which came from heaven hither, bring heaven with them, and are in heaven here, so that soul that goes to heaven, meets heaven here ; and as those angels do not divest heaven by coming, so these souls invest heaven, in their going.) As my soul shall not go towards heaven, but go by heaven to heaven, to the heaven of heavens, so the true joy of a good soul in this world is the very joy of heaven
Heaven
• John Donne in Sermon LXVI in The Works of John Donne: With a Memoir of His Life (1839) edited by Henry Alford, p. 177.
• Source: Wikiquote: "Heaven" (Quotes)
He looked at his watch and as the second hand touched the top stepped up and raised the bugle to the megaphone, and the nervousness dropped from him like a discarded blouse, and he was suddenly alone, gone away from the rest of them. The first note was clear and absolutely certain. There was no question or stumbling in this bugle. It swept across the quadrangle positively, held just a fraction longer than most buglers hold it. Held long like the length of time, stretching away from weary day to weary day. Held long like thirty years. The second note was short, almost too abrupt. Cut short and soon gone, like the minutes with a whore. Short like a ten minute break is short. And then the last note of the first phrase rose triumphantly from the slightly broken rhythm, triumphantly high on an untouchable level of pride above the humiliations, the degradations. He played it all that way, with a paused then hurried rhythm that no metronome could follow. There was no placid regimented tempo to Taps. The notes rose high in the air and hung above the quadrangle. They vibrated there, caressingly, filled with an infinite sadness, an endless patience, a pointless pride, the requiem and epitaph of the common soldier, who smelled like a common soldier, as a woman had once told him. They hovered like halos over the heads of sleeping men in the darkened barracks, turning all the grossness to the beauty that is the beauty of sympathy and understanding. Here we are, they said, you made us, now see us, dont close your eyes and shudder at it; this beauty, and this sorrow, of things as they are.
You, who know better than any one the motley world of cosmopolites, understand why I have confined myself to painting here only a fragment of it. That world, indeed, does not exist, it can have neither defined customs nor a general character. It is composed of exceptions and of singularities. We are so naturally creatures of custom, our continual mobility has such a need of gravitating around one fixed axis, that motives of a personal order alone can determine us upon an habitual and voluntary exile from our native land. It is so, now in the case of an artist, a person seeking for instruction and change; now in the case of a business man who desires to escape the consequences of some scandalous error; now in the case of a man of pleasure in search of new adventures; in the case of another, who cherishes prejudices from birth, it is the longing to find the "happy mean;" in the case of another, flight from distasteful memories. The life of the cosmopolite can conceal all beneath the vulgarity of its whims, from snobbery in quest of higher connections to swindling in quest of easier prey, submitting to the brilliant frivolities of the sport, the sombre intrigues of policy, or the sadness of a life which has been a failure. Such a variety of causes renders at once very attractive and almost impracticable the task of the author who takes as a model that ever-changing society so like unto itself in the exterior rites and fashions, so really, so intimately complex and composite in its fundamental elements. The writer is compelled to take from it a series of leading facts, as I have done, essaying to deduce a law which governs them.
Poor Robin Williams, briefly enduring that lonely moment of morbid certainty where it didn’t matter how funny he was or who loved him or how many lachrymose obituaries would be written. I feel bad now that I was unduly and unbefittingly snooty about that handful of his films that were adjudged unsophisticated and sentimental. He obviously dealt with a pain that was impossible to render and ultimately insurmountable, the sentimentality perhaps an accompaniment to his childlike brilliance. We sort of accept that the price for that free-flowing, fast-paced, inexplicable comic genius is a counterweight of solitary misery. That there is an invisible inner economy that demands a high price for breathtaking talent. … Robin Williams could have tapped anyone in the western world on the shoulder and told them he felt down and they would have told him not to worry, that he was great, that they loved him. He must have known that. He must have known his wife and kids loved him, that his mates all thought he was great, that millions of strangers the world over held him in their hearts, a hilarious stranger that we could rely on to anarchically interrupt, the all-encompassing sadness of the world. Today Robin Williams is part of the sad narrative that we used to turn to him to disrupt. … we must reach inward and outward to the light that is inside all of us … Do you have time to tune in to Fox News, to cement your angry views to calcify the certain misery? What I might do is watch Mrs. Doubtfire. Or Dead Poets Society or Good Will Hunting and I might be nice to people, mindful today how fragile we all are, how delicate we are, even when fizzing with divine madness that seems like it will never expire.
If a kind of love cannot be commanded, we can't build our moral theology of marriage on the presumption that it will be present. Its absence is sad, but this sadness exists, it is very common. We should avoid, I think, using the indicative mood for what is really a commandment like the Scout Law ("A Boy Scout is kind to animals" - it means a Boy Scout ought to be kind to animals). For if we hear: "a Christian couple grow in grace and love together" doesn't the question arise "supposing they don't?" It clears the air to substitute the bite of what is clearly a precept for the sweetness of a rosy picture. The command to a Christian couple is: "Grow in grace and love together." But a joint command can only be jointly obeyed. Suppose it isn't? Well, there remains the separate precept to each and in an irremediably unhappy marriage, one ought still to love the other, though not perhaps feeling the affection that cannot be commanded. Thus the notion of the "marriage debt" is a very necessary one, and it alone is realistic: because it makes no assumption as to the state of the affections. Looking at the rightness of the marriage act like this will help in another way. It will prevent us from assuming that the pleasant affection which exists between a happy and congenial pair is the fulfilment of the precept of love. (It may after all only be a complacent hiving off together in a narrow love.) We ought absolutely not to give out a teaching which is flattering to the lucky, and irrelevant to the unhappy. Looked at carefully, too, such teaching is altogether too rigorist in a new direction. People who are not quite happily married, not lucky in their married life, but nevertheless have a loyalty to the bond, are not, therefore, bound to abstain from intercourse.
Then he turned to Jabez Stone and showed him as he was — an ordinary man who'd had hard luck and wanted to change it. And, because he'd wanted to change it, now he was going to be punished for all eternity. And yet there was good in Jabez Stone, and he showed that good. He was hard and mean, in some ways, but he was a man. There was sadness in being a man, but it was a proud thing too. And he showed what the pride of it was till you couldn't help feeling it. Yes, even in hell, if a man was a man, you'd know it. And he wasn't pleading for any one person any more, though his voice rang like an organ. He was telling the story and the failures and the endless journey of mankind. They got tricked and trapped and bamboozled, but it was a great journey. And no demon that was ever foaled could know the inwardness of it — it took a man to do that. The fire began to die on the hearth and the wind before morning to blow. The light was getting gray in the room when Dan'l Webster finished. And his words came back at the end to New Hampshire ground, and the one spot of land that each man loves and clings to. He painted a picture of that, and to each one of that jury he spoke of things long forgotten. For his voice could search the heart, and that was his gift and his strength. And to one, his voice was like the forest and its secrecy, and to another like the sea and the storms of the sea; and one heard the cry of his lost nation in it, and another saw a little harmless scene he hadn't remembered for years. But each saw something. And when Dan'l Webster finished he didn't know whether or not he'd saved Jabez Stone. But he knew he'd done a miracle. For the glitter was gone from the eyes of the judge and jury, and, for the moment, they were men again, and knew they were men.
My fellow Americans, this day has brought terrible news and great sadness to our country. At 9:00 a.m. this morning, Mission Control in Houston lost contact with our Space Shuttle Columbia. A short time later, debris was seen falling from the skies above Texas. The Columbia is lost; there are no survivors. On board was a crew of seven: Colonel Rick Husband; Lt. Colonel Michael Anderson; Commander Laurel Clark; Captain David Brown; Commander William McCool; Dr. Kalpana Chawla; and Ilan Ramon, a Colonel in the Israeli Air Force. These men and women assumed great risk in the service to all humanity. In an age when space flight has come to seem almost routine, it is easy to overlook the dangers of travel by rocket, and the difficulties of navigating the fierce outer atmosphere of the Earth. These astronauts knew the dangers, and they faced them willingly, knowing they had a high and noble purpose in life. Because of their courage and daring and idealism, we will miss them all the more. All Americans today are thinking, as well, of the families of these men and women who have been given this sudden shock and grief. You're not alone. Our entire nation grieves with you. And those you loved will always have the respect and gratitude of this country. The cause in which they died will continue. Mankind is led into the darkness beyond our world by the inspiration of discovery and the longing to understand. Our journey into space will go on. In the skies today we saw destruction and tragedy. Yet farther than we can see there is comfort and hope. In the words of the prophet Isaiah, "Lift your eyes and look to the heavens. Who created all these? He who brings out the starry hosts one by one and calls them each by name. Because of His great power and mighty strength, not one of them is missing. The same Creator who names the stars also knows the names of the seven souls we mourn today. The crew of the shuttle Columbia did not return safely to Earth; yet we can pray that all are safely home. May God bless the grieving families, and may God continue to bless America.
I am so sick and tired of everyone with their complaints about PTSD, depression. Everyone wants their hand held, and a check – a government check. What are you, the only generation that had PTSD? The only generation that's depressed? I'm sick of it. I can't take the celebration of weakness and depression. See, I was raised a little differently. I was raised to fight weakness. I was raised to fight pain. I was raised to fight depression. Not to give into it. Not to cave into it and cry like a little baby in bed. "Boo-hoo-hoo. Boo-hoo-hoo." Everyone has depression in their life. Everyone has sickness and sadness and disease. And loss of relatives. And loss of career. Everyone has depression in their life. But if the whole nation is told, "boo-hoo-hoo, come and get a medication, come and get treatment, talk about mental illness", you know what you wind up with? You wind up with Obama in the White House and liars in every phase of the government. That's what you wind up with. It's a weak, sick, nation. A weak, sick, broken nation. And you need men like me to save the country. You need men to stand up and say stop crying like a baby over everything. Stand up already. Stop telling me how sick you are and sad you are. Talk about the good things in your life. When have you last heard that? Oh, everyone's holding their hand. "Oh, welcome to Good Morning America, sir. You almost committed suicide, how interesting. Please tell us your story." Maybe a young child who's on the edge can commit suicide. What a country. No wonder we're being laughed at around the world. No wonder ISIS can defeat our military. Take a look at that. Take a look at that, why people aren't even getting married anymore to have children. They don't even have the guts to raise a child. The men are so weak, and so narcissistic, all they want to do is have fun. Bunch of losers. Just go have a brewski and look at the 49ers, you idiot, you. They won't even get married, won't have a child, it takes too much of a man to do that. What a country. You're not a man, you're a dog. A dog raises babies better than most American men do.
It is just as ridiculous to get excited & hysterical over a coming cultural change as to get excited & hysterical over one's physical aging . . . There is legitimate pathos about both processes; but blame & rebellion are essentially cheap, because inappropriate, emotions . . . It is wholly appropriate to feel a deep sadness at the coming of unknown things & the departure of those around which all our symbolic associations are entwined. All life is fundamentally & inextricably sad, with the perpetual snatching away of all the chance combinations of image & vista & mood that we become attached to, & the perpetual encroachment of the shadow of decay upon illusions of expansion & liberation which buoyed us up & spurred us on in youth. That is why I consider all jauntiness, & many forms of carelessly generalised humour, as essentially cheap & mocking, & occasionally ghastly & corpselike. Jauntiness & non-ironic humour in this world of basic & inescapable sadness are like the hysterical dances that a madman might execute on the grave of all his hopes. But if, at one extreme, intellectual poses of spurious happiness be cheap & disgusting; so at the other extreme are all gestures & fist-clenchings of rebellion equally silly & inappropriate—if not quite so overtly repulsive. All these things are ridiculous & contemptible because they are not legitimately applicable . . . The sole sensible way to face the cosmos & its essential sadness (an adumbration of true tragedy which no destruction of values can touch) is with manly resignation—eyes open to the real facts of perpetual frustration, & mind & sense alert to catch what little pleasure there is to be caught during one's brief instant of existence. Once we know, as a matter of course, how nature inescapably sets our freedom-adventure-expansion desires, & our symbol-&-experience-affections, definitely beyond all zones of possible fulfilment, we are in a sense fortified in advance, & able to endure the ordeal of consciousness with considerable equanimity . . . Life, if well filled with distracting images & activities favourable to the ego's sense of expansion, freedom, & adventurous expectancy, can be very far from gloomy—& the best way to achieve this condition is to get rid of the unnatural conceptions which make conscious evils out of impersonal and inevitable limitations . . . get rid of these, & of those false & unattainable standards which breed misery & mockery through their beckoning emptiness.
The gods conform scrupulously to the sentiments of their worshippers: they have reasons for so doing. Pay attention to this. The spirit which favoured the accession in Rome of the god of Israel was not merely the spirit of the masses, but also that of the philosophers. At that time, they were nearly all Stoics, and believed in one god alone, one on whose behalf Plato had laboured and one unconnected by tie of family or friendship with the gods of human form of Greece and Rome. This god, through his infinity, resembled the god of the Jews. Seneca and Epictetus, who venerated him, would have been the first to have been surprised at the resemblance, had they been called upon to institute a comparison. Nevertheless, they had themselves greatly contributed towards rendering acceptable the austere monotheism of the Judaeo-Christians. Doubtless a wide gulf separated Stoic haughtiness from Christian humility, but Seneca's morals, consequent upon his sadness and his contempt of nature, were paving the way for the Evangelical morals. The Stoics had joined issue with life and the beautiful; this rupture, attributed to Christianity, was initiated by the philosophers. A couple of centuries later, in the time of Constantine, both pagans and Christians will have, so to speak, the same morals and philosophy. The Emperor Julian, who restored to the Empire its old religion, which had been abolished by Constantine the Apostate, is justly regarded as an opponent of the Galilean. And, when perusing the petty treatises of Julian, one is struck with the number of ideas this enemy of the Christians held in common with them. He, like them, is a monotheist; with them, he believes in the merits of abstinence, fasting, and mortification of the flesh; with them, he despises carnal pleasures, and considers he will rise in favour with the gods by avoiding women; finally, he pushes Christian sentiment to the degree of rejoicing over his dirty beard and his black finger-nails. The Emperor Julian's morals were almost those of St. Gregory Nazianzen. There is nothing in this but what is natural and usual. The transformations undergone by morals and ideas are never sudden. The greatest changes in social life are wrought imperceptibly, and are only seen from afar. Christianity did not secure a foothold until such time as the condition of morals accommodated itself to it, and as Christianity itself had become adjusted to the condition of morals. It was unable to substitute itself for paganism until such time as paganism came to resemble it, and itself came to resemble paganism.
Magnolia is a film of sadness and loss, of lifelong bitterness, of children harmed and adults destroying themselves. As the narrator tells us near the end, "We may be through with the past, but the past is never through with us." In this wreckage of lifetimes, there are two figures, a policeman and a nurse, who do what they can to offer help, hope and love. … The central theme is cruelty to children, and its lasting effect. This is closely linked to a loathing or fear of behaving as we are told, or think, that we should. … As an act of filmmaking, it draws us in and doesn't let go. It begins deceptively, with a little documentary about amazing coincidences (including the scuba diver scooped by a fire-fighting plane and dumped on a forest fire) … coincidences and strange events do happen, and they are as real as everything else. If you could stand back far enough, in fact, everything would be revealed as a coincidence. What we call "coincidences" are limited to the ones we happen to notice. … In one beautiful sequence, Anderson cuts between most of the major characters all simultaneously singing Aimee Mann's "It's Not Going to Stop." A directorial flourish? You know what? I think it's a coincidence. Unlike many other "hypertext movies" with interlinking plots, Magnolia seems to be using the device in a deeper, more philosophical way. Anderson sees these people joined at a level below any possible knowledge, down where fate and destiny lie. They have been joined by their actions and their choices. And all leads to the remarkable, famous, sequence near the film's end when it rains frogs. Yes. Countless frogs, still alive, all over Los Angeles, falling from the sky. That this device has sometimes been joked about puzzles me. I find it a way to elevate the whole story into a larger realm of inexplicable but real behavior. We need something beyond the human to add another dimension. Frogs have rained from the sky eight times this century, but never mind the facts. Attend instead to Exodus 8:2, which is cited on a placard in the film: "And if thou refuse to let them go, behold, I will smite your whole territory with frogs." Let who go? In this case, I believe, it refers not to people, but to fears, shames, sins. Magnolia is one of those rare films that works in two entirely different ways. In one sense, it tells absorbing stories, filled with detail, told with precision and not a little humor. On another sense, it is a parable. The message of the parable, as with all good parables, is expressed not in words but in emotions. After we have felt the pain of these people, and felt the love of the policeman and the nurse, we have been taught something intangible, but necessary to know.
In Plato, art is mystification because there is the heaven of Ideas; but in the earthly domain all glorification of the earth is true as soon as it is realized. Let men attach value to words, forms, colors, mathematical theorems, physical laws, and athletic prowess; let them accord value to one another in love and friendship, and the objects, the events, and the men immediately have this value; they have it absolutely. It is possible that a man may refuse to love anything on earth; he will prove this refusal and he will carry it out by suicide. If he lives, the reason is that, whatever he may say, there still remains in him some attachment to existence; his life will be commensurate with this attachment; it will justify itself to the extent that it genuinely justifies the world. This justification, though open upon the entire universe through time and space, will always be finite. Whatever one may do, one never realizes anything but a limited work, like existence itself which tries to establish itself through that work and which death also limits. It is the assertion of our finiteness which doubtless gives the doctrine which we have just evoked its austerity and, in some eyes, its sadness. As soon as one considers a system abstractly and theoretically, one puts himself, in effect, on the plane of the universal, thus, of the infinite. … existentialism does not offer to the reader the consolations of an abstract evasion: existentialism proposes no evasion. On the contrary, its ethics is experienced in the truth of life, and it then appears as the only proposition of salvation which one can address to men. Taking on its own account Descartes’ revolt against the evil genius, the pride of the thinking reed in the face of the universe which crushes him, it asserts that, despite his limits, through them, it is up to each one to fulfill his existence as an absolute. Regardless of the staggering dimensions of the world about us, the density of our ignorance, the risks of catastrophes to come, and our individual weakness within the immense collectivity, the fact remains that we are absolutely free today if we choose to will our existence in its finiteness, a finiteness which is open on the infinite. And in fact, any man who has known real loves, real revolts, real desires, and real will knows quite well that he has no need of any outside guarantee to be sure of his goals; their certitude comes from his own drive. There is a very old saying which goes: “Do what you must, come what may.” That amounts to saying in a different way that the result is not external to the good will which fulfills itself in aiming at it. If it came to be that each man did what he must, existence would be saved in each one without there being any need of dreaming of a paradise where all would be reconciled in death.
It was there he composed these most beautiful of short pages which he modestly entitled the Preludes. They are masterpieces. Several bring to mind visions of deceased monks and the sound of funeral chants; others are melancholy and fragrant; they came to him in times of sun and health, in the clamor of laughing children under he window, the faraway sound of guitars, birdsongs from the moist leaves, in the sight of the small pale roses coming in bloom on the snow. … Still others are of a mournful sadness, and while charming your ear, they break your heart. There is one that came to him through an evening of dismal rain — it casts the soul into a terrible dejection. Maurice and I had left him in good health one morning to go shopping in Palma for things we needed at out "encampment." The rain came in overflowing torrents. We made three leagues in six hours, only to return in the middle of a flood. We got back in absolute dark, shoeless, having been abandoned by our driver to cross unheard of perils. We hurried, knowing how our sick one would worry. Indeed he had, but now was as though congealed in a kind of quiet desperation, and, weeping, he was playing his wonderful Prelude. Seeing us come in, he got up with a cry, then said with a bewildered air and a strange tone, "Ah, I was sure that you were dead." When he recovered his spirits and saw the state we were in, he was ill, picturing the dangers we had been through, but he confessed to me that while waiting for us he had seen it all in a dream, and no longer distinguished the dream from reality, he became calm and drowsy while playing the piano, persuaded that he was dead himself. He saw himself drowned in a lake. Heavy drops of icy water fell in a regular rhythm on his breast, and when I made him listen to the sound of the drops of water indeed falling in rhythm on the roof, he denied having heard it. He was even angry that I should intepret this in terms of imitative sounds. He protested with all his might — and he was right to — against the childishness of such aural imitations. His genius was filled with the mysterious sounds of nature, but transformed into sublime equivalents in musical thought, and not through slavish imitation of the actual external sounds. His composition of that night was surely filled with raindrops, resounding clearly on the tiles of the Charterhouse, but it had been transformed in his imagination and in his song into tears falling upon his heart from the sky. … The gift of Chopin is [the expression of] the deepest and fullest feelings and emotions that have ever existed. He made a single instrument speak a language of infinity. He could often sum up, in ten lines that a child could play, poems of a boundless exaltation, dramas of unequalled power.
Mary Poppins advocates the kind of family life that Walt Disney had spent his career both chronicling and helping to foster on a national level: father at work, mother at home, children flourishing. It is tempting to imagine that in Travers he found a like-minded person, someone who embodied the virtues of conformity and traditionalism. Nothing could be further from the truth. Travers was a woman who never married, wore trousers when she felt like it, had a transformative and emotionally charged relationship with an older married man, and entered into a long-term live-in relationship with another woman. As she approached forty, she decided that she wanted a child. After a bizarre incident in which she attempted to adopt the seventeen-year-old girl who cleaned her house, she travelled to Ireland and adopted an infant, one of a pair of twins, and raised him as a single mother. Her reverence for the delights of family life was perhaps as intense as Disney's, but her opinion about the shape such a life might assume was far more nuanced. Children's authors are not known for their happy childhoods, and Helen Goff — the little girl who at twenty-one changed her name to Pamela Travers and never looked back — endured one that was almost archetypal in its sadness and its privations. She was born in Australia in 1899, the eldest daughter in a household of girls. Her father, Travers Goff, was a bank manager and a drinker, and he died when she was seven.... Her mother, Margaret, who was pretty and feckless, soldiered on for a few years, and then, when Helen was ten, she did what a mother is never supposed to do. She gave up. One night, in the middle of a thunderstorm, Margaret left Helen in charge of the two younger children, telling her that she was going to drown herself in a nearby creek. As an old woman, Travers wrote about the terrifying experience: "Large-eyed, the little ones looked at me — she and I called them the little ones, both of us aware that an eldest child, no matter how young, can never experience the heart's ease that little ones enjoy." Helen stirred the fire and then they all lay down on the hearth rug and she told them a story about a magical flying horse, with the small ones asking excited questions ("Could he carry us to the shiny land, all three on his back?"). As she tried to distract her siblings, she worried about the future. ... Margaret came back that night, having been unsuccessful in her suicide attempt, but Helen's mind was made up. She no longer cleaved to her unreliable, dithering mother but, rather, to a formidable maiden great-aunt, Helen Morehead. Aunt Ellie, as she was called, bossed everyone around, but her fierceness disguised a kindness she would have been embarrassed to admit. ... Obviously, Travers did not write her books to commemorate a happy childhood, but she did seem interested in rewriting her bad one. The Banks family is a reformed version of the Goffs, their charming features magnified and their failures burnished away. Father is a banker, although not a drunk; mother is a flibbertigibbet, although not a suicidal one. And Mary Poppins, like Aunt Ellie, is the great deflater, the enemy of any attempt at whimsy or sentiment.
[After Data Sora defeats a Bug-based Riku, the Journal's data is restored.] Journal: You did it! Nice work, Sora Data Sora: Thanks Journal: The bug tied to use my power for itself, didn't it? Data Sora: Yeah...How'd you know? Journal: Just one of those gut feelings. I thought it might try to exploit the darkness inside me. Maybe...I've been a little jealous. You're always surrounded by friends who trust you and are there to support you-- Data Sora: Okay, stop right there. First of ll, I trust you.Second of all, my friends are your friends, too. Just ask'em! Mickey: Riku! Sora! Are you two all right in there? Donald: Squish some bugs for me, would ya? Goofy: A-hyuk! Just holla if you need some help! Journal: Heh heh. Okay, you win. Data Sora: C'mon. They're all waiting for us! [The area rumbles.] Data Sora: Um, Riku... Journal: No! Sora you've got to escape right now. Someone's trying to close the road back to the outside world! Hurry, or you'll be trapped in here. Data Sora: O-okay! I'm going! [A portal opens] Journal: There's the exit. Thanks again. I'll see you on the other side! Data Sora: That's a promise! [Sora makes it out, ending up in another part of Hollow Bastion.] Data Sora: Whew, made it out. Hey! What is that... Maleficent: You should have stayed inside, boy. There, the worst fate to befall you would have been eternal slumber. Data Sora: Maleficent! You did that? Yeesh. When are you gonna quit? Maleficent: Oh, I've only just begun. Such a shame you understand so little of the darkness. The world desires its embrace! Data Sora: Yeah, right. Maleficent: There is nothing in darkness. No sadness, no cause for hurt...In darkness, one cannot see one's mistakes, or the dreams that failed to be. Data Sora: And they'll never know happiness, either, or what it is to have fun! You can't force the darkness on a world that never asked for it. That's just giving yourself what YOU want! Maleficent: And what is wrong with that? After all, the Mistress f All Evil has the right...and the POWER to see it done! Data Sora: If you won't listen to reason, I'll have to stop you by force. Maleficent: At last, we agree. I shall put a stop to your meddling here and now! [Maleficent assumes her dragon form and attacks Data Sora. The fight ends with Maleficent gone.] Data Sora: You can't have this world! Maleficent (voice): All world are mine, boy! One day, you shall see... Goofy: Sora! He's back, fellas! Donald: Bout time! Goofy was worried. Mickey: Welcome back, Sora. I sure s glad you're not hurt. Data Sora: Mickey! Guys! You'd never believe the stuff I saw. Mickey: Well, good news: You did it! The last of the bugs has been wiped from the datascape. I can't thank you enough. Data Sora: Always happy to help. Hey! Where's Riku? Is he okay? Journal: Fine. Sorry to put you through all that. Data Sora: There you are! Journal: Looks like we managed to keep promise. Data Sora: 'course! Journal: I wish we had time to sit and chat, but Mickey and the others need to hurry. This way, guys. [The Journal conjures a portal.] Journal: As promised, here's your road home to the real world Mickey: Then, this is it...Time to say good-bye to the datascape Jiminy: Truth be told, I'm sad to go. It sure was something to explore the inside of my journal! Data Sora: Well, you can come back any time! Goofy: Yep! Hey, next time, let's bring the whole gang! Donald: That sounds like fun! Journal: Actually...there's something important I haven't told you. [The Journal can find the words to say the vital information.] Journal: You know what? I shouldn't keep you any longer. I can tell you after you've made it through. Mickey: Well...all right. Thanks for all your help! You two take care now. Data Sora: We'll see you soon!

End Sadness Quotes